In Praise of Adaptability
A proposal: if we are going to study something as important and mysterious as Gregorian chant, we ought to be able to perform it convincingly in several different ways.
Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”
A proposal: if we are going to study something as important and mysterious as Gregorian chant, we ought to be able to perform it convincingly in several different ways.
Dom Mocquereau’s editions are a compromise between tradition and paleography. This explains his sometimes surprising semiological conclusions.
“It is disingenuous and ludicrous to inject the notion of hallucination and magic into the historical narrative.” —Patrick Williams
“If a picture is worth a thousand words, then a video has to be worth at least 1.8 million words.” —Dr. James McQuivey
“This has nothing to do with tradition; it is shallow anti-intellectualism, lack of critical thinking, and aesthetic preference masquerading as obedience.” —Patrick Williams
Years ago, I struggled with being a “people pleaser.” (That means saying whatever will please the person standing in front of you.)
I don’t think our readers are interested in what we say about Gregorian rhythm—they’re interested only in what we can demonstrate.
“Perhaps surprisingly, not one word of three syllables in the ancient Easter sequence ‘Laudes Salvatori voce’ is sung to the rhythm of a dactyl.” —Alasdair Codona
“We got to this point because we questioned unfounded claims.” —Patrick Williams
Let there be no mistake about it: Dom Mocquereau (illicitly) added the “salicus” in hundreds of places where the official edition has none.
“Hardly any of this made-up system has its basis in medieval music theory or in the manuscripts themselves.”—Patrick Williams
The beginnings of a response to mensuralism from the classic Solesmes point of view.
“With my questions unanswered by those objecting to rhythmic markings based on the oldest sources, it is difficult to take their arguments seriously.” —Patrick Williams
“May our voices be the instruments through which God breathes new life into the ancient chants of the Catholic Church, decrepit through centuries of neglect and misinterpretation!” —Patrick Williams
“The problem with semiology is not that it neglects the rhythmic indications of the oldest sources, but rather that it overinterprets them, like the nuance theory on steroids.” —Patrick Williams
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