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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Gregorian Chant

Jeff Ostrowski · June 18, 2020

“Society of Saint Bede” • Free Liturgical Resources

From what I can tell, the website has been around since 2012.

Follow the Discussion on Facebook

Keven Smith · June 15, 2020

Real Life in a Large Church Choir Program (Part II)

Yes, children as young as seven or eight will focus and listen as you’re teaching them solfege scales, rhythm patterns, beautiful Latin vowels, and more!

Follow the Discussion on Facebook

Veronica Brandt · May 16, 2020

Regina Caeli: How Good do you Need to Be to Sing Polyphony?

To sing at Mass though, you need more than just being able to finish together.

Andrea Leal · January 29, 2020

In Which a Neo-Pagan Converts

I could feel that this Glory was immense, and mysterious, and real. But I could not quite grasp what that meant for me or what I should even do about it.

Richard J. Clark · July 5, 2019

In Gratitude for Choral Singers

I am deeply grateful to faith-filled choral singers because of their willingness to understand these 10 things

Fr. David Friel · February 23, 2019

New Resource! • Chant Videos for Treble Voices

A new website seeks to record the full Gregorian propers each week using a treble voice.

Fr. David Friel · January 13, 2019

Two February Workshops

A Symposium in Chicago and the Winter Pastoral Chant Conference in Indiana

Richard J. Clark · June 29, 2018

Gregorian Impressions • Plainchant Settings for Organ

A new collection of organ works based on familiar and beloved plainchants

Fr. David Friel · June 16, 2018

Sacred Music Camp in Allentown, NJ

New Opportunity for Children Grades 3–12

Fr. David Friel · May 6, 2018

The Wethersfield Institute Chant Workshop

The focus of this workshop is training in the singing, teaching, and directing of Gregorian chant.

Fr. David Friel · April 1, 2018

Summer Chant Courses—Dunwoodie

Two course offerings from the St. Cecilia Academy for Pastoral Musicians

Fr. David Friel · December 24, 2017

Lux Fulgebit: Mass at Dawn of Christmas Day

New recording by the Schola Cantorum of St. Mary’s Church in Norwalk, CT

Fr. David Friel · October 8, 2017

In the Beauty of Holiness: Music and the Transcendent

New Lecture Series at the International Institute for Culture

Jeff Ostrowski · May 30, 2017

Psalm Tones Beyond A Doubt

You will want to download this PDF.

Fr. David Friel · May 14, 2017

Podcast on Sacred Music

An interview with the blog, “Seminarian Casual”

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Corpus Christi Watershed

President’s Corner

    Spectacular Communion Setting!
    The FAUXBOURDON setting of the Communion for the Baptism of the Lord (which will occur this coming Sunday) strikes me as quite spectacular. The verses—composed by the fifth century Christian poet, Coelius Sedulius—come from a long alphabetical acrostic and are deservedly famous. The feast of the LORD’S BAPTISM was traditionally the octave day of Epiphany, but in the 1962 kalendar it was made ‘more explicit’ or emphasized. The 1970 MISSALE ROMANUM elevated this feast even further.
    —Jeff Ostrowski
    PDF • “Music List” (Sunday, 11 January)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for Feast of the Baptism of the Lord (SUNDAY, 11 January 2025). If such a thing interests you, feel free to download it as a PDF file. The FAUXBOURDON verses for the Communion Antiphon—to say nothing of the antiphon itself—are breathtaking. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Epiphany Hymn • “New 2-Voice Arrangement”
    The Von Trapp Family Singers loved a melody that was featured heavily (perhaps even “too heavily”) in the Brébeuf Hymnal. It goes by many names, including ALTONA, VOM HIMMEL HOCH, and ERFURT. If you only have one man and one woman singing, you will want to download this arrangement for two voices. It really is a marvelous tune—and it’s especially fitting during the season of Christmas and Epiphany.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

The ratio of voices in modern choirs is usually wrong. Basses should be numerically greatest, then altos, then tenors, then sopranos. One good soprano can carry a high “A” against 30 lower voices.

— Roger Wagner

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