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If your priest approaches you after Mass and says the music sounded horrible, it’s incorrect to reply: “Well, that’s how it’s supposed to be.”
The internet is putting good people in touch with one another.
Comprised of men and women who share a fervent devotion to the music itself, The Saint Hildegard Project strives to teach with integrity and perform with excellence for the edification of souls and the glory of God.
The example chosen is the strenuous offertory (“Jubiláte Déo”) for the 2nd Sunday after Epiphany.
“Work hasn’t even begun on the next Lectionary, and there’s nothing definite about 2028 as a date.” — Father Andrew V. Menke, director of the USCCB liturgical committee
If memory serves, his exact words were: “Gee, I never thought about that before.” Astonishing!
In addition to this rare book by Max Springer (870 pages), I release the draft copy of a new Gregorian project (157 pages).
Musicians can have a stronger voice than even the legendary Fulton J. Sheen!
“These manuscripts had to be sought out in the public or capitular libraries, whose conservators were often hardly supportive of—if not outright hostile to—the reproduction of their treasures.”
Father Ralph March wrote: “If any single man could deserve the title father of the renewed chant it would be Dom Joseph Pothier.”
We strive to emphasize the positive on this blog, but I have to admit…
She said: “Jeff, you should record these harmonies with human voices, to illustrate what you mean.”
The motu proprio 𝑇𝑟𝑎𝑑𝑖𝑡𝑖𝑜𝑛𝑖𝑠 𝐶𝑢𝑠𝑡𝑜𝑑𝑒𝑠 “hit him pretty hard” says the private secretary to the Pope Emeritus.
According to Cardinal Ratzinger “man is woven into the fabric of the universe. Time is first of all a cosmic phenomenon. Man lives with the stars.”
Dr. Peter Wagner, a famous musicologist, founded the “Gregorian Academy” in Freiburg (Switzerland).
