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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Assumption Mass

Fr. David Friel · August 13, 2014

OR ALL THOSE in striking distance of the Delaware Valley, please make note of the open invitation to the Assumption Mass being offered this Friday evening in Philadelphia. The Assumption Mass tradition began fourteen years ago as an act of gratitude to God for the establishment of Mater Ecclesiae, the first diocesan-owned and staffed TLM parish in the United States (part of the Camden Diocese). This is the first year that the Mass will be celebrated in the Cathedral Basilica of Ss. Peter & Paul in Philadelphia.

The Celebrant of the Mass, who will also deliver the sermon, is Msgr. Andrew Wadsworth. Originally a priest of the Diocese of Westminster, London, he is now the superior of the Oratorian Community of St Philip Neri, an oratory in formation in the Archdiocese of Washington. Msgr. Wadsworth has also served as Executive Director of the International Commission for English in the Liturgy (ICEL) since 2009, responsible for the English translations of Latin liturgical texts for use in the Anglophone world.

Each year, the Assumption Mass features terrific orchestral and choral music. This year, the Ordinary of the Mass will be the Missa in Angustiis, or “Lord Nelson Mass,” of Franz Joseph Haydn, sung with full orchestra. Other works will include the motets Salve Regina by Antonio Salieri, Salutatio D.N.I.C. by Ludwig Senfl, Beata Viscera Gregor Aichinger, the Adagio from Tomaso Albioni’s Concerto for 2 Oboes in G Major, the Hodie Maria Virgo by Luca Marenzio, and the Tantum Ergo by Mozart. The postlude will be Concerto for 2 trumpets in D Major by Giuseppe Maria Jacchini. The traditional hymns O Sanctissima and Hail, Holy Queen, arranged by the Music Director, Dr Timothy McDonnell, will also be sung.

This Solemn High Mass of the Assumption, celebrated in the Extraordinary Form, will begin at 7 PM at the Cathedral Basilica of Ss. Peter & Paul (18th Street & Benjamin Franklin Parkway). All are welcome.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Beauty in the Catholic Liturgy, Extraordinary Form 1962 Missal, Latin Mass, Roman Missal Third Edition, Summorum Pontificum, Traditional Latin Mass Tridentine Rite Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

Although the New Testament is now so much more important to us than the Old, we must remember that the archetype of the Canon of Scripture is the Old Testament. At first that was the whole Bible, to Christians as to Jews. When the apostles speak of “Scripture” they mean the Old Testament only. Indeed, the way in which the books of the New Testament came to be considered canonical was by making them equal to those of the Old.

— Rev’d Doctor Adrian Fortescue

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  • “Music List” • 15th in Ordinary Time (Year C)
  • Worship the Lord in Holy Attire

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