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Views from the Choir Loft

Archives for May 2015

Richard J. Clark · May 22, 2015

Veni Sancte Spiritus | Two Free Resources

Two free resources for the Pentecost Sequence, “Veni Sancte Spiritus”

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Jeff Ostrowski · May 22, 2015

“Veni Creator Spiritus” • With An English Translation By Fr. Adrian Fortescue

A plenary indulgence can be gained by singing the “Veni Creator Spiritus” publicly on Pentecost.

Andrew Leung · May 21, 2015

Is There a Best Way to Receive Communion?

Receiving in the hand or on the tongue? Standing or kneeling?

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Jeff Ostrowski · May 20, 2015

Review • “American Catholic Hymnbook” (1992)

“Hymns that are directed to the Trinity should not be used, no matter how familiar they may be.”

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Dr. Lucas Tappan · May 19, 2015

One Sure Way To Destroy Your Child’s Musical Potential

If you couldn’t sing, you wouldn’t be able to talk.

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Jeff Ostrowski · May 18, 2015

Josef Cardinal Frings & Pope Benedict XVI

Joseph Ratzinger, an expert at the Council, was also the private secretary of Cardinal Frings, Archbishop of Cologne.

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Jeff Ostrowski · May 18, 2015

PDF Downloads • Vernacular Mass Settings Published During The 1960s

If they were set upon avoiding the word “men,” I wish ICEL would have done something like “peace on earth to *those* of good will.”

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Jeff Ostrowski · May 18, 2015

Loading Choir Binders • Take II

I’m afraid this article has no point.

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Jeff Ostrowski · May 16, 2015

Ascension • A Gorgeous Illumination

“We pay more attention to singing when we are nervous.”

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Jeff Ostrowski · May 16, 2015

Resources • Sunday after the Ascension (1962 Missal)

We are getting close to Pentecost, when the FSSP Superior General will visit our parish.

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Jeff Ostrowski · May 16, 2015

“Veni Sancte Spiritus” • Sing Directly From An Ancient Manuscript!

Including an (optional) organ accompaniment you won’t want to miss!

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Veronica Brandt · May 16, 2015

Memento Rerum Conditor

The hymn most frequently appearing in the Little Office of the Blessed Virgin Mary has finally made it to youtube!

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Richard J. Clark · May 15, 2015

Do not mistake competence for conservatism.

The more knowledgeable a musician is about the Roman Rite, the Vatican II documents, and the GIRM, the more likely that musician is to be labeled “conservative” in their views. This is nonsense.

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Andrew Leung · May 14, 2015

Novus Ordo Can Be Done Well!

The Novus Ordo Mass can be done well—St. Josemaria and his successor did it!

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Jeff Ostrowski · May 13, 2015

“Omnes Gentes Plaudite” • Sequence For Ascension

“The Staff used by Christ was the Cross…”

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Corpus Christi Watershed

President’s Corner

    Calling Dr. Weaver!

    A remarkable exposition of the “mora vocis” (published in 1953 in the Netherlands) which doesn’t shy away from a certain item!

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    —Jeff Ostrowski
    SLANE • “Simplified” Keyboard Arr.

    Do you know ‘SLANE’ the hymn tune?

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    —Jeff Ostrowski
    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

Recent Posts

  • Why I Never Write Articles for Corpus Christi Watershed Anymore
  • Calling Dr. Weaver!
  • “A Catholic Choir Director’s Decalogue” • Jeff’s Personal Odyssey (10 Points)
  • SLANE • “Simplified” Keyboard Arr.
  • “Taking Over an Inner City School Choir” • Rebecca’s Story

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