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Corpus Christi Watershed

Jesus said to them: “I have come into this world so that a sentence may fall upon it, that those who are blind should see, and those who see should become blind. If you were blind, you would not be guilty. It is because you protest, ‘We can see clearly,’ that you cannot be rid of your guilt.”

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Views from the Choir Loft

Articles

Andrea Leal · July 24, 2021

The Ordination and the Motu Proprio

Pope Francis dropped a bombshell – but around the world many Bishops continue to be faithful keepers of Tradition.

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Jeff Ostrowski · July 24, 2021

Protected: (Private) • “Symposium Faculty Eyes Only”

There is no excerpt because this is a protected post.

Jeff Ostrowski · July 23, 2021

Copyright Problems! • Vernacular Readings + “Traditionis Custodes”

Locations which celebrate the Traditional Latin Mass tend to be the marginalized groups, given “leftovers” that nobody else wants.

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Veronica Brandt · July 23, 2021

Top 3 Heart-warming Articles about the Latin Mass

Tired of dense theological issues and historical comparisons about the new Motu Proprio? Take a little time out to read some simpler reflections on the Latin Mass.

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Jeff Ostrowski · July 23, 2021

Traditionis Custodes • An “Attack” On The Traditional Latin Mass?

Now is certainly not the time for sensationalist language. However…

Jeff Ostrowski · July 20, 2021

“Traditionis Custodes” • Five (5) Brief Reflections

“Deliver us, Lord, from every evil: past, present, and to come.”

Keven Smith · July 19, 2021

7 Keys to Success with Graduale Renovatum

Here’s how to get the most out of this fantastic new resource for interpreting chant rhythm.

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Jeff Ostrowski · July 19, 2021

PDF Download • The “1965 Missal” (1,785 pages)

“Truly Perplexing” • Pope Francis’ Motu Proprio

Jeff Ostrowski · July 18, 2021

Restricting the Extraordinary Form? • Cardinal Ratzinger’s Video Interview

“We are today not another Church as 500 years ago; it’s always the same Church.” —Cardinal Ratzinger on EWTN

Jeff Ostrowski · July 17, 2021

Important Reminder from Pope Saint John XXIII

People are talking about “liturgy wars” again…

Jeff Ostrowski · July 17, 2021

“Let Us Take Courage!” • In Spite of Today’s News

“Serve God in that charity and love which cast out fear; such love does not regard merit.” —Saint Bernard

Richard J. Clark · July 9, 2021

Four Eucharistic Motets for the Year of the Eucharist

Forced abstinence from the Eucharist in 2020 heightened for many the appreciation of the sacraments that one can take for granted.

Jeff Ostrowski · July 7, 2021

[Live Rec.] • “Do You Know This Eucharistic Hymn?”

Including seven (7) examples of musical diversity.

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Jeff Ostrowski · July 4, 2021

We Urgently Require Funds! • Can You Give $5.00 Per Month?

An urgent letter from the president … please read this!

Jeff Ostrowski · July 3, 2021

PDF Download • “Polyphonic Creed Extension” (Perfect Canon Between Soprano & Alto)

This fabulous technique is common in Germanic countries…

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Corpus Christi Watershed

President’s Corner

    Communion Chant (5th Sunday of Easter)
    This coming Sunday—18 May 2025—is the 5th Sunday of Easter, Year C (MISSALE RECENS). The COMMUNION ANTIPHON “Ego Sum Vitis Vera” assigned by the Church is rather interesting, because it comes from a rare martyr’s feast: viz. Saint Vitalis of Milan. It was never part of the EDITIO VATICANA, which is the still the Church’s official edition. As a result, the musical notation had to be printed in the Ordo Cantus Missae, which appeared in 1970.
    —Jeff Ostrowski
    “Music List” • 4th Sunday of Easter (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 4th Sunday of Easter (11 May 2025). If such a thing interests you, feel free to download it as a PDF file. I don’t know a more gorgeous ENTRANCE CHANT than the one given there: Misericórdia Dómini Plena Est Terra.
    —Jeff Ostrowski
    “Entrance Chant” • 4th Sunday of Easter
    You can download the ENTRANCE ANTIPHON in English for the 4th Sunday of Easter (11 May 2025). Corresponding to the vocalist score is this free organ accompaniment. The English adaptation matches the authentic version (Misericórdia Dómini), which is in a somber yet gorgeous mode. If you’re someone who enjoys rehearsal videos, this morning I tried to sing it while simultaneously accompanying my voice on the pipe organ.
    —Jeff Ostrowski

Quick Thoughts

    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed
    When to Sit, Stand and Kneel like it’s 1962
    There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop
    —Veronica Brandt
    The Funeral Rites of the Graduale Romanum
    Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.
    —Daniel Tucker

Random Quote

“As liturgical art, church music is obliged to conform to ecclesiastical law. But to construct artificial polarities here, between legalistic order and a dynamic church music, demanded by the alleged needs of the day, would be to forsake the foundation of a music rooted in liturgical experience. What is in fact the pastoral value of the shoddy, the profane, the third-rate?”

— Dr. Robert Skeris (1996)

Recent Posts

  • Communion Chant (5th Sunday of Easter)
  • PDF Download • “Entrance Chant” for the Fifth Sunday of Easter
  • “Sanctus XVIII” • Peculiar-Yet-Haunting Accompaniment (Sent To Us)
  • Chants That Crowds Roar With Burning Hearts
  • “Music List” • 4th Sunday of Easter (Year C)

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