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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Archives for September 2023

Richard J. Clark · September 21, 2023

Antiphons Vs. Hymns • A “Both/And” Church

“[T]he primordial question is centered on how the hymn or antiphon will help the assembly enter more deeply into the mystery being celebrated.” — Christopher Ferraro

Cynthia Ostrowski · September 20, 2023

What Robert Did to My Graphics

“Dear Cynthia: I landed on your website while searching for…”

Jeff Ostrowski · September 20, 2023

“Glory To God” • (For Choir + Congregation)

I wish to thank everyone for the nice comments I received vis-à-vis my Glory To God setting for Choir & Congregation. A gentleman with a musical doctorate from Indiana University wrote: “Love this setting so much. And I will pray, as you asked, for your return to composition more fully. You are very very good.” […]

Dr. Lucas Tappan · September 20, 2023

This Sunday! • Q&A “Developing a Youth Choir Program”

I will be privileged to field your questions alongside two well known and widely respected church musicians: Mary Ann Carr Wilson and Jennifer Donelson-Nowicka.

Jeff Ostrowski · September 20, 2023

PDF Download • “Glory To God” for Congregation & Choir (Mass of Saint Noël Chabanel)

My setting begins with the entire congregation singing—but the middle section is SATB polyphony.

Jeff Ostrowski · September 19, 2023

Gregorian Chant Introit • (Sung According to the Official Rhythm of the Catholic Church)

This coming Sunday is the 17th Sunday after Pentecost (EF).

Jeff Ostrowski · September 19, 2023

(Quiz) • “How Well Do You Know Your Hymns?”

Including a tip on preventing choirs from ‘sinking’ the pitch lower and lower.

Jeff Ostrowski · September 18, 2023

William Byrd • “Mass for Five Voices”

Our volunteer choir is learning the “Sanctus” from William Byrd’s Mass for Five Voices. You can hear a short excerpt (recorded last Sunday) but please ignore the sound of babies crying: Mp3 recording. We still have work to do—but we’re on the right track. Once we have some of the tuning issues fixed, I desire […]

William J. Fritz · September 17, 2023

Enter the Gregorian Rhythm Wars

My goal is to clarify and illumine what I believe exactly is at stake when we debate the rhythm in chant. I shall first attempt to summarize the core arguments that each of the main authors in this blog series use.

Jeff Ostrowski · September 17, 2023

“Baptism” • A Unique Hymn

Father Christopher Phillips is the founding Pastor of Our Lady of the Atonement Catholic Church. One of his hymns is unique and (in my humble opinion) quite beautiful. His hymn is basically a prayer to the Holy Trinity but also speaks of Baptism and the Holy Eucharist. It would be an ideal Communion hymn on […]

Patrick Williams · September 16, 2023

Gregorian Rhythm Wars • “Mocquereau on Trial” (16 Sep 2023)

“The burden of proof is on the one who persists in ignoring the evidence.” —Patrick Williams

Keven Smith · September 15, 2023

Implementing a Private Lesson Program for Your Choir

How to sell the idea to your singers, and what to teach them. (Part 2 of 2)

Follow the Discussion on Facebook

Jeff Ostrowski · September 15, 2023

For the Record: “Jeff Plays Organ”

Twenty-five years ago, if you’d told me I would end up as an organist, I would have laughed. But God seems to have had a different plan! I intend to record every hymn in the Brébeuf Hymnal on the pipe organ (if our Savior gives me the time and energy). You can hear my first recording […]

Jeff Ostrowski · September 14, 2023

Natália Explains: “Why You Should Care About Shared Melodies.”

Everything’s going great, until you start playing…

Jeff Ostrowski · September 14, 2023

Traditional Latin Mass with Vernacular (!) Ordinary at High Mass in the 1600s

I will let you in on a secret!

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • “My First Year with the Latin Mass” • A Music Director’s Perspective
  • Boston Auxiliary Bishop: “In offering the Traditional Mass for the first time, after removing the vestments, I knelt in the back pew and wept.”
  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025

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