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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Biography • Daniel B. Marshall

Daniel Marshall · October 27, 2020

ANIEL B. MARSHALL studied sacred music at Providence College, where he focused on organ, Latin, and Gregorian chant. He studied chant under Fr. Vincent Farrer Began, O.P., and had the privilege of singing under world-renowned choral conductor T. J. Harper. Daniel completed his undergraduate degree at Southern New Hampshire University during the COVID-19 pandemic. He currently studies composition and improvisation with Dr. Peter Latona, Music Director of the Basilica of the National Shrine of the Immaculate Conception. As the modern phrase goes, Daniel’s “9-5” is working in financial planning, and his “5-9” is serving as Director of Sacred Music and Organist at St. Anthony of Padua Parish in New Bedford, Massachusetts, where he directs an adult choir and SAB Schola Cantorum for English and Spanish Masses. He also coordinates an ongoing concert series to raise funds for the restoration of the church’s 1912 Casavant Frères Pipe Organ (Opus 489). Those interested in performing or learning more about the organ may visit www.gloriadeo.org/1912-casavant-organ.

Previously, Daniel served as Director of Sacred Music and Principal Organist for St. Joseph and St. Michael’s Parishes in Fall River, Massachusetts, where he worked with the pastor towards an ongoing revival of traditional sacred music. At the time of his departure, the parish had established a Sunday High Mass with Latin propers, sung Introit and Communion antiphons, and Mass celebrated ad orientem. Daniel specializes in helping parishes transition from contemporary to traditional music and incorporate other traditional liturgical elements.

21818-Dan-Marshall-Sacred-Music-Gregorian-Chant-Catholic
21819-Dan-Marshall-Sacred-Music-Gregorian-Chant-Catholic

Having entered seminary for a time during college with the intention of becoming a liturgist, Daniel’s deep love of the liturgy extends well beyond music. He maintains a thorough understanding of liturgical rubrics and holds a particular fascination with liturgical vestiture. He is committed to doing everything possible—even from beyond a musical standpoint—to ensure that the liturgy is celebrated reverently and beautifully. Daniel has composed liturgical works in English, Spanish, Latin, and Portuguese. He is passionate about music engraving as an art form and is committed to ensuring that liturgical music is both beautiful to hear and stunning to behold on the page. He is currently composing a Mass setting that blends traditional and contemporary styles, with the Kyrie available for download at www.gloriadeo.org.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Biographies Last Updated: February 18, 2026

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About Daniel Marshall

An active composer, Daniel writes liturgical works in English, Spanish, Latin, and Portuguese. He lives in Massachusetts with his wife and two children.—Read full biography (with photographs).

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President’s Corner

    Music List • (4th Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 4th Sunday of Lent (15 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has sublime propers. It is most often referred to as “Lætare Sunday” owing to its INTROIT. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski
    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“No official approbation is required for hymns, songs, and acclamations written for the assembly.”

— Statement by the “Bishops’ Committee on the Liturgy” (10-NOV-1996)

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