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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · March 24, 2022

“Extraordinary Form” • Is This Name Still Allowed?

Fulton J. Sheen reminded us: “Many a pontiff goes through life without making a single infallible decision … not one.”

Jeff Ostrowski · March 20, 2022

“Ah, Holy Jesus” • Lent + Passiontide Hymn

Mr. Currie complained about hymn lyrics that “unduly emphasize the human nature of the Savior.”

Jeff Ostrowski · March 15, 2022

“Three Hymns for Lent” • (Rec. 03/10/2022)

Sometimes what goes without saying must be said.

Corpus Christi Watershed · March 13, 2022

“To Hear Before You Die” • Essential Listening Guide

You might have heard parts of the “French Suites” by Bach without even realizing it…

Jeff Ostrowski · March 13, 2022

PDF Download • “Audi Benigne Conditor” (Organ Accompaniment)

Finding the “perfect” accompaniment for hymns can be challenging. Here’s my attempt.

Jeff Ostrowski · March 9, 2022

“Church Music” • Opportunity of a Lifetime!

We’ve streamlined our application process; register online today!

Jeff Ostrowski · March 9, 2022

PDF • “Hymn Suggestions For Each Sunday”

The conscientious choirmaster takes people where they are and then—carefully and prudently—leads them to something higher.

Jeff Ostrowski · March 8, 2022

“Like None Other!” • New Three-Voice Collection

I could not function as a choirmaster without this collection.

Jeff Ostrowski · March 5, 2022

“Communion Hymn For Lent” • (Rec. 3/4/2022)

I believe many choir members will stop coming back if the music is always the same.

Jeff Ostrowski · March 5, 2022

IMPORTANT • Stunning News From Rome!

In this meeting—and subsequent statement—Pope Francis made it clear that institutes like the FSSP are not affected by “Traditionis Custodes.”

Jeff Ostrowski · March 2, 2022

Does Your Musical Program Have Balance?

What I’ve labeled “musical diversity” could also be thought of as “balance.”

Jeff Ostrowski · February 26, 2022

PDF Download • Missa Philomena (Philippe Verdelot)

This music is from a much earlier period; and you can tell.

Jeff Ostrowski · February 26, 2022

“Common” Hymn Tunes? • Another Example

The first text is for the “pre-Lent” season…

Jeff Ostrowski · February 24, 2022

Cardinal Cupich’s Diocese • “What Mass Looks Like”

The “primary cross” for most young men has to do with temptations against the 6th Commandment.

Jeff Ostrowski · February 22, 2022

PDF Download • No More OCP “Breaking Bread”

This powerful response—by a Catholic priest—is without question one of the most fascinating things I’ve ever read.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “For Pentecost Sunday”
    Yesterday morning, I recorded myself singing the ENTRANCE CHANT for Pentecost Sunday while simultaneously accompanying myself on the pipe organ. Click here to see how that came out. At the end of the antiphon, there’s a triple Allelúja and I just love the chord at the end of the 2nd iteration. The organ accompaniment—along with the musical score for singers—can be downloaded free of charge at the flourishing feasts website. For the record, the antiphon on Pentecost Sunday doesn’t come from a psalm; it comes from the book of Wisdom.
    —Jeff Ostrowski
    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

When you consider that the greatest hymns ever written—the plainchant hymns—are pushing the age of eight hundred and that the noble chorale hymn tunes of Bach date from the early eighteenth century, then what is the significance of the word “old” applied to “Mother at Thy Feet Is Kneeling”? Most of the old St. Basil hymns date from the Victorian era, particularly the 1870s and 1880s.

— Paul Hume (1956)

Recent Posts

  • “Unfair Characterization” • (But Good Question)
  • “Thee” + “Thou” + “Thine”
  • PDF Download • “For Pentecost Sunday”
  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations

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