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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Dr. Myrna Keough

Dr. Myrna Keough · October 27, 2020

YRNA KEOUGH is a conductor, composer, and educator dedicated to the renewal of sacred music and the cultivation of beauty in the liturgical music of the Catholic Church. She serves as Associate Professor of Sacred Music and Director of Liturgy at Mount Angel Seminary, a Benedictine seminary in Mount Angel, Oregon, where she also founded and directs the Mount Angel Chamber Choir. Dr. Keough holds a Doctorate of Sacred Music with a focus on liturgical music and Gregorian chant, and a Doctorate of Ministry from Mount Angel Seminary, with a concentration in liturgical theology. She also earned a master’s degree in theology from Mount Angel Seminary, a bachelor’s degree in music education from the University of Regina (Canada), and an Associate Diploma in Piano Performance from the Royal Conservatory of Canada. Her professional leadership reflects a particular interest in the recovery of Gregorian chant, polyphony, and other sacred repertoire that embody the Church’s vision of the sung liturgy. She offers workshops and consultations for clergy, musicians, and parish communities, fostering a deeper understanding and love for the Church’s musical tradition as a means of evangelization and sanctification.

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Her musical compositions are primarily sacred music for the liturgy, which is simple, singable, and beautiful; music which reflects the simplicity of Gregorian chant, the beauty of polyphony, and texts which reflect the richest parts of our Catholic tradition in a style worthy of the solemnity and dignity of the Mass. Born in Canada and raised in Germany, Dr. Keough began her career as a high school teacher of music and English before serving as Director of Liturgical Music at the American College of the Immaculate Conception in Louvain, Belgium. She continues to serve weekly in parish music ministry while raising five children with her husband, Shawn.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: October 28, 2025

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About Dr. Myrna Keough

Dr. Myrna Keough and her husband, Shawn, have five children. She earned two doctorates, and serves on the faculty of Mount Angel Seminary in Oregon. —Read full biography (with photographs).

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Corpus Christi Watershed

President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“It is very curious, rather barbarous, much too ornate, immeasurably less dignified than ours now, anything in the world rather than archaic or primitive.”

— Fr. Fortescue describing the “Sarum Use” in 1912

Recent Posts

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  • Palm Sunday • “Repertoire for Children’s Choir”
  • PDF Download • Communion (4th Snd. Lent)

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