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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biographies

Mark Haas · June 4, 2025

Biography • Mark Haas

Liturgical compositions by Mark Haas have been sung in over 600 parishes.

Matthew Frederes · December 3, 2021

Biography • Matthew D. Frederes

In addition to being a husband and father of 12 children, Mr. Frederes is a software engineer, pilot, and served as an organist & choirmaster 33 years.

Patrick Williams · October 21, 2021

Biography • Mr. Patrick Williams

Mr. Williams holds a Bachelor of Arts in music from the University of Alabama…

Dr. Myrna Keough · October 27, 2020

Biography • Dr. Myrna Keough

Dr. Myrna Keough—who has earned two doctorates—is a conductor, composer, and educator dedicated to the renewal of sacred music in the Catholic Church.

Daniel Marshall · October 27, 2020

Biography • Daniel B. Marshall

Daniel specializes in helping parishes transition from contemporary to traditional music.

Dr. Charles Weaver · August 20, 2020

Biography • Charles Weaver

Charles Weaver is on the faculty of the Juilliard School…

Dr. Gregory Hamilton · July 20, 2020

Biography • Dr. Gregory Hamilton

Dr. Gregory Hamilton is a widely published composer and accomplished performer currently on the faculty of Holy Trinity Seminary in Dallas TX.

Corrinne May · July 5, 2020

Biography • Corrinne May

Corrinne holds a B.M in Songwriting from the Berklee College of Music in Boston and a B.A in English Literature (Hons.) from the National University of Singapore.

Daniel Tucker · May 2, 2020

Biography • Daniel Tucker

Mr. Tucker went on to Yale University, from which he graduated in May 2020 with a Master’s degree in choral conducting and a certificate from the Yale Institute of Sacred Music.

Keven Smith · April 16, 2020

Biography • Keven Smith

Keven earned a Bachelor of Music degree from the Curtis Institute of Music and a Master of Professional Writing degree from the University of Southern California…

William J. Fritz · January 22, 2020

Biography • William J. Fritz

William Fritz is a composer, pianist, organist, liturgical musician and director of music at St. John the Baptist Parish in Costa Mesa, CA.

Patrick Torsell · January 14, 2020

Biography • Patrick Torsell

Patrick Torsell began playing the organ at age 8, and has held organist and choirmaster positions across the nation…

Rebecca De La Torre · January 22, 2013

Biography • Rebecca De La Torre

Rebecca holds a Bachelor of Science in Computer Science from Arizona State University…

Veronica Brandt · January 16, 2013

Biography • Veronica Brandt

Veronica has published a wide variety of Catholic publications . . .

Dr. Alfred Calabrese · January 15, 2013

Biography • Dr. Alfred Calabrese

Alfred holds a doctorate in choral conducting from Indiana University…

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

Ralph Vaughan Williams “was an atheist during his later years at Charterhouse and at Cambridge, though he later drifted into a cheerful agnosticism: he was never a professing Christian.”

— Dr. William Mahrt, CMAA President (2021)

Recent Posts

  • When Pilgrims Sing, the World Disappears
  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)

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