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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

It is time. Sacred Song and the Kingdom of God

Richard J. Clark · April 4, 2022

AINT AUGUSTINE’S famous and likely apocryphal quote “He who sings once prays twice” holds universal appeal for its inherent truth regardless of who said it. We do know Saint Augustine stated, “Singing is for the one who loves.” (St. Augustine, Sermo 336, 1 -PL 1844-1855, 38, 1472) Equally truthful, this quote appears in the first page of the US Bishops’ “Sing to the Lord: Music in Divine Worship.” It eloquently distills why we sing: “Singing is a sign of God’s love for us and our love for him.” (SttL §2)

Choirs, musicians, and artists have suffered great loss in the last two years. Countless have persisted creatively and with endless adaptation. Our liturgies have demanded radical adjustments often with little notice. Perhaps there is no better touchstone for the tenacious flexibility of parish musicians than Holy Week of 2022, one different from each of the previous two years. As such, I wish to express great admiration and offer encouragement.

It is time.

MANY CHOIR DIRECTORS — even those with relatively robust choral programs of children and adults — acknowledge the necessary rebuilding process especially with children’s choirs. This challenge is worldwide. A notable director of multiple children’s choirs in Europe told me numbers are down not because people don’t want to sing, but because recruitment and development stopped for over a year while other children aged out of the program. Yet they persist now in performing even if with smaller numbers. This in turn models possibilities, drives recruitment, and offers some foundation upon which to rebuild.

Another prominent choir director in the United States noted the changing habits of families resulting in fewer children singing. Older children often moved on to other non-musical activities. This leaves younger and less experienced singers to take on more responsibility within a smaller ensemble.

The task before you has not not easy!

Of profound concern is changing habits of some that no longer include attending Mass in person or otherwise. Nothing replaces worshiping in the presence of the Real Presence! The consequences are devastating. We are at risk of losing a generation of children uneducated and unacclimated to the sacred and the transcendent — not to mention the impact upon their souls. The children are robbed not only of singing the Lord’s praise, but robbed of their relationship with God inherent in their baptism and intrinsically expressed through sacred music.

It is time.

It is past time.

I have been greatly uplifted in recent months and during the last two years by those creatively keeping the beacon of light of sacred music alive and even thriving. Doing so bolsters us all. Now it is time to rebuild, restart, renew commitment to children’s and adult choirs for the sake of catechesis and evangelization. Have not our liturgies required multiple radical adaptations during the last two years? So may our choirs require adaptation — and creative solutions — in order to persist, survive, and thrive. Many are!

Adapt repertoire. Adapt the use of personnel. Perhaps add adults to assist smaller numbers of children to foster development. Adults and children singing together at times is a very common practice taking myriad forms both formal and informal. It is a practice with history and tradition of well over a millennium. Tenacity amidst challenge fortifies the soul, spirit, and in time elevates art and beauty. My admiration for countless parish choir directors for their tireless efforts is beyond words.

WHY DO WE PERSIST?

It is so easy to give up, to differ, to delay (with every understanding to those who are immunocompromised; my family includes several). Children in particular have lost too much in the last two years. As a father of four I see their struggles; I see their tenacity and that of their friends and classmates. Often the children are wonderful examples to us all.

Matthew 18: 2-3 He called a child over, placed it in their midst, and said, “Amen, I say to you, unless you turn and become like children, you will not enter the kingdom of heaven.”

We persist because when one sings, the Kingdom of God is found not beyond one’s reach, but within your heart. Singing even with smaller numbers is like the mustard seed:

Matthew 13: 31-32 “The kingdom of heaven is like a mustard seed that a person took and sowed in a field. It is the smallest of all the seeds, yet when full-grown it is the largest of plants. It becomes a large bush, and the ‘birds of the sky come and dwell in its branches.’”

We persist because singing is a treasure of inestimable value to be pursued inexorably. It brings us in closer relationship with God and with each other.

Matthew 13:44 “The kingdom of heaven is like a treasure buried in a field, which a person finds and hides again, and out of joy goes and sells all that he has and buys that field.”

DO NOT BE DISCOURAGED, but be joyful! The small or imperfect efforts we make now become the mustard seed that transforms a life forever. The seed you plant may convert one soul or many souls. The seeds you plant may in time save us all. Be joyful. It is time to reclaim our humanity with song. It is past time to reclaim our role in the sung Mass glorifying God and bring our brothers and sisters close to God. Sacred music, a healing balm is needed now more than ever. Music expresses the divine and only music the ineffable.

Sing!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Richard J Clark Last Updated: May 3, 2022

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski
    “Music List” • 9 Nov. (Dedic. Lateran)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 9 November 2025, which is the Dedication of the Lateran Basilica. If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

The People’s Hymnal suffers from a too literal and awkward translation. And even in the lovely Slovak “Memorare” in The Saint Gregory Hymnal we are still asked to sing “that anyone who sought thee, or made to thee his moan.” Why not “groan” or “bone” or even “phone?” The only thing necessary, it seems, is that it rhyme with “known.”

— Mons. Francis P. Schmitt (1958)

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