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Views from the Choir Loft

Articles

Corpus Christi Watershed · April 23, 2013

This Sunday’s Responsorial Psalm . . . Free To All

R. I will praise your name forever, my king and my God.
“The LORD is gracious and merciful . . .”

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Jeff Ostrowski · April 23, 2013

Introducing the Lalemant Propers (391 Pages) — Free Download !

The Lalemant Propers are extremely simple settings (in English) of the Mass Propers which make it possible for any person to sing these sacred prayers . . . even people who have no musical training whatsoever.

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Corpus Christi Watershed · April 23, 2013

01 • Lalemant Interviews: Fr. Christopher Mann

Corpus Christi Watershed will be conducting a series of interviews with priests, seminarians, sisters, and lay folks to raise awareness about the Mass Propers.

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Jeff Ostrowski · April 22, 2013

A Tale Of Two Monsignori: Schmitt & Vyverman

Did Msgr. Schmitt malign Msgr. Vyverman of Malines? And did Fr. Schmitt truly forget Gogniat’s name?

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Cynthia Ostrowski · April 22, 2013

Catholic Line Art, Black and White • Installment #15

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

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Jeff Ostrowski · April 22, 2013

“Episcopalian” Music vs. “Catholic” Music? Wrong question!

Can you hear “Jesus Christ is Risen Today” in this video from an Episcopalian Church taken on Easter Sunday, 2013?

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Corpus Christi Watershed · April 21, 2013

ABOUT THIS SITE: St. René Goupil Gregorian Chant

Free Gregorian Chant Recordings for the Extraordinary Form . . . complete at last!

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Fr. David Friel · April 21, 2013

Faith Seeking Understanding

Anselm of Canterbury

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Veronica Brandt · April 20, 2013

Do-It-Yourself Hymnal: The impossible dream

There is no such thing as a perfect hymnbook or missal.

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Fr. David Friel · April 19, 2013

Luke’s Second Book

High Drama

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Richard J. Clark · April 19, 2013

Hope and Prayer in this Valley of Tears

In Boston we send up our sighs, our mourning, and our weeping in this valley of tears. Great suffering compels us to move towards Christ, and Christ in turn embraces us lovingly in his comforting embrace. Therefore, the sacred liturgy is essential at the time, more than ever.

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Dr. Peter Kwasniewski · April 18, 2013

On Correcting Deviant Liturgical Customs

The longer the hermeneutic of rupture and its expressions are allowed to continue, the longer a “Great Schism” between the preconciliar and postconciliar periods will be perpetuated. There is a real, pressing, desperate need for healing, reconciliation, and reunification.

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Fr. David Friel · April 17, 2013

Acts of the Apostles

“They Could Not Withstand the Wisdom & Spirit with Which He Spoke”

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Andrew R. Motyka · April 17, 2013

Just Pick Up a Pencil and Do It.

Short and sweet regarding composing.

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Corpus Christi Watershed · April 16, 2013

Benedict XVI Turns 86 Years Old

His first birthday as Pope Emeritus. This is a really nice video honoring His Holiness.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Our Father” (1 page)
    Dutch organist, teacher, and conductor HERMAN STRATEGIER (d. 1988) studied under Hendrik Andriessen. He composed this unison setting with organ accompaniment for the LORD’S PRAYER (“Our Father”) which a children’s choir would find both within reach and worthy of the effort. The whole thing fits neatly on a single page. Strategier eventually became organist of Saint Catherine’s Cathedral in Utrecht. He also taught at the “Dutch Institute for Catholic Church Music” (Nederlands Instituut voor Katholieke Kerkmuziek).
    —Jeff Ostrowski
    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski

Quick Thoughts

    Preface of Saint Joseph (added by the pope)

    You can see the “Præfatio de Sancto Joseph” inserted directly into the priest’s missal.

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    —Jeff Ostrowski
    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

Recent Posts

  • Sacred Music in the Sunflower State!
  • The Vanishing Art of Knowing Hymns • We Seek a Hymn “Expert” (Not Just a Hymn “Enthusiast”)
  • Preface of Saint Joseph (added by the pope)
  • PDF Download • “Our Father” (1 page)
  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)

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