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The principal books of music for the Eucharist were recently (re-)confirmed by the United States Conference of Catholic Bishops.
Famed Boston trumpeter (Richard Kelley) and Boston Cathedral choirmaster (Richard J. Clark) explore the depths of human frailty, struggle, and dignity …
I never knew these existed until earlier today!
Father Weinmann placed plainsong on five (5) lines, yet still used Gregorian notation—including chord symbols!
Bishop Burbidge has forbidden eight parishes from publishing Mass times in their bulletins, parish websites, or social media channels!
Are we even singing the Solesmes rhythm at all?
“The portable organ shall be lowered into the quire to accompany the singers, who shall sing solos in their order of seniority…” —1604 document
Installment 4 • “How Has Nobody Done This Before?” (series)
What can medieval and renaissance music pedagogy offer to us now?
This short piece shimmers with beauty. The arrangement is by Monsignor René Moissenet.
A professor at our conservatory always told us: “An example is worth 1,000 words.”
Fulton J. Sheen told a story about a man who bumped into Abraham Lincoln yelling: “Get out of my way, you big ugly lummox!”
Their feast is on Monday (in Canada and the EF)!
I’ve attempted to create a recording for this coming Sunday according to the official rhythm…
Thirty years ago most pastors would not have been open to inaugurating good sacred music programs in their parishes, but times have changed.
