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Views from the Choir Loft

Two February Workshops

Fr. David Friel · January 13, 2019

ARLY February will feature two interesting workshops in the field of sacred music. One of these opportunities will take place in Chicago, while the other will be held in Indiana. Both promise to be beneficial for participants.

First, the Lumen Christi Institute is sponsoring a Mass for the feast of the Presentation (Candlemas) on February 2, 2019 at 9 AM in the Bond Chapel of the University of Chicago. Music for the liturgy will be provided by Schola Antiqua. Following Mass will be a breakfast and symposium, including several very scholarly speakers:

Michael Anderson (Eastman School of Music)

Margot Fassler (University of Notre Dame)

Peter Jeffery (Universtiy of Notre Dame)

Prior Peter Funk, OSB (Monastery of the Holy Cross)

Robert Kendrick (University of Chicago)

The theme of the symposium is “Sacred Music in Context and Practice.” More information is available here.

Second, the 10th annual National Winter Pastoral Chant Conference will be held February 4-8, 2019 (Monday through Friday). Sponsored each year by the Saint Basil’s School of Gregorian Chant (an institute of the University of St. Thomas, Houston, TX), the site for this conference is St. Meinrad Archabbey in Indiana.

More information about the Winter Pastoral Chant Conference is available here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Gregorian Chant Last Updated: January 1, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel served as Parochial Vicar at Saint Anselm Church in Northeast Philly before earning a doctorate in liturgical theology at The Catholic University of America. He presently serves as Vocation Director for the Archdiocese of Philadelphia.—(Read full biography).

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Quick Thoughts

14 May 2022 • “Pure” Vatican Edition

As readers know, my choir has been singing from the “pure” Editio Vaticana. That is to say, the official rhythm which—technically—is the only rhythm allowed by the Church. I haven’t figured out how I want the scores to look, so in the meantime we’ve been using temporary scores that look like this. Stay tuned!

—Jeff Ostrowski
14 May 2022 • Gorgeous Book

If there is a more beautiful book than Abbat Pothier’s 1888 Processionale Monasticum, I don’t know what it might be. This gorgeous tome was today added to the Saint John Lalande Online Library. I wish I owned a physical copy.

—Jeff Ostrowski
Sound Familiar?

1 June 1579: “The chapter passes a rule that anyone ascending to the new organ without official permission shall be fined a month’s pay.”

26 October 1579: “The altar boys remain always separate and distinct from choirboys—the one group learning only plainchant and assisting at the altar, the other living with the chapel-master and studying counterpoint and polyphony as well. Father Francisco Guerrero postpones his departure for Rome and instead spends the entire year in Seville making ready for the trip. In the meantime he neglects his choirboys. On 16 November, after considerable complaint against their unruliness and ignorance, he engages an assistant, Bartolomé Farfán.”

—Jeff Ostrowski

Random Quote

“How can we account for differences in the Gospel accounts? Well, suppose after we left Church today, there was a terrible accident or explosion or fire. Soon the news media would be here, interviewing people as to what they saw or heard. Each person would probably say or report what struck him—or what he saw or noticed. All these reports would be different and yet they would be true.”

— Fr. Valentine Young (February 2019)

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