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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

“Advent Hymn” • Composed by Flor Peeters

Jeff Ostrowski · November 29, 2022

AINT DOMINIC SAVIO said: “If I save one soul, I save my own.” I think most of us would agree that we’re not on fire for the Holy Faith as we ought to be. Furthermore, we do a terrible job sharing our Catholic Faith with others. The Gospel (Lk 19: 39-40) says: “Some of the Pharisees said to Jesus: Master, rebuke thy disciples; but He answered: I say to you, if they should keep silence, the very stones will cry out instead.” We do not cry out, telling others about JESUS CHRIST, His forgiveness, the life of Grace, and so forth. Indeed, we scarcely whimper.

A Small Way Forward • On the other hand, we have our “small victories.” For instance, it’s so rewarding to expose parishioners to the beautiful Catholic treasury of sacred music. The following hymn—NUMBER 186 in the Brébeuf Catholic Hymnal—was composed by Flor Peeters, who was organist at Malines Cathedral from 1923 until his death in 1986. Peeters was a famous pedagogue, known all over the world, and sometimes taught at Boys Town (Nebraska). The text is an ancient Catholic hymn called Cónditor Alme Síderum, which was been translated into English:

M To access this hymn’s media in the Brébeuf Portal, click here.

Jeff’s Deathbed • Until my dying day, I will never understand why some musicians are fine using hymn books which—broadly speaking—consist of “leftovers” from Protestant hymnals. The Brébeuf Catholic Hymnal doesn’t mimic or “build upon” Protestant hymnals. Rather, it draws upon the gorgeous and powerful Roman Catholic hymnody tradition. For example, ANALECTA HYMNICA MEDII AEVI by Father Dreves gives more than 10,000 Catholic hymns! I just don’t understand why anyone would discard all of those. I gave more detailed thoughts on this matter in 2019:

*  2019 Article • What Makes A “Catholic” Hymnal?

Organ Interludes • As you can hear by that live recording, we normally don’t sing all the verses one after the other. We have the men sing certain verses, or just the women, or SATB, or with Soprano descant, or with a different organ harmonization, and so forth. (We have discussed how crucial musical diversity is many times on this blog.) In that recording, you can hear my rather pathetic attempt at organ improvisation…

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Advent Hymn Creator Alme, Analecta hymnica medii aevi, Different Ways To Sing Hymns, Flor Peeters Last Updated: November 30, 2022

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    ‘German’ Introductions for Hymns
    German organ books have an enchanting habit of including introductions for each and every hymn. For example, consider this snazzy example found in a German hymnal published in 1902. In the Saint Jean de Brébeuf Hymnal, that melody is called “Laudes Mariae” and was married to Omni Die Dic Mariae, with a popular English translation (“Daily, daily, sing to Mary”) by Father Henry Bittleston, an Oratorian priest.
    —Jeff Ostrowski
    Buckfast Abbey Weighs In
    Dom John Stéphan was a Benedictine monk of Buckfast Abbey in South Devon, England. On 4 February 1933, he published this interesting letter in THE TABLET. Have you seen the exterior of Buckfast Abbey? It’s beyond gorgeous. I doubt there’s a more arresting Abbey in the entire world. Dom Stéphan’s letter is concerning this momentous collection, which our organization obtained, scanned, and uploaded.
    —Jeff Ostrowski
    Responsorial Psalm Fauxbourdon?
    When it comes to singing Responsorial Psalms in Fauxbourdon, what does this sound like in practice? Can such a thing be done successfully with volunteer choirs in real Catholic parishes? Listen to this audio excerpt from Good Friday and see what you think. Our parish volunteer choir did so well this year—and the ceremonies were ‘standing room only’. For the record, that musical score can be downloaded (completely free of charge) from the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    PDF • “Liturgical Law” (467 Pages)
    On Good Friday during the middle ages, the pope privately recited THE ENTIRE PSALTER. If you don’t believe me, see for yourself by reading this passage by Dom Charles Augustine Bachofen (d. 1943). His famous book—called “Liturgical Law: A Handbook Of The Roman Liturgy”—was published by the Benjamin Herder Book Company, which was the American arm (operating out of St. Louis, Missouri) of one of the world’s most significant Catholic publishers. Dom Charles Augustine Bachofen was born in Switzerland but spent his career between the Benedictine monasteries at Conception (Missouri) and Mount Angel (Oregon). His 1931 masterpiece, Liturgical Law can be downloaded as a PDF file … 467 pages!
    —Jeff Ostrowski
    “Gregorian Chant Quiz” • 24 March 2026
    How well do you know your Gregorian hymns? Do you recognize the tune inserted into the bass line on this score? For many years, we sang the entire Mass in Gregorian chant—and I mean everything. As a result, it would be difficult to find a Gregorian hymn I don’t recognize instantly. Only decades later did I realize (with sadness) that this skill cannot be ‘monetized’… This particular melody is used for a very famous Gregorian hymn, printed in the LIBER USUALIS. Do you recognize it? Send me an email with the correct words, and I promise to tell everybody I meet about your prowess!
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski

Random Quote

It should be borne in mind that there is no preference expressed in the liturgical legislation for either “versus populum” or “ad orientem.” Since both positions enjoy the favor of law, the legislation may not be invoked to say that one position or the other accords more closely with the mind of the Church.

— ‘Congregation for Divine Worship (Vatican City), 10 April 2000’

Recent Posts

  • ‘German’ Introductions for Hymns
  • Fascinating Interpretation of the “Regina Caeli” (Solemn Tone)
  • PDF Download • “Sprinkling Rite” + Psalm Verses
  • Buckfast Abbey Weighs In
  • PDF Download • “Catholic Hymnal & Service Book” (632 Pages)

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