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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Virtual Sacred Music Colloquium 2020

Fr. David Friel · June 11, 2020

ANCELLATIONS, postponements, and reconfigurations have become normative during the COVID-19 pandemic. One bit of good news in all this is that the Church Music Association of America (CMAA), which traditionally offers a week-long Sacred Music Colloquium each summer, will proceed with a virtual substitute.

This summer was to be the 30th annual Sacred Music Colloquium, hosted at Jesuit High School in Tampa, FL. Although the virtual substitute will be somewhat reduced, a remarkable lineup of presenters and topics remains in force. All the details of this year’s colloquium are presented on the event homepage.

What will this event include, and what will it look like?

Instead of being an in-person gathering, it will be conducted via Zoom, and instead of being an all-day affair, the presentations will be limited to the evenings (from 5 PM to 10 PM EDT). The dates for the conference will be Monday through Friday, July 6-10, 2020. Some of the highlights include:

Medieval Analysis • Dr. William Mahrt
Organ Repertory/Improvisation • David J. Hughes
Vocal Pedagogy • Dr. MeeAe Cecilia Nam
Spanish Resources • Heitor Caballero
Rationale for Repertoire: Programming for your Choir • Dr. Timothy McDonnell

Several sessions will be especially pertinent to musical matters during Covidtide:

Congregational Singing Within Local Restrictions • Panel Discussion
Sacred Music During the Pandemic • Chat Session
Catholic Music in Time of Pandemic • Dr. Susan Treacy

One silver lining is that the CMAA, concomitant with the reduction in programming, has reduced the Colloquium registration cost to only $10 per day or $30 for all five days. There will also be several parts of the program made freely available, including 1) daily spiritual reflections from the CMAA chaplain, 2) daily Compline, and 3) two sessions presented in Spanish.

Registration for the Virtual Sacred Music Colloquium 2020 is available here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Church Music Association of America CMAA, Coronavirus Pandemic, Sacred Music Colloquium, William Mahrt Gregorian Chant Last Updated: June 11, 2020

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

These prayers were not peculiar to Good Friday in the early ages (they were said on Spy Wednesday as late as the eighth century); their retention here, it is thought, was inspired by the idea that the Church should pray for all classes of men on the day that Christ died for all. Duchesne is of opinion that the “Oremus” now said in every Mass before the Offertory—which is not a prayer—remains to show where this old series of prayers was once said in all Masses.

— Catholic Encyclopedia (1909)

Recent Posts

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  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”
  • 15th Sunday in Ordinary Time (Year C)

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