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Views from the Choir Loft

Articles

Richard J. Clark · May 10, 2013

English Setting of Pentecost Sequence | Free Download

VENI, SANCTE SPIRITUS, the Sequence for Pentecost Sunday is one of the great jewels of the Roman Rite. The text alone is a treasure—short, simple, profound, and transcendent.

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Fr. David Friel · May 9, 2013

Ascension

Raising Our Minds & Hearts to God

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Dr. Peter Kwasniewski · May 9, 2013

On the Wonder and Strangeness of Sacred Music

The Church’s liturgy, since it is the Passover Feast, has to bring us out of the world, out of Egypt. So it ought to have a certain “strangeness” about it.

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Fr. David Friel · May 8, 2013

Celibacy

Are We Beyond This?

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Andrew R. Motyka · May 8, 2013

Not-So-Ordinary Time

Ordinary Time doesn’t mean what you think it means, and even if it does, you’re probably wrong.

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Jeff Ostrowski · May 7, 2013

Irrefutable Proof That Some People Are Jerks

Verbal abuse of a mentally handicapped man was something hard to watch. But why do I mention such a thing on a Blog devoted to Sacred music?

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Fr. David Friel · May 6, 2013

An Inverted Culture

The Perils of Modernity

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Fr. David Friel · May 5, 2013

In This Time Above All

Lauding God Yet More Gloriously

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Veronica Brandt · May 4, 2013

Does music keep kids quiet at Mass?

Maybe music is not the instant solution, but definitely a help.

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Guest Author · May 4, 2013

Josquin’s Beautiful “Missa Pange Lingua” In Minnesota

St. Benedict Catholic Church in Duluth, Minnesota, will be hosting a Solemn High Mass (traditional Latin Mass), celebrated by the parish pastor, Father Eric Hastings, for the Ascension on Thursday evening at 7 p.m.

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Corpus Christi Watershed · May 3, 2013

02 • Lalemant Interviews: Dr. Jeremy Sienkiewicz

Does the Church really allow the Gospel to be replaced by excerpts from Machiavelli’s THE PRINCE? Seriously? Dr. Jeremy Sienkiewicz of Benedictine College chats about numerous topics, including the Mass Propers.

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Richard J. Clark · May 3, 2013

Adversity Builds Strength

Church musicians carry “battle scars” of the profession. We can all tell “war stories.” But Thomas à Kempis writes in “The Imitation of Christ,” “…the measure of every man’s virtue is best revealed in time of adversity—adversity that does not weaken a man but rather shows what he is.”

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Corpus Christi Watershed · May 2, 2013

Pope Emeritus Benedict XVI Welcomed By Pope Francis

“The emeritus pope, who made the unprecedented decision to step down from his role in February, will now live in a converted monastery near current Pope Francis.” — New York Daily News

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Jeff Ostrowski · May 2, 2013

CMAA President Has His Own “STAR” In Hollywood

Did you know a former president of the Church Music Association of America has his own STAR on the Hollywood Walk of Fame? That’s correct! Just like Michael Jackson, Rex Harrison, Alfred Hitchcock, Harrison Ford, and all the rest.

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Dr. Peter Kwasniewski · May 2, 2013

Music of High Artistic Value

The papal teaching addresses precisely the question of criteria; it does not attempt to teach people how to listen to music or how to discriminate different qualities of music. If such discriminatory abilities are lacking, the papal teaching can have no meaning for us.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

The representative Protestant collection, entitled “Hymns, Ancient and Modern”—in substance a compromise between the various sections of conflicting religious thought in the Establishment—is a typical instance. That collection is indebted to Catholic writers for a large fractional part of its contents. If the hymns be estimated which are taken from Catholic sources, directly or imitatively, the greater and more valuable part of its contents owes its origin to the Church.

— Orby Shipley (1884)

Recent Posts

  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)

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