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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

PDF Download

Jeff Ostrowski · January 21, 2020

PDF Download • “Lucis Creator Optime” (Vespers Hymn)

I followed the “Brébeuf hymnal method,” in which every verse is written out…

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Jeff Ostrowski · December 30, 2019

PDF Accompaniment • “Jesu Redemptor Omnium”

You can compare my accompaniment to that of Achille P. Bragers.

Jeff Ostrowski · December 10, 2019

PDF • “Veni Veni Emmanuel” (2 Voices + Organ)

Download this PDF score—free to all—and sing during Advent!

Andrea Leal · November 21, 2019

PDF Download • “Erunt Signa In Sole” (Advent)

“One of the challenges of a small choir is having enough singers to pull off any kind of polyphony. ” —Andrea Leal

Jeff Ostrowski · November 8, 2019

PDF Download • A Eucharistic Piece My Choir Loves

Including a “preview” of the forthcoming Brébeuf Hymnal SATB Choral Supplement.

Jeff Ostrowski · October 19, 2019

PDF Download • Palestrina Kyrie (Part 2 of 3)

“Dazzlingly luscious” is probably best way to describe this Mass.

Jeff Ostrowski · October 7, 2019

PDF Download • SATB “Sanctus” by Orlando de Lassus

We have completed part 1. When part 2 is finished, we’ll release that, as well.

Jeff Ostrowski · September 20, 2019

PDF Download • Palestrina Kyrie “Fons Bonitatis”

This is part 1 of 3 — and the other parts will be released soon.

Jeff Ostrowski · September 10, 2019

PDF Download • “Alleluia Choral Extension” (EF + OF)

This may look simple on paper, but it sounds *incredible* when sung by a full choir. Guerrero rocks!

Fr. David Friel · September 8, 2019

PDF Download • Chant Notation—Nuptial Blessing (EF)

With permission from the CDF, the nuptial blessing at a sung EF Mass may be chanted according to this melody.

Jeff Ostrowski · September 2, 2019

PDF Download • Handy Solfège Chart (Printable)

I have no idea whether this will be of use to anyone, but here it is…

Jeff Ostrowski · August 1, 2019

PDF Download • “Sanctus For Two Voices”

“In general, it is better to do something well, however modest, than to attempt something on a grander scale if proper means are lacking.” —Pope Pius XII

Veronica Moreno · July 16, 2019

PDF Download • “Seasonal Index” (Brébeuf Hymnal)

I can’t always recognize a hymn tune by its name, especially when the Missalette only provides lyrics. Please don’t judge me; that’s the honest truth.

Jeff Ostrowski · June 12, 2019

PDF Download • Symposium Booklet (159 pages)

…probably unlike any musical booklet you’ve come across!

Jeff Ostrowski · June 10, 2019

PDF Download • Vespers Organ Accompaniments

Do you understand why some of the harmonies are blank?

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Corpus Christi Watershed

President’s Corner

    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    2-Voice Arr. • “Creator of the Starry Height”
    Do you direct a choir consisting of women or children only? (Some call this a “treble” choir.) Download a two-voice arrangement of Creator of the Starry Height set to the tune of IOANNES by clicking here and then scrolling to the bottom. In our times, this hymn is normally used during ADVENT, and the Latin title is: Cónditor alme síderum. It’s important to say “cónditor”—placing the accent on the antepenult—because ‘condítor’ in Latin means “one who embalms the dead.”
    —Jeff Ostrowski
    “Equal Voices” Choir Pieces
    My colleague, CORRINNE MAY, has posted some delightful compositions for equal voices: that is, choirs consisting of all men or all women. Included there are settings of the “Ave Maria” and “Tantum Ergo.” They strike me as relatively simple and not excessively lengthy. (In other words, within reach of volunteer singers.) Even better, all the scores have been made available as instant PDF downloads, completely free of charge. Bravo!
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

It was thought important that the song should actually accompany the distribution of Communion. A Carolingian explanation of the Mass remarks that during the Communion “soft melody should touch the ear [of the faithful] so that hearing this sound they would busy themselves less with distracting thoughts and … their hearts would be moved to humble love for that which they receive.”

— Father Josef Andreas Jungmann

Recent Posts

  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)
  • 2-Voice Arr. • “Creator of the Starry Height”
  • PDF Download • Christmas Piece (SATB) — “Angels We Have Heard on High” with Text in Latin

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