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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

It is time. Sacred Song and the Kingdom of God

Richard J. Clark · April 4, 2022

AINT AUGUSTINE’S famous and likely apocryphal quote “He who sings once prays twice” holds universal appeal for its inherent truth regardless of who said it. We do know Saint Augustine stated, “Singing is for the one who loves.” (St. Augustine, Sermo 336, 1 -PL 1844-1855, 38, 1472) Equally truthful, this quote appears in the first page of the US Bishops’ “Sing to the Lord: Music in Divine Worship.” It eloquently distills why we sing: “Singing is a sign of God’s love for us and our love for him.” (SttL §2)

Choirs, musicians, and artists have suffered great loss in the last two years. Countless have persisted creatively and with endless adaptation. Our liturgies have demanded radical adjustments often with little notice. Perhaps there is no better touchstone for the tenacious flexibility of parish musicians than Holy Week of 2022, one different from each of the previous two years. As such, I wish to express great admiration and offer encouragement.

It is time.

MANY CHOIR DIRECTORS — even those with relatively robust choral programs of children and adults — acknowledge the necessary rebuilding process especially with children’s choirs. This challenge is worldwide. A notable director of multiple children’s choirs in Europe told me numbers are down not because people don’t want to sing, but because recruitment and development stopped for over a year while other children aged out of the program. Yet they persist now in performing even if with smaller numbers. This in turn models possibilities, drives recruitment, and offers some foundation upon which to rebuild.

Another prominent choir director in the United States noted the changing habits of families resulting in fewer children singing. Older children often moved on to other non-musical activities. This leaves younger and less experienced singers to take on more responsibility within a smaller ensemble.

The task before you has not not easy!

Of profound concern is changing habits of some that no longer include attending Mass in person or otherwise. Nothing replaces worshiping in the presence of the Real Presence! The consequences are devastating. We are at risk of losing a generation of children uneducated and unacclimated to the sacred and the transcendent — not to mention the impact upon their souls. The children are robbed not only of singing the Lord’s praise, but robbed of their relationship with God inherent in their baptism and intrinsically expressed through sacred music.

It is time.

It is past time.

I have been greatly uplifted in recent months and during the last two years by those creatively keeping the beacon of light of sacred music alive and even thriving. Doing so bolsters us all. Now it is time to rebuild, restart, renew commitment to children’s and adult choirs for the sake of catechesis and evangelization. Have not our liturgies required multiple radical adaptations during the last two years? So may our choirs require adaptation — and creative solutions — in order to persist, survive, and thrive. Many are!

Adapt repertoire. Adapt the use of personnel. Perhaps add adults to assist smaller numbers of children to foster development. Adults and children singing together at times is a very common practice taking myriad forms both formal and informal. It is a practice with history and tradition of well over a millennium. Tenacity amidst challenge fortifies the soul, spirit, and in time elevates art and beauty. My admiration for countless parish choir directors for their tireless efforts is beyond words.

WHY DO WE PERSIST?

It is so easy to give up, to differ, to delay (with every understanding to those who are immunocompromised; my family includes several). Children in particular have lost too much in the last two years. As a father of four I see their struggles; I see their tenacity and that of their friends and classmates. Often the children are wonderful examples to us all.

Matthew 18: 2-3 He called a child over, placed it in their midst, and said, “Amen, I say to you, unless you turn and become like children, you will not enter the kingdom of heaven.”

We persist because when one sings, the Kingdom of God is found not beyond one’s reach, but within your heart. Singing even with smaller numbers is like the mustard seed:

Matthew 13: 31-32 “The kingdom of heaven is like a mustard seed that a person took and sowed in a field. It is the smallest of all the seeds, yet when full-grown it is the largest of plants. It becomes a large bush, and the ‘birds of the sky come and dwell in its branches.’”

We persist because singing is a treasure of inestimable value to be pursued inexorably. It brings us in closer relationship with God and with each other.

Matthew 13:44 “The kingdom of heaven is like a treasure buried in a field, which a person finds and hides again, and out of joy goes and sells all that he has and buys that field.”

DO NOT BE DISCOURAGED, but be joyful! The small or imperfect efforts we make now become the mustard seed that transforms a life forever. The seed you plant may convert one soul or many souls. The seeds you plant may in time save us all. Be joyful. It is time to reclaim our humanity with song. It is past time to reclaim our role in the sung Mass glorifying God and bring our brothers and sisters close to God. Sacred music, a healing balm is needed now more than ever. Music expresses the divine and only music the ineffable.

Sing!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Richard J Clark Last Updated: May 3, 2022

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Organ Accompaniment”
    Over the past few years, I’ve been harmonizing all the vernacular plainsong Introit settings by the CHAUMONOT COMPOSERS GROUP. This coming Sunday—10 May 2026—is the 6th Sunday of Easter (Year A). The following declaration will probably smack of “blowing my own horn.” However, I’d rank this accompaniment as my best yet. In this rehearsal video, I attempt to sing it while simultaneously accompanying myself on the pipe organ. The musical score [for singers] as well as my organ accompaniment can be downloaded free of charge from the flourishing feasts website.
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 4 May 2026
    A few days ago, the CORPUS CHRISTI WATERSHED Facebook page posted this Gregorian Chant quiz regarding a rubric for the SEQUENCE for the feast of Corpus Christi: “Lauda Sion Salvatórem.” There is no audience more intelligent than ours—yet surprisingly nobody has been able to guess the rubric. Drop me an email with the right answer, and I’ll affirm your brilliance to everyone I encounter!
    —Jeff Ostrowski
    “Rare Photographs” • Hannibal Bugnini
    On 2 September 2025, we included in this article extremely rare photographs of Archbishop Hannibal Bugnini taken in Iran circa 1979. Bugnini had initially been banished by the pope to Uruguay, but he refused to obey. [This is interesting, since Bugnini relied upon ‘blind obedience’ when it came to modifications of the ancient liturgy.] After he refused to obey the order from the pope, Hannibal Bugnini was banished to Iran. You can also watch a short video of Hannibal Bugnini in Iran, dated 10 November 1979. That’s about a week after the USA embassy hostage crisis began in Tehran, and Pope Saint John Paul II had sent the leader of the Iranian Revolution a special letter.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski
    PDF Download • “Anima Christi”
    I received a request for an organ accompaniment I created way back in 2007 for the “Anima Christi” Gregorian Chant. You can download this PDF file which has the score in plainsong followed by a keyboard accompaniment. Many melodies have been paired with “Anima Christi” over the centuries, but this is—perhaps—the most common one.
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

Recent Posts

  • “Reminder” — Month of May (2026)
  • “Englished” Gregorian Chant • 5 Considerations
  • Simplified Version • “Canon in D” (Pachelbel)
  • PDF Download • “Organ Accompaniment”
  • “Gregorian Chant Quiz” • 4 May 2026

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