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Views from the Choir Loft

Articles

Andrea Leal · March 9, 2021

PDF Download • EF “Singing Cues” (1-Page Sheet)

Leading music for the Extraordinary Form—Part 3 of a series by Andrea Leal.

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Keven Smith · March 9, 2021

The Anatomy of an Organ Improvisation

Here are some audio samples from recent Masses, along with explanations of what I was thinking for each improvisation.

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Jeff Ostrowski · March 7, 2021

A Beautiful Lenten Hymn • “How It Sounds”

People were asking how it sounds…so here’s a live recording from last week.

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Dr. Charles Weaver · March 7, 2021

Two Recent Talks on the Liturgy

Two of our authors offer thoughts about the meaning of the liturgy within the context of our daily lives.

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Jeff Ostrowski · March 4, 2021

Now Online! • “Missale Romanum” (1615 edition)

How ironic that this is being hosted by the Martin Luther University!

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Jeff Ostrowski · March 3, 2021

“Ash Wednesday” • Banned by YouTube after 93,000 Views!

Hurry up! — Download this video before it gets deleted again!

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Keven Smith · March 1, 2021

Three Ways to Improvise at the Organ

Don’t just play the organ. Pray the organ.

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Jeff Ostrowski · February 28, 2021

(Screenshots) • Proving Holy Saturday Took Place In The Morning

Five reasons keeping Holy Saturday in the morning is a good idea.

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Jeff Ostrowski · February 26, 2021

“Homily: Second Sunday of Lent” • Father Valentine Young, OFM

I would not want a gift if it came from somebody who thought he had to give it to me.

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Andrea Leal · February 25, 2021

Part 2 • “Starting Your Own Traditional Latin Mass”

Can you say “yes” to these seven questions?

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Jeff Ostrowski · February 24, 2021

Is This Really The Same Church??

Whoever accompanies this piece on the organ did something—in my humble opinion—very clever!

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Dr. Charles Weaver · February 24, 2021

Solmization from the Inside

What if we take medieval music pedagogy seriously? Do its methods have anything to offer us today?

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Jeff Ostrowski · February 23, 2021

“Old Solesmes” Method • What’s That?

I recently conducted an experiment…with surprising results.

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Keven Smith · February 23, 2021

Four Reasons to Improvise at the Organ

If an ex-clarinetist can do it, you can do it—and the benefits far outweigh the effort involved.

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Fr. David Friel · February 21, 2021

The Liturgical Request: “Iube, Domne, Benedicere”

Like so many of the inaudible prayers of the Mass, this short statement is rich in significance.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Cordero de Dios”
    Feel free to download this setting of the “Cordero de Dios” (AGNUS DEI) in Spanish. The congregation gets an interesting melody within reach, the organist gets a straightforward accompaniment, and the person assembling the ORDER OF WORSHIP gets a ‘ready-to-paste’ plainsong version. Try this setting of the “Santo, Santo, Santo” (SANCTUS) if you desire one that’s easy to sing and includes a simple organ accompaniment. For the record, I have harmonized the Spanish “GLORIA” found in the MISAL ROMANO, Tercera Edición. Click here to download that.
    —Jeff Ostrowski
    “Be Joyful Mary” • Organ Interlude

    Peter Piel (1835–1904), was a Roman Catholic composer named “Royal Music Director” under Wilhelm I, King of Prussia.

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    —Jeff Ostrowski
    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“For any member of laity, who is at least somewhat literate, the ignorance of the Latin tongue, which we can call a truly Catholic language, indicates a certain lack of affection towards the Church.”

— Pope Pius IX

Recent Posts

  • PDF Download • “Antiphons Which Are Sung Whilst the Blessed Sacrament Is Exposed”
  • PDF Download • Organ Harmonization for a Splendid Version of “O Salutaris Hostia”
  • Musical Lineup • “Mass of Thanksgiving for a Newly-Ordained Priest”
  • PDF Download • “Cordero de Dios”
  • PDF Download • “O God, Our Help in Ages Past” — Simple Organ Interludes (5 pages)

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