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Views from the Choir Loft

Virtual Sacred Music Colloquium 2021

Fr. David Friel · May 9, 2021

GAIN this year, the Church Music Association of America (CMAA) will be hosting its Sacred Music Colloquium virtually. A week-long conference for parish musicians, directors of music, and clergy, the Colloquium is the only event of its kind, connecting singers and instrumentalists from around the United States (and beyond), offering instruction in the treasury of Catholic sacred music, and facilitating the practical implementation of chant and polyphony in the service of the liturgy. This is the signature event in the CMAA’s calendar each year.

Although the virtual format of this year’s Colloquium will limit the opportunities for fellowship and camaraderie that are such an important part of the annual gathering, a fine lineup of presenters and topics remains in force. All the details of this year’s Colloquium are presented on the event homepage.

Following much the same arrangement as last year, Colloquium 2021 will be conducted via Zoom, with presentations and opportunities for prayer during the evening hours (from 4:30 PM to 10 PM EDT). The dates for the conference will be Monday through Friday, June 21 – 25, 2021.

Alongside many familiar faces, several new presenters are joining the faculty this year. Some of the schedule’s highlights include:

Chant Modes • Nicholas Lemme
Vocal Training of the Young Voice • Dr. Lucas Tappan
Vocal Pedagogy • Dr. MeeAe Cecilia Nam
Building up the Choral Sound • Dr. Horst Buchholz
Parish Organ Techniques • Bruce Ludwick
Advanced Organ Techniques • Christopher Berry

Three plenary speakers will give keynote addresses on Monday, Tuesday, and Thursday nights:

June 21, 2021 — Dr. William P. Mahrt (President, CMAA Board of Directors)
June 22, 2021 — Most Rev. Salvatore J. Cordileone (Archbishop of San Francisco)
June 24, 2021 — Rev. Joseph Koterski, SJ (Fordham University)

The breakout sessions will be divided into beginner and advanced tracks. There will also be a Spanish track, with presentations concentrated on Wednesday evening.

If you have never been able to participate in a CMAA Colloquium before, this may be the year to give it a try. The registration cost is very reasonable—only $30 per day or $80 for all five days. There will also be some parts of the program made freely available to anyone who completes the Colloquium basic registration, including daily spiritual reflections from the CMAA chaplain and daily Compline.

Full information regarding Sacred Music Colloquium 2021 is available here, and registration is available here.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Church Music Association of America CMAA, Contemporary Sacred Music, Sacred Music Colloquium, William Mahrt Gregorian Chant Last Updated: May 9, 2021

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About Fr. David Friel

Ordained in 2011, Father Friel is a priest of the Archdiocese of Philadelphia and serves as Director of Liturgy at Saint Charles Borromeo Seminary. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“A father cannot introduce mistrust and division among his faithful children. He cannot humiliate some by setting them against others. He cannot ostracize some of his priests. The peace and unity that the Church claims to offer to the world must first be lived within the Church. ”

— Cardinal Sarah (14 August 2021)

Recent Posts

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  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
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