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Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

5 Ways to Make Your Music Program More Marian

Daniel Tucker · August 9, 2022

Detail of a window at Notre Dame de Bon Secour, Montreal.
HE CHURCH RIGHTLY PROMOTES Marian devotion in a special way during the months of May and October, but the accompanying flurry of articles on Marian devotion usually comes too late to be implemented in time for these special months. Rather than wait for an especially Marian month, I wanted to share these five tips for making your parish music program more Marian now, during early August, when music directors are busily planning and preparing to kick off a new year of choral and/or school music programming after the summer recess.

St. Louis de Montfort notes that entrusting ourselves and all of our actions to Mary is “the surest, the easiest, the shortest and the most perfect means of going to Jesus Christ” (True Devotion to Mary I.3.2), who Himself deigned to be born of the Blessed Virgin Mary for the sake of our salvation. With that end in mind, here are five ways to start incorporating (think about that word – one could just as easily say incarnating!) more Marian devotion into the life or your parish or school choir.

1. Open or close your rehearsals with a Marian prayer.

More than anything else, prayer has to be the lifeblood of our work as church musicians. We ought to be praying for and with the members of our ensembles, both corporately and individually. And we can foster this culture of prayer particularly by utilizing the treasury of Marian prayers offered to us by the Church. Consider:

  • Opening your rehearsal with a few moments to share prayer requests and a collective Hail Mary for those intentions.
  • Leading your choir in the ancient prayer Sub tuum praesidium (“We fly to thy protection, O Holy Mother of God…”) as an act of intercession for those members who are absent due to travel or illness.
  • Closing your rehearsal with a Memorare (“Remember, O most gracious Virgin Mary…”) for the various intentions expressed earlier, for the health and safety of the members of your choir and their families, for the fruitfulness of your work as liturgical musicians, etc.

2. Teach your choir to sing the seasonal Marian antiphons.

Push for the singing of the Marian antiphons at Mass (perhaps they would make a good substitute for a recessional hymn), but teach them to your choristers whether you will sing them at Mass or not. The investment of a few precious minutes of rehearsal time will be well worth your choristers’ knowing these melodies by heart for the rest of their lives (especially if they are children).

  • Alma Redemptoris Mater (used from Advent I to Candlemas)
  • Ave Regina Caelorum (used from Candlemas until the Easter Vigil)
  • Regina Caeli (used from the Easter Vigil until Pentecost)
  • Salve Regina (used from Pentecost until Advent I)

BONUS • Jeff Ostrowsky, president of Corpus Christi Watershed, recently published this huge article on the Salve Regina.

3. Promote the Five First Saturdays devotion.

Our Lady of Fatima promised to assist at the hour of death with the graces necessary for salvation all those who devoutly undertake the following practices on the first Saturdays of five consecutive months:

  • Make a sacramental Confession (within a week before or after, if not on the first Saturday itself)
  • Receive Holy Communion in a state of grace (preferably, but not necessarily, within the context of a Mass)
  • Recite five decades of the Most Holy Rosary
  • Meditate on the mysteries of the rosary for fifteen minutes (in addition to the recitation of the five decades)

4. Encourage the recitation of the rosary by and for your musicians.

Even in the 20th century alone, Our Lady has appeared to the faithful many times (such as at Fatima, Akita, and Kibeho), and her most insistent request has always been the recitation of the daily rosary. Consider:

  • Taking up the practice of a daily rosary yourself. Intercede not only for yourself and your family, but also for your parish priest(s), for the members of your choir, and for the edification and sanctification of every person at your parish. If you’re already praying one rosary each day, try four.
  • Lead your choir in praying the rosary before or after Mass, in pilgrimages, on bus trips, etc.
  • Teach your choristers to make rosaries (this is especially fun for children!) and sell them to parishioners as a fundraiser for your music program.

5. Lead your choir members in a Marian consecration.

Along with the 54-day rosary novena, the 33-day preparation for Marian consecration is a veritable treasury of graces. Many texts are available. Consider:

  • The original: True Devotion to Mary: With Preparation for Total Consecration by St. Louis de Montfort.
  • The more modern version: 33 Days to Morning Glory by Fr. Michael Gaitley, MIC, available as an inexpensive booklet for group use.
  • The short version: Marian Consecration with Aquinas: A Nine Day Path for Growing Closer to the Mother of God by Matt Fradd and Fr. Gregory Pine, OP.

How will you and your choir grow closer to Jesus through Mary this year?

Mary, Mother of God and Mother of the Church, pray for us!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: August 10, 2022

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About Daniel Tucker

Daniel Tucker is choirmaster at the Cathedral of St. Matthew in South Bend, IN. He holds degrees from Western Michigan University and Yale University. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “Samaritánæ” (3rd Sunday of Lent)
    With regard to the COMMUNION for the 3rd Sunday of Lent (Year A), the Ordo Cantus Missae—which was published in 1969 by the Vatican, bearing Hannibal Bugnini’s signature and approbation in its PREFACE—inexplicably introduced a variant melody and slightly different words, as you can see by this comparison chart. When it comes to such items, they’re always done in secrecy by unnamed people. (Although it is known that Dom Eugène Cardine collaborated in the creation of the GRADUALE SIMPLEX, a book considered by some to be a travesty.)
    —Jeff Ostrowski
    PDF Download • “Ubi Caritas” (SATB)
    I remember singing “Ubi Cáritas” by Maurice Duruflé at the conservatory. I was deeply moved by it. However, some feel Duruflé’s version isn’t suitable for small choirs since it’s written for 6 voices and the bass tessitura is quite low. That’s why I was absolutely thrilled to discover this “Ubi cáritas” (SATB) for smaller choirs by Énemond Moreau, who studied with OSCAR DEPUYDT (d. 1925), an orphan who became a towering figure of Catholic music. Depuydt’s students include: Flor Peeters (d. 1986); Monsignor Jules Van Nuffel (d. 1953); Arthur Meulemans (d. 1966); Monsignor Jules Vyverman (d. 1989); and Gustaaf Nees (d. 1965). Rehearsal videos for each individual voice await you at #19705. When I came across the astonishing English translation for “Ubi Cáritas” by Monsignor Ronald Knox—matching the Latin’s meter—I decided to add those lyrics as an option (for churches which have banned Latin). My wife and I made this recording to give you some idea how it sounds.
    —Jeff Ostrowski
    PDF • “Cantus Mariales” (192 pages)
    Andrea Leal has posted an absolutely pristine scan of CANTUS MARIALES (192 pages) which can be downloaded as a PDF file. To access this treasure, navigate to the frabjous article Andrea posted Monday. The file is being offered completely free of charge. The beginning pages of the book have something not to be missed: viz. a letter from Pope Saint Pius X to Dom Pothier, in which the pope calls Abbat Pothier “a man versed above all others in the science of liturgy, and to whom the cause of Gregorian chant is greatly indebted.”
    —Jeff Ostrowski

Quick Thoughts

    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski
    Extreme Unction
    Those who search Google for “CCCC MS 079” will discover high resolution images of a medieval Pontificale (“Cambridge, Corpus Christi College, MS 079”). One of the pages contains this absolutely gorgeous depiction of the Sacrament of Extreme Unction.
    —Corpus Christi Watershed
    PDF Chart • “Plainsong Rhythm”
    I will go to my grave without understanding the lack of curiosity so many people have about the rhythmic modifications made by Dom André Mocquereau. For example, how can someone examine this single sheet comparison chart and at a minimum not be curious about the differences? Dom Mocquereau basically creates a LONG-SHORT LONG-SHORT rhythmic pattern—in spite of enormous and overwhelming manuscript evidence to the contrary. That’s why some scholars referred to his method as “Neo-Mensuralist” or “Neo-Mensuralism.”
    —Jeff Ostrowski

Random Quote

“Latin has been the language of the Latin liturgy for 1,600 years. It is a sign and source of unity as well as a defense of doctrine, not because of the language so much, but because it is a language no longer subject to changes. There are so many beautiful texts which can never have the same effectiveness in translation. Lastly, Latin is bound to an extremely precious heritage of melody, Gregorian chant and polyphony.”

— Cardinal Antonelli (Secretary of the Conciliar Commission on the Liturgy)

Recent Posts

  • “Samaritánæ” (3rd Sunday of Lent)
  • Grotesque Pairing • “Passion Chorale”
  • PDF Download • “Ubi Caritas” (SATB)
  • PDF • “Cantus Mariales” (192 pages)
  • PDF Download • Fourteen (14) Versions of the Splendid Hymn: “Salve Mater Misericordiae”

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