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Views from the Choir Loft

Articles

Keven Smith · February 20, 2024

Choir Doesn’t Sound “Musical” Enough? Here’s What May Be MiSSSing

How a simple technique called “SSS” can bring out the elegance of any phrase.

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Jeff Ostrowski · February 16, 2024

PDF Download • “For the Season of Lent” (SATB)

It even sounds great with four (4) singers: Soprano, Alto, Tenor, and Bass!

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Jeff Ostrowski · February 15, 2024

Josquin Des Prez Was A Vandal • (Not Kidding)

Also included: the day my life changed forever.

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Corpus Christi Watershed · February 13, 2024

PDF Download • “Jesuit Martyrs of North America” (Stained Glass Window) — High Resolution

From “American Martyrs Catholic Church” in Manhattan Beach, California.

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Jeff Ostrowski · February 13, 2024

“Ite, Missa Est” • What Does That Actually Mean?

Bishop Ambo’s assertion that Mass was attended—for centuries—by a single woman (and nobody else) is bizarre.

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Jeff Ostrowski · February 10, 2024

Must We “Love” All Gregorian Chant?

Where “Parce Dómine” (the famous song for Lent) came from.

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Guest Author · February 8, 2024

Father Robbie Low: “The State of Catholic Music”

“Music has an immense part to play in this perception of the divine reality and the heavenward leanings of the soul.” —Fr Robbie Low

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Jeff Ostrowski · February 6, 2024

“Reader Feedback” • 6 February 2024

The word 𝒍𝒂𝒕𝒆 can mean “not punctual” or “dead.”

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Jeff Ostrowski · February 6, 2024

“Mass in the Vernacular?” • Seven (7) Considerations

Should Mass be in Latin or English? Or should it be a mixture?

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Dr. Charles Weaver · February 5, 2024

What is the Place of the Horizontal Episema in Dom Mocquereau’s Theory?

It really is a minor part of Mocquereau’s theoretical enterprise. That doesn’t mean it’s completely pointless, though.

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Jeff Ostrowski · February 5, 2024

Do You Like Organ Accompaniment for Hymns?

Real choir (‘live’) vs. studio recording.

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Jeff Ostrowski · February 4, 2024

“When Does Christmas End?” • (Correct Answer)

Including the official hymn for February 2nd: the feast of the Purification.

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Jeff Ostrowski · February 2, 2024

Abbat Bourigaud Challenges Dr. Charles Weaver!

Father De Santi opined that “Solesmes had rid themselves of Pothier by giving him an abbey”—to which Pope Pius X responded that it amounted to “a small compensation.”

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Jeff Ostrowski · January 31, 2024

PDF Download • “Pew Edition” — Monsignor Martin B. Hellriegel’s Hymnal (149 Pages)

Including never-before-released photographs of Monsignor Martin B. Hellriegel.

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Jeff Ostrowski · January 30, 2024

“Polyphonic Sanctus” by J.S. Bach • Jeff Attempts All Voices (Even the Girls’ Vocals)

The occasion I speak of is when he stopped by our home to see us one final time.

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Corpus Christi Watershed

President’s Corner

    Music List • (27th Sund. Ordinary Time)

    Readers have expressed interest in examining my “music list” for this coming Sunday: 4 October 2026

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    —Jeff Ostrowski
    A Mystery! — Re: the “Liber Usualis”

    Even after all these years, nobody has been able to explain this.

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    —Jeff Ostrowski
    A Popular “Gloria” … in Dutch?
    Close to 16 years ago, I composed a “Glory to God in the Highest” in honor of SAINT RALPH SHERWIN. It was subsequently sung all over the world, and included in various collections (under different titles). You can download the musical score in plainsong notation. It was selected for inclusion in the Saint Isaac Jogues Illuminated Missal, Gradual, and Lectionary—and here’s its keyboard accompaniment (PDF file). I have a terrible memory, but somebody reminded me it was translated into Dutch (!) in 2012. I have no idea who did this—but you can download the score by clicking here. Because I don’t speak Dutch, I have no idea whether the adaptation was done skillfully.
    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“All those who take part in sacred music, as composers, organists, choir directors, singers, or musicians should above all give good example of Christian life to the rest of the faithful because they directly or indirectly participate in the sacred liturgy.”

— Directive issued under Pope Pius XII on 3 Sept. 1958

Recent Posts

  • Music List • (27th Sund. Ordinary Time)
  • A Mystery! — Re: the “Liber Usualis”
  • A Popular “Gloria” … in Dutch?
  • From Rome • “International Week of Sacred Music”
  • Music List • (26th Sund. Ordinary Time)

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