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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

It is time. Sacred Song and the Kingdom of God

Richard J. Clark · April 4, 2022

AINT AUGUSTINE’S famous and likely apocryphal quote “He who sings once prays twice” holds universal appeal for its inherent truth regardless of who said it. We do know Saint Augustine stated, “Singing is for the one who loves.” (St. Augustine, Sermo 336, 1 -PL 1844-1855, 38, 1472) Equally truthful, this quote appears in the first page of the US Bishops’ “Sing to the Lord: Music in Divine Worship.” It eloquently distills why we sing: “Singing is a sign of God’s love for us and our love for him.” (SttL §2)

Choirs, musicians, and artists have suffered great loss in the last two years. Countless have persisted creatively and with endless adaptation. Our liturgies have demanded radical adjustments often with little notice. Perhaps there is no better touchstone for the tenacious flexibility of parish musicians than Holy Week of 2022, one different from each of the previous two years. As such, I wish to express great admiration and offer encouragement.

It is time.

MANY CHOIR DIRECTORS — even those with relatively robust choral programs of children and adults — acknowledge the necessary rebuilding process especially with children’s choirs. This challenge is worldwide. A notable director of multiple children’s choirs in Europe told me numbers are down not because people don’t want to sing, but because recruitment and development stopped for over a year while other children aged out of the program. Yet they persist now in performing even if with smaller numbers. This in turn models possibilities, drives recruitment, and offers some foundation upon which to rebuild.

Another prominent choir director in the United States noted the changing habits of families resulting in fewer children singing. Older children often moved on to other non-musical activities. This leaves younger and less experienced singers to take on more responsibility within a smaller ensemble.

The task before you has not not easy!

Of profound concern is changing habits of some that no longer include attending Mass in person or otherwise. Nothing replaces worshiping in the presence of the Real Presence! The consequences are devastating. We are at risk of losing a generation of children uneducated and unacclimated to the sacred and the transcendent — not to mention the impact upon their souls. The children are robbed not only of singing the Lord’s praise, but robbed of their relationship with God inherent in their baptism and intrinsically expressed through sacred music.

It is time.

It is past time.

I have been greatly uplifted in recent months and during the last two years by those creatively keeping the beacon of light of sacred music alive and even thriving. Doing so bolsters us all. Now it is time to rebuild, restart, renew commitment to children’s and adult choirs for the sake of catechesis and evangelization. Have not our liturgies required multiple radical adaptations during the last two years? So may our choirs require adaptation — and creative solutions — in order to persist, survive, and thrive. Many are!

Adapt repertoire. Adapt the use of personnel. Perhaps add adults to assist smaller numbers of children to foster development. Adults and children singing together at times is a very common practice taking myriad forms both formal and informal. It is a practice with history and tradition of well over a millennium. Tenacity amidst challenge fortifies the soul, spirit, and in time elevates art and beauty. My admiration for countless parish choir directors for their tireless efforts is beyond words.

WHY DO WE PERSIST?

It is so easy to give up, to differ, to delay (with every understanding to those who are immunocompromised; my family includes several). Children in particular have lost too much in the last two years. As a father of four I see their struggles; I see their tenacity and that of their friends and classmates. Often the children are wonderful examples to us all.

Matthew 18: 2-3 He called a child over, placed it in their midst, and said, “Amen, I say to you, unless you turn and become like children, you will not enter the kingdom of heaven.”

We persist because when one sings, the Kingdom of God is found not beyond one’s reach, but within your heart. Singing even with smaller numbers is like the mustard seed:

Matthew 13: 31-32 “The kingdom of heaven is like a mustard seed that a person took and sowed in a field. It is the smallest of all the seeds, yet when full-grown it is the largest of plants. It becomes a large bush, and the ‘birds of the sky come and dwell in its branches.’”

We persist because singing is a treasure of inestimable value to be pursued inexorably. It brings us in closer relationship with God and with each other.

Matthew 13:44 “The kingdom of heaven is like a treasure buried in a field, which a person finds and hides again, and out of joy goes and sells all that he has and buys that field.”

DO NOT BE DISCOURAGED, but be joyful! The small or imperfect efforts we make now become the mustard seed that transforms a life forever. The seed you plant may convert one soul or many souls. The seeds you plant may in time save us all. Be joyful. It is time to reclaim our humanity with song. It is past time to reclaim our role in the sung Mass glorifying God and bring our brothers and sisters close to God. Sacred music, a healing balm is needed now more than ever. Music expresses the divine and only music the ineffable.

Sing!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Richard J Clark Last Updated: May 3, 2022

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About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Corpus Christi Watershed

President’s Corner

    Music List • (1st Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I’ve prepared for this coming Sunday—22 February 2026—the 1st Sunday of Lent (Year A). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the outstanding feasts website alongside the official texts in Latin. I spent an enormous amount of time preparing this ORDER OF MUSIC—because the children’s choir will join us—and some of its components came out great. For example, the COMMUNION ANTIPHON with Fauxbourdon is utterly resplendent, yet still ‘Lenten’.
    —Jeff Ostrowski
    2-Voice Arrangement for Lent
    Those seeking a two-voice arrangement for LENT and PASSIONTIDE should click here and scroll down. It’s based on number 775 in the Brébeuf Hymnal, with an enchanting melody written by Kevin Allen (the legendary American composer of sacred music). That text—“Pendens In Crucis Cornibus”—is often used for the Feast of our Lady of Sorrows. That link is important because, in addition to the musical score, it provides free rehearsal videos for each individual voice: something volunteer choirs appreciate!
    —Jeff Ostrowski
    “Sanctus VIII” • Organ Accompaniment
    A few days ago, I composed this organ harmonization for SANCTUS VIII. This Mass is traditionally called Missa de ángelis or “Mass of the angels.” In French, it is Messe de Anges. You can evaluate my attempt to simultaneously accompany myself on the pipe organ (click here) while singing the melody. My parish is currently singing this setting.
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of Febr. (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski
    PDF • “O Come All Ye Faithful” (Simplified)
    I admire the harmonization of “Adeste Fideles” by David Willcocks (d. 2015), who served as director of the Royal College of Music (London, England). In 2025, I was challenged to create a simplified arrangement for organists incapable of playing the authentic version at tempo. The result was this simplified keyboard arrangement (PDF download) based on the David Willcocks version of “O Come All Ye Faithful.” Feel free to play through it and let me know what you think.
    —Jeff Ostrowski

Random Quote

“Ordained a diocesan priest on 7 October 1827, Guéranger was quickly named a canon (a member of the cathedral chapter of Tours). Around 1830, he demonstrated his interest in the liturgy when he began to use the Roman Missal and texts for the Divine Office, unlike many of his colleagues, who still made use of the diocesan editions commonly in use in pre-Revolutionary France.”

— Source unknown

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