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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · March 11, 2024

“Response to Dr. Weaver” • 11 March 2024

“It would be a barbarous archaism to adopt this ancient custom in our time.” —Dom Guéranger

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Jeff Ostrowski · March 9, 2024

“Church Music Job” • Salary Between $50k – $70k

“I believe any dedicated choirmaster would love to team up with a pastor like this one!” —Jeff Ostrowski

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Jeff Ostrowski · March 9, 2024

The Day My Life Changed Forever

Do we believe sacred music exists?

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Jeff Ostrowski · March 8, 2024

Introit • “Laetare Jerusalem” (4th Sunday of Lent)

Sung according to the official rhythm of the Catholic Church.

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Jeff Ostrowski · March 8, 2024

Ronald Reagan: “My Greatest Dread”

Excerpt (60 seconds) from an interview done in 1985 by the “Reader’s Digest” magazine.

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Jeff Ostrowski · March 7, 2024

Paul Inwood: It’s a “Miracle” (his word) the Traditional Latin Mass Still Exists

How dare I broach such a subject?

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Guest Author · March 6, 2024

Saint Paul’s Choir School • “My Reflections”

Saint Paul’s Choir School is the only all boys Catholic choir school in the nation.

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Corpus Christi Watershed · March 5, 2024

(5 March 2024) • Interview with Diana Corliss

In this interview, Diana speaks about (among other things) the “Colorado Sacred Music Conference.”

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Corpus Christi Watershed · March 4, 2024

PDF Downloads • “Contemporary Sacred Music”

Readers often send us their compositions. Today, we’d like to share some!

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Jeff Ostrowski · March 4, 2024

“The Christian Can Only Be an Optimist!”

From a classic interview with Father Robert Skeris on EWTN.

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Jeff Ostrowski · March 2, 2024

“The Most Captivating Chorale” • (J. S. Bach)

“The mocking reed, and cruell ſpear, Their hate, his love diſplay.”

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Jeff Ostrowski · March 1, 2024

“Stabat Mater” • Jeff Attempts to Sing All the Voices

A gorgeous, luscious, contemporary setting by Gustaaf Nees (d. 1965).

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Jeff Ostrowski · February 29, 2024

Relics of Father Brébeuf Touring the United States!

“They are the relics of the love of God which alone triumphs in the death of martyrs,” exclaimed Father Ragueneau.

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Jeff Ostrowski · February 28, 2024

“Palestrina500” • Sacred Heart Parish (Michigan)

Jean Calvin (d. 1564) famously detested sacred music. Ironically, Jonathan Bading—a convert from Calvinism!—has become one of the Church’s “leading lights” when it comes to authentic church music.

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Jeff Ostrowski · February 28, 2024

PDF Download • “Two-Voice Polyphony For Lent”

Found in a special choral collection by Maria von Trapp.

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Corpus Christi Watershed

President’s Corner

    “Reprehensible Rhymes” • (1955 Hymnal)

    It really does seem as though this gentleman was only considered an ‘expert’ in Roman Catholic hymnody when compared to others…

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    —Jeff Ostrowski
    PDF Download • “Singers’ Booklet”

    The Communion antiphon this week is the powerful “Parable of the Ten Bridesmaids.”

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    —Jeff Ostrowski
    Feast of All Saints (Nov. 1st)

    The formatting of this booklet is ‘messy’—but it’s only ever seen by the singers (not the congregation).

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

In the ’60s, I thought this emphasis on congregational singing was to encourage good Catholic hymns like “Immaculate Mary” and so forth … but after the Council, they threw them out, too!

— ‘Fr. Valentine Young, OFM (2007)’

Recent Posts

  • “Reprehensible Rhymes” • (1955 Hymnal)
  • 70% Moonshine? • Jeff Responds to a Dissertation-Length Article on Gregorian Chant
  • Hymn: “Lux Alma Jesu Méntium” • 16 English Translations by Priests, Cardinals, & Bishops
  • PDF Download • “Singers’ Booklet”
  • “Rare Photograph” • Dom Anthony Gregory Murray

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