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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Novus Ordo Can Be Done Well!

Andrew Leung · May 14, 2015

CTL Novus Ordo can be done Well HANKS TO our beloved Pope Emeritus Benedict XVI, the Extraordinary Form Mass of the Roman Rite can be said by any priest at anytime now. And it is being said throughout the whole world now. However, a new “problem” is coming up. Have you said or heard others say something like: “the Extraordinary Form (EF) is just better than the Ordinary Form (OF)”; or “the OF is done so bad and it is not even valid”; or other similar words and negative ideas of the Mass? The reality is that our Lord is present at every valid Mass and the miracle of Transubstantiation happens at both EF and OF. The priest acts as Christ himself—in persona Christi—in the Mass whether it is EF or OF. Having preferences is fine, but to dislike one of the Forms itself may be a problem.

In the recent time of the Church’s history, a very holy priest wrote this famous line:

“The Mass is long,” you say, and I reply: “Because your love is short.”|

And yes, the holy priest is St. Josemaría Escrivá, the founder of Opus Dei and my favorite saint. This line is from his book The Way. He has a great love for the Liturgy and he encourages everyone else to have the same love. Under his guidance, the priests of Opus Dei devote their lives saying the Novus Ordo Mass faithfully and in a very traditional way. This video of their 2015 Ordination reminds me of how well they celebrate the Mass. But what I really want to share is the video below. This is the highlights of the Mass of Thanksgiving for the Beatification of Álvaro del Portillo, the successor of St. Josemaría. It was celebrated in Madrid by Bishop Echevarría Rodríguez in Madrid back in September of 2014:


The video of the whole Mass can be found here. I noticed a few things from this Mass that we don’t always see in the OF Mass:

• The noble simplicity of the Bishop’s vestments and the setup of the sanctuary|
• The Mass was sung in Latin; the Bishop chanted all the prayers and the dialogues|
• The homily was given from the “throne”|
• The Bishop held his fingers together when holding the chalice and after the Consecration|
• Communion was received kneeling and on the tongue; patens were used at all the stations

If you like watching the videos of Masses with Pope Benedict, you will like watching this Mass too. The Novus Ordo can be done well and this is a great example. It was celebrated recently, publicly, and in the presence of so many Catholic prelates.

Those interested in St. Josemaría and the Liturgy will enjoy the following three short paragraphs, taken from The Way :

Show veneration and respect for the holy liturgy of the Church and for its ceremonies. Observe them faithfully. Don’t you see that, for us poor humans, even what is greatest and most noble enters through the senses?

The Church sings, it has been said, because just speaking wouldn’t satisfy its desires for prayer. You, as a Christian—and a chosen Christian—should learn to sing the liturgical chant.

“Let’s burst into song!” said a soul in love, after seeing the wonders that our Lord was working through his ministry. And the same advice I give to you: Sing! Let your grateful enthusiasm for your God overflow into joyous song.




NOTES FROM THIS ARTICLE:

Editor’s Note • There is a rumor that St. Josemaría Escrivá offered the 1962 Missal exclusively. If this is true, it does not have an important bearing upon this beautiful article by Andrew Leung, since he focuses on the Opus Dei priests. The Opus Dei priests offer the Ordinary Form.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Josemaria Escriva Novus Ordo Liturgy Last Updated: January 1, 2020

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About Andrew Leung

Andrew Leung currently serves the music director of Vox Antiqua, conductor of the Cecilian Singers, and music director at Our Lady of China Church.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“If you begin by telling a man that in a word like ‘Deus’ the first syllable corresponds to the weak beat, the second to the strong beat of a modern bar, the one thing that will succeed in accomplishing is to bewilder him thoroughly.”

— Father Heinrich Bewerunge writing to Dame Laurentia

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  • “Dies Irae” • A Monstrous Translation

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