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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · May 19, 2025

A Gentleman (Whom I Don’t Know) Approached Me After Mass Yesterday And Said…

Some may enjoy these eight brief articles on the sacred liturgy.

Corpus Christi Watershed · May 17, 2025

“For me, Gregorian chant at the Mass was much more consonant with what the Mass truly is…” —Bp. Earl Fernandes

“When things are holy and sacred, they are perceived as such by all.” —Bishop Fernandes

Corpus Christi Watershed · May 16, 2025

“Lindisfarne Gospels” • Created circa 705 A.D.

Lusciously resplendent illuminations created 1,300 years ago by Roman Catholic monks in North England—now available to be viewed in high resolution!

Jeff Ostrowski · May 13, 2025

PDF Download • “Entrance Chant” for the Fifth Sunday of Easter

I’m not a bishop. I’m not even a priest. I’m a husband & father who just wants to make it to heaven.

Jeff Ostrowski · May 12, 2025

“Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)

“When the Vatican Edition began coming off the press in 1905, its strongest supporters did not expect it to last until 1960…” —Mons. Schmitt

Veronica Moreno · May 12, 2025

Chants That Crowds Roar With Burning Hearts

Something special happens when your Pope intones a chant and everyone sings with full hearts. Neurons, neurotransmitters, and hormones work together to bind people together. This is why sacred music transforms hearts!

Jeff Ostrowski · May 8, 2025

Cardinal Prevost (Pope Leo XIV) “Privately Offered the TLM in His Private Chapel”

Allegedly, the source of this information “had the only indult to say the TLM at the USCCB office in Baltimore back in the 1990s.”

Corpus Christi Watershed · May 7, 2025

Reader Feedback • Mendelssohn’s “Wedding March” at a Nuptial Mass?

“Isn’t Mendelssohn’s wedding march largely frowned upon in the Catholic Church?” —A reader

Veronica Moreno · May 6, 2025

We (Will) Have A Pope!

Veronica shares a children’s book about the Conclave. Let’s all chant the Veni Creator!

Jeff Ostrowski · May 5, 2025

“Basic Catechism of Gregorian Chant” • Fifteen Questions Answered

“Kids, you’re only on this floating rock for a very short time.”

Corpus Christi Watershed · April 30, 2025

Dramatic & Spectacular Testimonies from Last Year’s Sacred Music Symposium

“I had to stop singing for a moment while trying not to cry.” —2023 Participant

Jeff Ostrowski · April 27, 2025

“Simple English Propers” • Error this Sunday?

Did the good of the Church “genuinely and certainly” require this confusing change in 1970?

Jeff Ostrowski · April 26, 2025

PDF Download • “Extremely Rare” — German Organ Accompaniment for Hymnal (158 pages)

This year, we did something unusual.

Richard J. Clark · April 26, 2025

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Two Thomas Aquinas, translations in English by Alan J. Hommerding — settings by Richard J. Clark

Jeff Ostrowski · April 22, 2025

“Why Choir Directors Fail” • Six Reasons

Re: Singing in front of 580 people!

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Offertory” for this Sunday
    This coming Sunday, 12 October 2025, is the 28th Sunday in Ordinary Time (Year C). Its OFFERTORY ANTIPHON (PDF) is gorgeous, and comes from the book of Esther, as did the ENTRANCE CHANT last Sunday. Depending on a variety of factors, various hand-missals (all with Imprimatur) translate this passage differently. For instance, “príncipis” can be rendered: King; Prince; Lion; or Fierce lord. None is “more correct” than another. It depends on what each translator wants to emphasize and which source text is chosen. All these pieces of plainsong are conveniently stored at the blue-ribbon feasts website.
    —Jeff Ostrowski
    Why A “Fugue” Here?
    I believe I know why this plainsong harmonizer created a tiny fugue as the INTRODUCTION to his accompaniment. Take a look (PDF example) and tell me your thoughts about what he did on the feast of the Flight of Our Lord Jesus Christ into Egypt (17 February). And now I must go because “tempus fugit” as they say!
    —Jeff Ostrowski
    “Reminder” — Month of October (2025)
    Those who don’t sign up for our free EMAIL NEWSLETTER miss important notifications. Last week, for example, I sent a message about this job opening for a music director paying $65,000 per year plus benefits (plus weddings & funerals). Notice the job description says: “our vision for sacred music is to move from singing at Mass to truly singing the Mass wherein … especially the propers, ordinaries, and dialogues are given their proper place.” Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Since the English is not meant to be sung, but only to tell people who do not understand Latin what the text means, a simple paraphrase in prose is sufficient. The versions are not always very literal. Literal translations from Latin hymns would often look odd in English. I have tried to give in a readable, generally rhythmic form the real meaning of the text.”

— Fr. Adrian Fortescue (1913)

Recent Posts

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  • PDF Download • “Offertory” for this Sunday
  • The Real Miracle of Gregorian Chant
  • Why A “Fugue” Here?

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