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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · June 19, 2025

“Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”

A few days ago, Dominique Gatté released something quite extraordinary.

Corpus Christi Watershed · June 18, 2025

Pope Leo XIV pays tribute to Palestrina

“Palestrina500” at the Vatican, with Pope Leo XIV.

Jeff Ostrowski · June 18, 2025

PDF Download • Palestrina’s “Ave Maria”

Including rehearsal videos.

Jeff Ostrowski · June 17, 2025

PDF Download • “2025 Booklet for Participants for the Sacred Music Symposium” — (155 pages)

We feel this conference will be one for the history books!

Jeff Ostrowski · June 12, 2025

PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)

Jeff Ostrowski’s attempt to harmonize the most well-known of all Gregorian chants.

Cynthia Ostrowski · June 11, 2025

Available! • Free Rehearsal Videos for Agnus Dei “Mille Regretz” after Gombert (d. 1560)

Artificial intelligence will never replace authentic polyphony.

Corrinne May · June 9, 2025

PDF Download • “Polyphonic Extension” (Kevin Allen) for Gloria III

I will be conducting Palestrina’s ‘Ave Maria’ as well as teaching plainsong.

Julie Huebner · June 9, 2025

PDF Download • “Text by Saint Francis of Assisi” (choral setting w/ organ: Soprano & Alto)

“I am near to end of my first year as a full-time choirmaster.” — Julie Huebner

Dr. Samuel Backman · June 6, 2025

“Participation” • Recovering its Receptive Dimension

“The goal of our active participation is not that we might shape and mold God, but that he might shape and mold us.” —Dr. Samuel Backman

Jeff Ostrowski · June 4, 2025

“Breathtaking Photographs” • First Mass of Father Michael Caughey, FSSP (Muskegon, MI)

Our choir sang so beautifully for this special Mass!

Jeff Ostrowski · June 3, 2025

“Re: Vigil Masses” • Reader Feedback (3 June 2025)

“This question comes up twice this month, both for Pentecost and the Feast of Ss. Peter and Paul.” —Marissa R.

Andrea Leal · May 28, 2025

“The Adalbert Propers” • Six (6) Quotations

“Fewer than 1% of Catholics are able to answer these questions correctly.” —Andrea Leal

Jeff Ostrowski · May 27, 2025

PDF Download • “Entrance Chant” for 29 June … Which Falls on a Sunday This Year!

Growing up, we had an encyclopedia in our basement—but that was hardly the equivalent access to the internet!

Guest Author · May 25, 2025

“Can the Choir Sing Alone at Mass?” • Yes! And Here’s Why That Matters

A priest once suggested to me that we “mic” the people in the pews during Mass to make their responses more audible and robust.

Jeff Ostrowski · May 23, 2025

Nobody Cares About This! • 1887 Rheims-Cambrai Gradual included “Restored” Plainsong

I’d be interested to know what Dr. Weaver thinks about how the mode is given.

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Corpus Christi Watershed

President’s Corner

    “Offertory” at Catholic Funerals
    I have argued that the OFFERTORY—at least in its ancient form—is more of a responsory than an antiphon. The 1962 Missal specifically calls it “Antiphona ad Offertorium.” From now on, I plan to use this beautiful setting (PDF) at funerals, since it cleverly inserts themes from the absolution of the body. Tons more research needs to be done on the OFFERTORY, which often is a ‘patchwork’ stitching together various beginnings and endings of biblical verses. For instance, if you examine the ancient verses for Dómine, vivífica me (30th Sunday in Ordinary Time) you’ll discover this being done in a most perplexing way. Rebecca Maloy published a very expensive book on the OFFERTORY, but it was a disappointment. Indeed, I can’t think of a single valuable insight contained in her book. What a missed opportunity!
    —Jeff Ostrowski
    “In Paradisum” • Gregorian Chant
    As a RECESSIONAL on All Souls’ Day (November 2nd), we will sing In Paradísum Dedúcant Te Ángeli (PDF). When it comes to Gregorian Chant, this is one of the most popular “songs.” Frankly, all the prayers and chants from the traditional REQUIEM MASS (Missa exsequialis or Missa pro defunctis) are incredibly powerful and never should’ve been scuttled. Click here to hear “In Paradisum” in a recording I made this afternoon. Professor Louis Bouyer spoke of the way Bugnini “scuttled the office of the dead” in this fascinating excerpt from his memoirs. In his book, La riforma litugica (1983), Bugnini bragged—in quite a shameful way—about eliminating the ancient funeral texts, and even admitted those venerable texts were “beloved” (his word) by Catholics.
    —Jeff Ostrowski
    “Music List” • All Souls (2 November)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 2 November 2025, which is the Commemoration of All the Faithful Departed (“All Souls”). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the top-notch feasts website alongside the official texts in Latin. In my humble opinion, it’s weird to have the feast of All Saints on a Sunday. No wonder the close associate of Pope Saint Paul VI said the revised KALENDAR was “the handiwork of a trio of maniacs.” However, I can’t deny that sometimes the sacred liturgy consists of elements that are seemingly contradictory: e.g. the Mode 7 “De Profúndis” ALLELUIA, or the Mode 8 “Dulce lignum” ALLELUIA on the various ancient feasts of the Holy Cross (3 May, 14 September, and so on).
    —Jeff Ostrowski

Quick Thoughts

    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski
    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski

Random Quote

“When we force a boy to be a mediocrity in a dozen subjects we destroy his standards, perhaps for life.”

— C. S. Lewis

Recent Posts

  • “Offertory” at Catholic Funerals
  • “In Paradisum” • Gregorian Chant
  • The Beauty of the Propers for All Souls’ Day (and the Requiem Mass)
  • Gospel Options for 2 November (“All Souls”)
  • “Music List” • All Souls (2 November)

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