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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Corrinne May · September 20, 2022

“My Reflections” • Re: 2022 Symposium Keynote

“I ended up spending hours, transcribing each and every word from Father Fryar’s Symposium lecture. Although it took many hours, I relished the process.” —Corrinne May

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Jeff Ostrowski · September 20, 2022

PDF Download • Brief Polyphonic “Asperges Me” for SATB by Father Guerrero (d. 1599)

Here’s my attempt at recording all the voices myself, to give you a rough idea how it sounds.

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Jeff Ostrowski · September 20, 2022

Official USCCB Synod Document: “The Limited Access to the 1962 Missal Was Lamented…”

In this official document, we find a remarkable statement!

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Jeff Ostrowski · September 18, 2022

“An Irish Hymnal?” • 126 Pages (English and Gaelic)

I find this hymn quite beautiful—and singers love it!

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Veronica Brandt · September 17, 2022

Adding More Spaces around Bar Lines in Gregorio

Some useful tips on adjusting the spacing in Gregorio scores.

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Corpus Christi Watershed · September 16, 2022

“Did Bishop Burbidge Violate Canon 932 in Order to Punish His Flock?”

“Holy Trinity is where Josh came into the Church, went through RCIA, and was married…”

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Jeff Ostrowski · September 14, 2022

“Isolation Camps” for Summórum Catholics?

Today is the 15th anniversary of “Summorum Pontificum”—and some clerics are choosing coercion where persuasion has failed.

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Jeff Ostrowski · September 13, 2022

PDF Download • 2-Voice Eucharistic Hymn by Flor Peeters (45 pages) • Includes a Descant!

Lyrics in English, with an (optional) version in Latin.

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Dr. Charles Weaver · September 12, 2022

Pre-Reformation Polyphony among the Recusants

What happened to all that polyphony once Catholicism became illegal?

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Jeff Ostrowski · September 10, 2022

PDF Download • “Choir Warm-Up Exercise”

Your singers might enjoy this vocal warm-up exercise I composed for a volunteer choir.

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Jeff Ostrowski · September 9, 2022

“Defending the English” • Brief Riposte from Uganda

“As for the subject of whether the music of Tallis, Taverner, and Tye was tainted by the reformation, I would agree with Mr. Ostrowski.” —Reader from Uganda

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Keven Smith · September 9, 2022

The Decaffeinated Choir Director: Yes, It’s Possible

Reflections on one year with no caffeine. Find out what to expect if you try it.

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Jeff Ostrowski · September 8, 2022

Feedback: “The Lack of Charity in Your Statement Stuns Me!” • Defending the English

“Was Mr. Ostrowski ever forced to see the choir stalls he sang in as a boy demolished by iconoclasts?” — Reader from Atlanta (9/8/2022)

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Jeff Ostrowski · September 8, 2022

“Pronouncing the Responses at Mass” • Phonetic Booklet for Altar Boys (Latin Mass)

This would make a splendid gift for boys attempting to memorize the Latin Mass responses.

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Jeff Ostrowski · September 7, 2022

“British Polyphony” • The Best 55 Seconds In Music!

The paradigmatic English sonority can only be described as “haunting.” There’s nothing else quite like it.

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Corpus Christi Watershed

President’s Corner

    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“The free space which the new order of Mass gives to creativity it must be admitted, is often excessively enlarged. The difference between the liturgy with the new liturgical books, as it is actually practiced and celebrated in various places is often much greater than the difference between the old and new liturgies when celebrated according to the rubrics of the liturgical books.”

— Cardinal Ratzinger (1998)

Recent Posts

  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration

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