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Corpus Christi Watershed

“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

Articles

Dr. Peter Kwasniewski · February 21, 2013

Keep Calm and Carry On

The irony is that the internet has become a major tool for the success of this movement of restoration ― the restoration of a liturgical tradition that long predates the technology of the printing press, let alone any electric or electronic machinery.

Andrew R. Motyka · February 20, 2013

Are You to Wash My Feet?

Presenting a choir piece for the Washing of Feet on Holy Thursday

Cynthia Ostrowski · February 19, 2013

Catholic Line Art, Black and White • Installment #06

I will be releasing hundreds of these B/W religious line art drawings for free and instant download. These beautiful Catholic “woodcuts” were done with magnificent skill. “Download Free Traditional Catholic Clipart”

Aristotle A. Esguerra · February 18, 2013

First Impressions of Bishop Sample’s Pastoral Letter on Sacred Music

A bishop issues diocesan-wide directives on the role of music in the liturgy. A look at some of the more noteworthy instructions.

Jeff Ostrowski · February 17, 2013

A Word About Hymns . . . OK, A Few Words!

Tozer: “I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal — as I hope this one will — to the varied needs of various churches.”

Fr. David Friel · February 17, 2013

Humility

The Root Virtue

Jeff Ostrowski · February 16, 2013

Famous Conductor Fired Because He Refused To Sing Hymn

The following letter was printed in the “Sacred Music Journal” (Winter of 2002). I was shocked when I first read it. It concerns a conductor famous for his performances of the works of William Byrd.

Richard J. Clark · February 15, 2013

A Proposed Lenten Fast for Musicians

Christ’s love has gathered us into one. True, we may be united in the love of Christ—but not necessarily in other things. Our differences may be vast. This is where the bounds of love and Christian charity are truly tested.

Corpus Christi Watershed · February 14, 2013

News Items / 14 February 2013

Some recent items of note . . .

Jeff Ostrowski · February 14, 2013

Astounding Talk Given By Pope

We will have more on this. This is remarkable.

Dr. Peter Kwasniewski · February 14, 2013

The Devil’s Parody

The pro-life mentality echoes and imitates the good angels who chose eternal life by the power of sanctifying grace . . .

Fr. David Friel · February 13, 2013

Beautiful Savior

The Meaning of Ash Wednesday

Andrew R. Motyka · February 13, 2013

Lord, Have Mercy?

In which I make Prince references to describe the Ash Wednesday Kyrie.

Corpus Christi Watershed · February 11, 2013

The Pope Has Prayed About This Decision For A Long Time

We are now learning that our Holy Father had been contemplating and praying about his resignation for a very long time. In April of 2009, the Holy Father visited the tomb of an obscure Pope named St. Celestine V, remarkable for a certain reason . . .

Jeff Ostrowski · February 11, 2013

Pope Benedict XVI to Step Down Feb. 28

I believe that Pope Benedict XVI will go down in history as one of the greatest Popes.

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Corpus Christi Watershed

President’s Corner

    Simplest “Agnus Dei” Ever Published
    Our choir is on break during the month of July. I needed a relatively simple “Agnus Dei,” so I composed this setting for organ & voice in honor of Saint René Goupil. It has been called the simplest setting ever composed. I love CARMEN GREGORIANUM (“Gregorian Chant”), especially the ALLELUIAS, INTROITS, and COMMUNION ANTIPHONS. That being said, some have pointed out that certain sections of the Kyriale aren’t as strong as the Graduale or Vesperale. There’s a reason for this—but it would be too complicated to explain at this moment.
    —Jeff Ostrowski
    14th Sunday in Ordinary Time (Year C)
    Our choir is on break during the month of July. However, on the feasts website, the chants have been posted for the 14th Sunday in Ordinary Time (Year C), which is this coming Sunday: 6 July 2025.
    —Jeff Ostrowski
    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We know that originally the offertories of the repertoire included a series of verses, just like the introit and the communion, but generally more ornate. Many of these are musical compositions of great beauty. They quickly fell into disuse, and we find them only in the most ancient manuscripts. The only remaining trace of this older arrangement in our present-day liturgy is that of the offertory of the Requiem Mass.”

— Dom Joseph Gajard (1956)

Recent Posts

  • Pope Saint Paul VI to Consilium (14 October 1968)
  • August 2025 • “Colorado Sacred Music Conference”
  • New “Latin/English Missal” for the Novus Ordo
  • Simplest “Agnus Dei” Ever Published
  • Bishop François Charrière Vs. Hannibal Bugnini

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