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Views from the Choir Loft

Articles

Jeff Ostrowski · November 1, 2022

“Gregorian Chant Rhythm Wars” • Ostrowski Vs. Williams

My colleague, Patrick Williams has agreed to enter into a “colloquy” with me vis-à-vis Gregorian rhythm.

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Jeff Ostrowski · October 28, 2022

“To Jesus Christ, Our Sovereign King” • Melody Comes From Where?

Nobody seems capable of answering this question.

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Corpus Christi Watershed · October 26, 2022

“Dates Revealed” • 2023 Sacred Music Symposium

Mark your calendars for this life-changing conference!

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Dr. Charles Weaver · October 23, 2022

An Upcoming Concert in NYC

Announcing a concert next Saturday in honor of Christ the King.

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Jeff Ostrowski · October 22, 2022

“Vespers of the Dead” • Most Elaborate Book of Hours I’ve Ever Seen

Our Lord said that if men withheld their praise of Him, “the very stones would cry out…”

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Keven Smith · October 20, 2022

Hidden Gem: Dormi Jesu (Luc Jakobs)

This striking Christmas motet puts Latin text atop jazzy harmonies to lull Our Infant Lord to sleep.

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Jeff Ostrowski · October 19, 2022

19 October 2022 • Feast of Saint Isaac Jogues & Companions

In Canada, they list Father Brébeuf first—in the United States, Father Jogues.

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Jeff Ostrowski · October 19, 2022

PDF Download • “Hymn List For Sundays” (until 8 December 2022)

As a child, Rex Harrison contracted measles, which took away the sight from his left eye for the rest of his life.

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Jeff Ostrowski · October 17, 2022

“Hymn By A Saint” • For All Saints (November 1st)

There’s something truly ‘haunting’ about this melody by Flor Peeters—and once it’s in your head, it’s hard to banish!

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Jeff Ostrowski · October 15, 2022

USCCB • “Principal Music Books for the Eucharist”

The principal books of music for the Eucharist were recently (re-)confirmed by the United States Conference of Catholic Bishops.

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Corpus Christi Watershed · October 13, 2022

“Fearfully and Wonderfully Made” • New album from Richard Kelley & Richard J. Clark

Famed Boston trumpeter (Richard Kelley) and Boston Cathedral choirmaster (Richard J. Clark) explore the depths of human frailty, struggle, and dignity …

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Jeff Ostrowski · October 13, 2022

PDF Download • “Salve Regina” Chant in English (Four Different Versions)

I never knew these existed until earlier today!

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Jeff Ostrowski · October 11, 2022

PDF Download • 1915 “Gregorian Vesperale” … Printed On Five Lines! (651 Pages)

Father Weinmann placed plainsong on five (5) lines, yet still used Gregorian notation—including chord symbols!

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Jeff Ostrowski · October 11, 2022

“Times & Locations” • Traditional Latin Masses in the Diocese of Arlington

Bishop Burbidge has forbidden eight parishes from publishing Mass times in their bulletins, parish websites, or social media channels!

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Dr. Charles Weaver · October 9, 2022

The Solesmes Episema and Contemplation

Are we even singing the Solesmes rhythm at all?

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Corpus Christi Watershed

President’s Corner

    “Holy, Holy, Holy” transposed lower

    A simple setting based on a work by Canon Jules Vyverman.

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    —Jeff Ostrowski
    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“Père Joseph Gelineau represented everything that had gone wrong with the Church since the new liturgists had gained control.”

— Jean Langlais

Recent Posts

  • “All Saints Hymn” • Containing a Polyphonic Section
  • A Peculiar Plainsong Practice of the Anglicans
  • 7 Letters • “Simple Music for the Mass Propers”
  • “The Priest in Your Breviary” • Who Was Father Joseph Connelly? (Mysterious Liturgical Scholar)
  • “Holy, Holy, Holy” transposed lower

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