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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Search Results for: simple english propers

Catholic Youth Choir Releases CD, Prepares For Tour

Guest Author · January 15, 2014

The Blackstone Valley Catholic Youth Choir, currently preparing for a mid-Atlantic tour, has released a new CD, “Clothed With the Sun.”

Filed Under: Articles Tagged With: Catholic Youth Choirs Last Updated: January 1, 2020

It’s No Fluke

Richard J. Clark · September 13, 2013

One day after mass, a woman told me how wonderful it is to sing the scriptures while receiving communion. I doubt she knows at all what the propers of the mass are. She demonstrated that it is far easier to connect the music of the propers to the mass itself than potentially a hymn or song.

Filed Under: Articles Last Updated: January 1, 2020

How Does One Use The Ordo Cantus Missæ?

Jeff Ostrowski · July 29, 2013

The second half of an article about the most important book you’ve never seen.

Filed Under: Articles Tagged With: Ordo Cantus Missae Last Updated: October 12, 2022

An Ordinary-Form Missa Cantata (almost)

Aristotle A. Esguerra · March 4, 2013

Moving towards actually enacting what the Church asks in regard to the singing of the words of the Mass given the Year of Faith theme for our diocese. An example of how this can be pulled off with already-existing resources and a few dedicated individuals.

Filed Under: Articles Last Updated: January 1, 2020

“Spinning The Wheel” Each Week For Hymns

Jeff Ostrowski · February 25, 2013

Each and every week, thousands of Catholics play “Spin the Wheel for Hymns” instead of using the sacred and ancient texts prescribed by the Church. What does this have to do with a rich man born without legs and arms?

Filed Under: Articles Last Updated: January 1, 2020

The UBI CARITAS chant for Holy Thursday

Jeff Ostrowski · April 5, 2012

Download five (5) different free versions of the “Ubi Caritas”

Filed Under: Articles Last Updated: January 1, 2020

Hymns: Everything You Ever Wanted To Know (2 of 2)

Jeff Ostrowski · March 15, 2012

PART 2: How do hymns fit into the Catholic Mass ?

Filed Under: Articles Tagged With: Hymns Replacing Propers Last Updated: January 1, 2020

Advent • “Introducing Ancient Sacred Works”

Rebecca De La Torre · November 11, 2024

“In less than a year, I was able to transition their Spanish Mass from completely contemporary to completely sacred. No parishioners were lost and the Mass attendance grew slightly.” —Rebecca De La Torre

Filed Under: Articles, PDF Download Tagged With: El Rey Vendrá, The O Antiphons, Veni Veni Emmanuel Last Updated: November 11, 2024

Entrance Antiphons • “Transitioning from a Contemporary to Sacred Music Program”

Rebecca De La Torre · October 22, 2024

“These are simple propers, but not to the point of being monotone.” —Rebecca De La Torre

Filed Under: Articles, PDF Download Last Updated: October 23, 2024

PDF Download • “The Saint John’s Gradual”

Richard J. Clark · September 13, 2024

Free download of Saint John’s Gradual with Ecclesiastical Approbation from his Eminence Cardinal Seán O’Malley, O. F. M., Cap., Archbishop of Boston

Filed Under: Articles, PDF Download Last Updated: September 13, 2024

“Introducing Chant in Your Parish” • With Kevin Allen

William J. Fritz · August 23, 2024

“If Bach wanted to learn from the master, he had to go a long way to do it, so he made the sacrifice to do it.” —Kevin Allen

Filed Under: Articles Last Updated: August 27, 2024

Mueller’s Artistic Credo • “Same But Different”

Christopher Mueller · January 4, 2024

“Variety within a single Mass is important for engaging the listening ears (and singing voices) of the congregation.” —Chris Mueller

Filed Under: Articles Tagged With: Justine Bayard Ward Method of Singing Last Updated: January 5, 2024

Guest Article by Mæstro Jerome Cole • Organist, Composer, and Choirmaster

Corpus Christi Watershed · October 19, 2023

“My mantra is that music at Mass should help reveal the face of God to us, so that we might contemplate Jesus Christ truly present in the Eucharist.” —Jerome Cole

Filed Under: Articles Tagged With: Dr Susan Treacy Catholic, Dr Timothy McDonnell Conductor, Indiana, St Joseph Parish Mishawaka Last Updated: April 26, 2025

“Best & Worst Responses” • This Survey Was Responded To By 300+ Church Musicians

Jeff Ostrowski · June 6, 2023

You’re probably thinking: “Jeff, if you think Father Rossini’s narrow-mindedness was bad, get ready for a rude awakening when you see what we’re up against in 2023.”

Filed Under: Articles, Featured, PDF Download Tagged With: Common Hymn Melodies, Inter pastoralis officii Pius X, Monsignor Francis P Schmitt, Motu Proprio Col Nostro Pius X, Pange Lingua Thomas Aquinas, Saint Thomas Aquinas, Thesaurus musicae sacrae Last Updated: July 13, 2023

Beauty Ever Ancient, Ever New

Dr. Charles Weaver · March 7, 2023

Every Gregorian melody is a precious gift, and every time we meet a melody again, we have a chance to consider some new aspect.

Filed Under: Articles Tagged With: Gregorian Chant Last Updated: March 7, 2023

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The following few hints on the selection of voices may be useful: (1) Reject all boys who speak roughly, or sing coarsely; (2) Choose bright, intelligent-looking boys, provided they have a good ear; they will much more readily respond to the choirmaster’s efforts than boys who possess a voice and nothing more; therefore, (3) Reject dull, sulky, or scatter-brained boys, since it is hard to say which of the three has the most demoralizing effect on his more willing companions.”

— Sir Richard Runciman Terry (1912)

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