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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Church Music Association of America CMAA

Jeff Ostrowski · January 15, 2026

“Sacred Music Journal” Editor Sings w/ Our Choir

How do you pronounce the word “heav’n” when you sing?

Jeff Ostrowski · December 7, 2025

“Alma Redemptóris Mater” • Everything There Is To Know About This Marian Antiphon

Including a new harmonization for the pipe organ.

Dr. Charles Weaver · March 5, 2025

Solmization from the Inside, Part 3

Making the case for the (very) old method of solfège, or, what is so sharp about sharp notes?

Jeff Ostrowski · January 31, 2025

PDF Download • Intensely Rare 1898 “Roman Gradual” — (Released for the First Time in History)

I carefully scanned all 642 pages in (color) high resolution.

Fr. David Friel · January 2, 2025

In Memoriam • Dr. William Mahrt

A brilliant and faithful man who had tasted heaven in the chants of the Church

Jeff Ostrowski · December 1, 2023

Message from the Vice-President!

The Vice-President of the Church Music Association of America, Dr. Horst Buchholz (who also serves as Director of Sacred Music for the Archdiocese of Detroit) sent us an email yesterday regarding the harmonizations (PDF) I composed for the Gregorian Chant psalm tones. Dr. Buchholz says: “Those settings are absolutely exquisite, as I’m used to when […]

Dr. Charles Weaver · November 9, 2023

Report • “Musical Shape of the Liturgy Conference”

This week I attended part of an excellent academic conference in honor of William Mahrt.

Andrea Leal · January 13, 2023

New Lectionary for the USA • Coming in 2028?

“Work hasn’t even begun on the next Lectionary, and there’s nothing definite about 2028 as a date.” — Father Andrew V. Menke, director of the USCCB liturgical committee

Jeff Ostrowski · October 22, 2021

PDF Download • “Wedding Booklet” (22 pages)

A word about “Kleptomaniac Choirmasters.”

Fr. David Friel · May 9, 2021

Virtual Sacred Music Colloquium 2021

Alongside many familiar faces, several new presenters are joining the faculty this year.

Follow the Discussion on Facebook

Fr. David Friel · October 12, 2020

Sacred Music Boot Camp 2020

Three days of practical chant instruction and immersion in the treasury of Catholic sacred music

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Fr. David Friel · June 11, 2020

Virtual Sacred Music Colloquium 2020

The CMAA will offer a virtual version of its annual, week-long workshop.

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Fr. David Friel · June 25, 2017

Composition with Pencil & Paper or Computer Software?

A lunch-time conversation at Sacred Music Colloquium 2017 in St. Paul, MN

Fr. David Friel · June 24, 2016

Colloquium 2016 • Day 4

Reflections on Offering a Colloquium Mass

Fr. David Friel · June 23, 2016

Colloquium 2016 • Day 3

The Organic Development of the Liturgy and the New Music Breakouts

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Corpus Christi Watershed

President’s Corner

    Music List • (3rd Sund. Ordinary Time)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for this coming Sunday: the 3rd Sunday in Ordinary Time (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the monumental feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Holy Name Hymn” (2-Voice Arrangement)
    When we post a direct URL link, we frequently get thousands of downloads. But when scrolling is required, very few take the time. I mention this because those who click on this URL link and scroll to the bottom can download—completely free of charge—a clever 2-voice arrangement for a famous hymn to the Most Holy Name of Jesus. In a pinch, it can be nicely sung by one male and one female! It will be of interest to those who seek arrangements for two voices.
    —Jeff Ostrowski
    PDF Download • Introit (3rd Sn. Ord.)
    This coming Sunday, 25 January 2026, is the 3rd Sunday in Ordinary Time (Year A). The ENTRANCE CHANT (“Dóminus secus mare”) is somewhat rare because it comes from the New Testament. The authentic version in Latin—of astounding antiquity—was jettisoned in 1955 but restored in 1970. This rehearsal video has me attempting to sing the melody while simultaneously accompanying myself on the organ. I encourage you to print off the organ accompaniment (PDF) and play through it because it has extremely ‘happy’ harmonies.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of January (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski
    PDF Download • “In Paradisum” in English
    We always sing the IN PARADISUM in Latin, as printed on this PDF score. I have an appallingly bad memory (meaning I’d be a horrible witness in court). In any event, it’s been brought to my attention that 15 years ago I created this organ accompaniment for the famous and beautiful ‘IN PARADISUM’ Gregorian chant sung in English according to ‘MR3’ (Roman Missal, Third Edition). If anyone desires such a thing, feel free to download and print. Looking back, I wish I’d brought the TENOR and BASS voices into a unison (on B-Natural) for the word “welcome” on the second line.
    —Jeff Ostrowski

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

Recent Posts

  • My Ode to Kevin Allen
  • Music List • (3rd Sund. Ordinary Time)
  • PDF Download • “Tantum Ergo” for 3 Voices (Kevin Allen) Paired with a Hymn for 2 Voices
  • Choose Carefully!
  • Active Participation • “Participatio Actuosa”

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