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Views from the Choir Loft

Gregorian Chant

Dr. Charles Weaver · February 24, 2021

Solmization from the Inside

What if we take medieval music pedagogy seriously? Do its methods have anything to offer us today?

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Fr. David Friel · February 7, 2021

Musical Notation for New EF Prefaces

Facilitating the chanting of the seven prefaces permitted by “Quo magis”

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Fr. David Friel · January 16, 2021

Thou Hast Saved the Good Wine until Now

Reflections on the communion chant for the Second Sunday after Epiphany

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Keven Smith · December 28, 2020

Start the New Year Right with a Spectacular Alleluia

If you attend the Extraordinary Form, the Alleluia for the Octave of the Nativity will enable you to start the New Year with a bang.

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Fr. David Friel · December 6, 2020

The Prophet Baruch: Surge, Ierusalem, Look to the East!

The communion chant for the Second Sunday of Advent, together with the introit and offertory, invite us to reflect on the Holy City, Jerusalem.

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Jeff Ostrowski · November 19, 2020

PDF Download • Several Useful Plainsong Books

“Variae Preces” (1892) — “Cantus Varii” (1902) — “Cantus Varii” (1928) — “Cantus Selecti” (1957)

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Keven Smith · November 2, 2020

Place Me Among the Sheep, Not the Goats

The Dies Irae is part of why my choir prefers singing Requiems to Nuptial Masses. Here’s why you should spend a few minutes with this Sequence on All Souls Day.

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Fr. David Friel · October 12, 2020

Sacred Music Boot Camp 2020

Three days of practical chant instruction and immersion in the treasury of Catholic sacred music

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Fr. David Friel · September 16, 2020

Solesmes Publishes “Antiphonale Romanum I” for Lauds

This 2020 chant edition makes possible the chanting of Lauds according to the Liturgy of the Hours.

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Keven Smith · September 14, 2020

Graduale Renovatum: New Resource Brings Chant Rhythm to Life

These intuitive manuscripts give singers the information they need to bring out the oft-ignored nuances of chant rhythm.

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Keven Smith · August 11, 2020

Why Are You a Church Musician, Anyway?

(Keven Smith) • Now is the perfect time for us all to stop and reflect on where we came from as church musicians. What was it that first made you interested in singing, directing, or playing the organ?+

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Keven Smith · June 29, 2020

Real Life in a Large Church Choir Program (Part IV of IV)

We come now to the final installment in my series on our music program at St. Stephen the First Martyr Catholic Church in Sacramento, California.

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Guest Author · June 29, 2020

Chanting and Spiritual Health

In a time of contagion and social unrest, we need plainchant more than ever, even when we stay home.

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Jeff Ostrowski · June 27, 2020

Sister Goodchild • “Gregorian Chant for Church and School”

This 130-page book can be downloaded for free.

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Jeff Ostrowski · June 18, 2020

“Society of Saint Bede” • Free Liturgical Resources

From what I can tell, the website has been around since 2012.

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”
    When it comes to the Latin language, accent marks aren’t placed on 2-syllable words, because doing so would be excessive. In other words, if a Latin word has two (2) syllables, the first syllable always gets the accent—so there’s no need to mark it. Nevertheless, as the years went on, the ABBEY OF SOLESMES began placing accents on 2-syllable words throughout their publications. Yet, they made exceptions for certain words, and nobody can explain why. For example, they never put an accent on the word simul in Latin, as far as I can tell. Download this PDF file if you wish to see with your own eyes. It seems they omit the accent mark about 20% of the time, which eliminates the possibility of oversight.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“We wish to express the hope that students of Gregorian Chant come back to the pure Vatican Edition, in the ancient block-note form, without the addition of any signs whatever, in order to achieve Gregorian unity.”

— Josef Gogniat (12 March 1938)

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  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)

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