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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Society of Saint Bede” • Free Liturgical Resources

Jeff Ostrowski · June 18, 2020

ELOW is a website I recently discovered. It is called Society of Saint Bede and offers free liturgical resources. I have not been able to locate any information about who creates the website, but it seems to have been created in the United Kingdom. I prefer when websites provide information about who is “behind the curtain”—such as what Corpus Christi Watershed provides at the ABOUT US website. Maybe someday, the Saint Bede people will reveal more about themselves, but until such time I don’t wish to speculate. 1

*  PDF Download • “Society of St Bede” • Free Liturgical Resources

From what I can tell, the website has been around since 2012. They seem to provide some very useful “out of the ordinary” things, such as a Booklet for First Vespers of the Immaculate Conception. They also re-typeset rare examples of plainsong which I have never heard of, such as this hymn to the Blessed Virgin Mary, including an English translation. In a certain sense, the people at the Saint Bede website seem to be in “spiritual union” with the Brébeuf hymnal, inasmuch as they seem to spend a lot of time writing out each verse of hymns, such as they did for the beautiful hymn called Præclara Custos Virginum. For myself, I am not a fan of the artwork they have on their page, but Father Valentine used to say: de gustibus non est disputandum (“About taste let there be no dispute”).

They include a copy of Jesu Nostra Redemptio, a beautiful hymn featured prominently in the Saint Jean de Brébeuf Hymnal. If you notice, they claim to have access to a “1909 Liber Usualis.” If that is true, I would love to see that book—because I don’t believe the Antiphonale Romanum had been released in 1909.

 


NOTES FROM THIS ARTICLE:

1   I’ve seen other major websites where certain people consider themselves “detectives”—and they attempt to use Google (and other sources) to ascertain who’s behind certain projects. They make all sorts of mistakes, and they have absolutely no right to proceed in such a manner; it’s contemptible.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Gregorian Chant Last Updated: June 18, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Which Mass?
    In 1905, when the Vatican Commission on Gregorian Chant began publishing the EDITIO VATICANA—still the Church’s official edition— they assigned different Masses to different types of feasts. However, they were careful to add a note (which began with the words “Qualislibet cantus hujus Ordinarii…”) making clear “chants from one Mass may be used together with those from others.” Sadly, I sometimes worked for TLM priests who weren’t fluent in Latin. As a result, they stubbornly insisted Mass settings were ‘assigned’ to different feasts and seasons (which is false). To understand the great variety, one should examine the 1904 KYRIALE of Dr. Peter Wagner. One should also look through Dom Mocquereau’s Liber Usualis (1904), in which the Masses are all mixed up. For instance, Gloria II in his book ended up being moved to the ‘ad libitum’ appendix in the EDITIO VATICANA.
    —Jeff Ostrowski
    Like! Like! Like!
    You won’t believe who recently gave us a “like” on the Corpus Christi Watershed FACEBOOK PAGE. Click here (PDF) to see who it was. We were not only sincerely honored, we were utterly flabbergasted. This was truly a resounding endorsement and unmistakable stamp of approval.
    —Jeff Ostrowski
    PDF Download • “Atténde Dómine”
    Although it isn’t nearly as ancient as other hymns in the plainsong repertoire, Atténde Dómine, et miserére, quía peccávimus tíbi (“Look down, O Lord, and have mercy, for we have sinned against Thee”) has become one of the most popular hymns for LENT—perhaps because it was included in the famous Liber Usualis of Solesmes. This musical score (PDF file) has an incredibly accurate version in English, as well as a nice version in Spanish, and also the original Latin. Although I don’t claim to have a great singing voice, this morning I recorded this rehearsal video.
    —Jeff Ostrowski

Quick Thoughts

    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

It’s good that you are in the USA, otherwise who is going to—in the best sense—make music?

— Ignaz Friedman writing to Josef Hofmann (4 January 1940)

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