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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biographies

Mark Haas · June 4, 2025

Biography • Mark Haas

Liturgical compositions by Mark Haas have been sung in over 600 parishes.

Matthew Frederes · December 3, 2021

Biography • Matthew D. Frederes

In addition to being a husband and father of 12 children, Mr. Frederes is a software engineer, pilot, and served as an organist & choirmaster 33 years.

Patrick Williams · October 21, 2021

Biography • Mr. Patrick Williams

Mr. Williams holds a Bachelor of Arts in music from the University of Alabama…

Dr. Charles Weaver · August 20, 2020

Biography • Charles Weaver

Charles Weaver is on the faculty of the Juilliard School…

Dr. Gregory Hamilton · July 20, 2020

Biography • Dr. Gregory Hamilton

Dr. Gregory Hamilton is a widely published composer and accomplished performer currently on the faculty of Holy Trinity Seminary in Dallas TX.

Corrinne May · July 5, 2020

Biography • Corrinne May

Corrinne holds a B.M in Songwriting from the Berklee College of Music in Boston and a B.A in English Literature (Hons.) from the National University of Singapore.

Daniel Tucker · May 2, 2020

Biography • Daniel Tucker

Mr. Tucker went on to Yale University, from which he graduated in May 2020 with a Master’s degree in choral conducting and a certificate from the Yale Institute of Sacred Music.

Keven Smith · April 16, 2020

Biography • Keven Smith

Keven earned a Bachelor of Music degree from the Curtis Institute of Music and a Master of Professional Writing degree from the University of Southern California…

William J. Fritz · January 22, 2020

Biography • William J. Fritz

William Fritz is a composer, pianist, organist, liturgical musician and director of music at St. John the Baptist Parish in Costa Mesa, CA.

Patrick Torsell · January 14, 2020

Biography • Patrick Torsell

Patrick Torsell began playing the organ at age 8, and has held organist and choirmaster positions across the nation…

Rebecca De La Torre · January 22, 2013

Biography • Rebecca De La Torre

Rebecca holds a Bachelor of Science in Computer Science from Arizona State University…

Veronica Brandt · January 16, 2013

Biography • Veronica Brandt

Veronica has published a wide variety of Catholic publications . . .

Dr. Alfred Calabrese · January 15, 2013

Biography • Dr. Alfred Calabrese

Alfred holds a doctorate in choral conducting from Indiana University…

Richard J. Clark · January 14, 2013

Biography • Richard J. Clark

Richard serves as Music Director and Organist at Holy Cross Cathedral . . .

Aristotle A. Esguerra · January 12, 2013

Aristotle A. Esguerra

Aristotle has served since 2009 as music director of two churches . . .

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Corpus Christi Watershed

President’s Corner

    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski
    Did they simplify these hymn harmonies?
    Choirs love to sing the famous & splendid tune called “INNSBRUCK.” Looking through a (Roman Catholic) German hymnal printed in 1952, I discovered what appears to be a simplified version of that hymn. In other words, their harmonization is much less complex than the version found in the Saint Jean de Brébeuf Hymnal (which is suitable for singing by SATB choir). Please download their 1952 harmonization (PDF) and let me know your thoughts. I really like the groovy Germanic INTRODUCTION they added.
    —Jeff Ostrowski

Random Quote

“For me, religious music ceased with the sixteenth century. The fresh, childlike souls of that time alone expressed their vehement, untainted fervor in music free from worldliness. Since then we have had pious musical improvisations more or less made for show. That wonderful man Johann Sebastian Bach only escaped because of his natural genius. He built harmonic edifices as a devout architect and not as an apostle.”

— Claude Debussy (1862-1918)

Recent Posts

  • Why A “Fugue” Here?
  • “Three Reasons To Shun Bad Hymns” • Daniel B. Marshall
  • “Puzzling Comment” • By A Respected FSSP Priest
  • New Bulletin Article • “12 October 2025”
  • “Reminder” — Month of October (2025)

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