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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Roman Missal Third Edition

Fr. David Friel · June 21, 2015

Is the 1998 ICEL Missal Translation Worth Another Look?

When reading certain publications, one gets the sense that every Catholic in the world is up-in-arms about the present translation.

Veronica Brandt · May 30, 2015

The Key for Singing an OF Mass for the EF Musician

It’s almost 5 years since the new translation came out, but some EF musicians still haven’t caught up. Here are some pointers for the musician who has been hiding under a musical rock for a decade.

Fr. David Friel · March 1, 2015

Basking in Beauty’s Glow

Taking the Time to Ponder

Fr. David Friel · November 30, 2014

Three Years Later

Blessings of the New Translation of the Roman Missal, Third Typical Edition

Fr. David Friel · November 23, 2014

What Will ICEL Do Next?

Msgr. Andrew Wadsworth gives details on what ICEL is doing now that the Roman Missal project has been completed.

Jeff Ostrowski · November 6, 2014

Those Selfless Ordinary Form Priests

Yesterday evening—on his day off, after another Mass he’d offered—I observed an OF priest saying the 1962 Missal in his private chapel.

Andrew R. Motyka · September 2, 2014

Weddings: Some Practical Advice – The End of the Beginning, Part 2

Finally getting through the Introductory Rites of the Nuptial Mass.

Fr. David Friel · August 13, 2014

Assumption Mass

Msgr. Andrew Wadsworth will celebrate a Solemn High Mass in the Extraordinary Form this Friday evening in Philadelphia.

Jeff Ostrowski · July 18, 2014

Inaccurate Statements About Translations Of The Mass Propers (A Pet Peeve)

The quickest way to make this clear to a skeptical priest or liturgist is to request that they bring you some Offertory antiphons from MR3. (They don’t exist!)

Fr. David Friel · June 29, 2014

Strong with God’s Strength

Saints Peter & Paul

Fr. David Friel · June 8, 2014

Pentecost: Babel, Tongues, & Latin

Do churchgoers of my generation—who, largely, have no experience of Latin in the liturgy at all—even recognize the gift that has been lost?

Richard J. Clark · May 30, 2014

Mass in Honor of the Blessed Virgin Mary, Star of the Sea

Michael Olbash’s “Mass in Honor of the Blessed Virgin Mary, Star of the Sea” demonstrates the mandate of Pope Saint Pius X that music for the liturgy be Sacred, Beautiful, and Universal.

Richard J. Clark · April 11, 2014

Mass of the Angels | Congregational Mass Setting in English

“My opinion is that this is one of the best congregational settings of the new texts.” — Adam Wood

Fr. David Friel · March 16, 2014

Being Amazed

The Fullness of Beauty

Fr. David Friel · March 9, 2014

Steering Wedding Dates away from Advent & Lent

Embracing the Spirit of the Liturgical Calendar

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

Don Fernando de las Infantas wrote to the Pope, trying to get him to stop Palestrina from corrupting all the plainsong editions: “The errors which certain musicians, in all good faith, think they have found in plainchant are not errors at all, but on the contrary contain some of the most beautiful musical passages ever written.”

— Don Fernando de las Infantas (1578 A.D.)

Recent Posts

  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”

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