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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Featured

Jeff Ostrowski · March 5, 2023

Pipe Organ During Lent?

To withdraw the pipe organ no longer has the impact it once did.

Corpus Christi Watershed · March 2, 2023

“Fifty-Seven (57) Sample Pages” • Brébeuf Hymnal

The last thing church musicians need is another collection of goofy, syrupy, mawkish hymns.

Jeff Ostrowski · March 1, 2023

Greatest Choral Piece Ever Written? • It Might Be Marenzio’s “Salve Regina”

By March 1596 Marenzio had arrived in Poland. In October of that year, he directed a Mass he’d written in the form of an “echo.”

Jeff Ostrowski · February 25, 2023

Eleven (11) Rare Lenten Hymns You’ve Not Sung!

“Our hymnbooks know nothing of such a treasure as this, and give us pages of poor sentiment in doggerel lines by some tenth-rate modern versifier.” —Father Fortescue

Jeff Ostrowski · February 23, 2023

Marier’s Majestic Music • In Singapore?

“One person I spoke to frequently—although I never met him…” (?)

Jeff Ostrowski · February 20, 2023

PDF Download • “Quinquagesima Sunday” Organ Accompaniment Booklet (25 pages)

The word “Alleluia” changes to: “Praise be to Thee, O Lord, King of eternal glory.”

Jeff Ostrowski · February 18, 2023

Cardinal Roche on discouraging or limiting “ad orientem” celebration: “It is an absurdity”

Ponder this statement by the prefect for the Dicastery for Divine Worship and the Discipline of the Sacraments (a.k.a. “CDW”).

Jeff Ostrowski · February 15, 2023

PDF • 2014 Dissertation: “Plainchant Influence on the Liturgical Music of Dr. Marier” (324 pages)

This treatise (324 pages) is a “must read” for anyone who cares about liturgical music in the Catholic Church.

Jeff Ostrowski · February 11, 2023

Hymn for the Season of Septuagesima? • Yes!

Where did “Ordinary Time” come from?

Jeff Ostrowski · February 8, 2023

PDF Download • Symposium Kyrie Revealed

People often complain: “Catholic priests won’t pay a living wage for choir directors, yet gladly pay millions to purchase a pipe organ.”

Jeff Ostrowski · February 4, 2023

Church Music Shouldn’t Be “Headache-Inducing”

Authentic sacred music should attract people. It should not drive them away.

Corpus Christi Watershed · February 1, 2023

Filling Up Fast! • Sacred Music Symposium

“The Sacred Music Symposium was a vehicle of grace that changed my life.” —2019 Participant

Jeff Ostrowski · January 31, 2023

PDF Download • Belgian Book of Gregorian Accompaniments (Official Edition)

We paid to have this extremely rare book scanned professionally.

Jeff Ostrowski · January 28, 2023

Crucial Tip For Choir Directors

Don’t listen to excuses!

Jeff Ostrowski · January 25, 2023

PDF Download • 1909 “Modern Notation” Gradual (Extremely Rare) — 712 Pages

The truth is stranger than fiction.

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Corpus Christi Watershed

President’s Corner

    New Bulletin Article • “21 September 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 21 September 2025) discusses some theological items—supported by certain verses in ancient Catholic hymns—and ends by explaining why certain folks become delirious with jealousy when they observe feats by Monsignor Ronald Knox.
    —Jeff Ostrowski
    Cheap! Cheap! Cheap!
    It’s always amusing to see old diocesan newspapers—in huge capital letters—advertising the Cheapest Catholic Paper in the United States. The correspondent who sent this to me added: “I can think of certain composers, published by large companies in our own day, who could truthfully brag about the most tawdry compositions in the world!” I wonder what she could have meant by such a cryptic comment…
    —Jeff Ostrowski
    PDF Download • Dom Murray Harmonies
    Along with so many others, I have deep respect for Dom Gregory Gregory Murray, who produced this clever harmonization (PDF) of “O SANCTISSIMA.” It’s always amazed me that Dom Gregory—a truly inspired composer—was so confused when it came to GREGORIAN CHANT. Throughout his life, he published contradictory statements, veering back-and-forth like a weather vane. Toward the end of his life, he declared: “I see clearly that the need for reform in liturgical music arose, not in the 18th and 19th centuries, but a thousand years earlier—in the 8th and 9th centuries, or even before that. The abuses began, not with Mozart and Haydn, but with those over-enthusiastic medieval musicians who developed the elaborate and flamboyant Gregorian Chant.”
    —Jeff Ostrowski

Quick Thoughts

    Karl Keating • “Canonization Questions”
    We were sent an internet statement (screenshot) that’s garnered significant attention, in which KARL KEATING (founder of Catholic Answers) speaks about whether canonizations are infallible. Mr. Keating seems unaware that canonizations are—in the final analysis—a theological opinion. They are not infallible, as explained in this 2014 article by a priest (with a doctorate in theology) who worked for multiple popes. Mr. Keating says: “I’m unaware of such claims arising from any quarter until several recent popes disliked by these Traditionalists were canonized, including John XXIII, Paul VI, and John Paul II. Usually Paul VI receives the most opprobrium.” Mr. Keating is incorrect; e.g. Father John Vianney, several centuries ago, taught clearly that canonizations are not infallible. Archbishop Fulton J. Sheen would be another example, although clearly much more recent than Saint John Vianney.
    —Corpus Christi Watershed
    Vatican II Changed Wedding Propers?
    It’s often claimed that the wedding propers were changed after Vatican II. As a matter of fact, that is a false claim. The EDITIO VATICANA propers (Introit: Deus Israel) remained the same after Vatican II. However, a new set of propers (Introit: Ecce Deus) was provided for optional use. The same holds true for the feast of Pope Saint Gregory the Great on 3 September: the 1943 propers (Introit: Si díligis me) were provided for optional use, but the traditional PROPRIA MISSAE (Introit: Sacerdótes Dei) were retained; they weren’t gotten rid of. The Ordo Cantus Missae (1970) makes this crystal clear, as does the Missal itself. There was an effort made in the post-conciliar years to eliminate so-called “Neo-Gregorian” chants, but (contrary to popular belief) most were retained: cf. the feast of Christ the King, the feast of the Immaculate Conception, and so forth.
    —Corpus Christi Watershed
    Solemn “Salve Regina” (Chant)
    How many “S” words can you think of using alliteration? How about Schwann Solemn Salve Score? You can download the SOLEMN SALVE REGINA in Gregorian Chant. The notation follows the official rhythm (EDITIO VATICANA). Canon Jules Van Nuffel, choirmaster of the Cathedral of Saint Rumbold, composed this accompaniment for it (although some feel it isn’t his best work).
    —Corpus Christi Watershed

Random Quote

“The chapter decides that henceforth neither singers nor instrumentalists may be loaned to any outside individual or organization, any more than can the chalices or copes owned by the cathedral. This prohibition applies to all those days of the church calendar for which polyphony is designated.” [From “The Life of Father Francisco Guerrero.”]

— Sevilla: Chapter Resolution (13 June 1561)

Recent Posts

  • New Bulletin Article • “21 September 2025”
  • How do you pronounce this word in Latin?
  • Cheap! Cheap! Cheap!
  • Children’s Repertoire: “3 Recommendations”
  • PDF Download • Dom Murray Harmonies

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