• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

“What earlier generations held as sacred, remains sacred and great for us too…” Pope Benedict XVI (7 July 2007)

  • Our Team
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • Campion Missal, 3rd Edition
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Lalemant Polyphonic
    • Saint Antoine Daniel KYRIALE
    • Roman Missal, 3rd Edition
    • Emporium Kevin Allen
  • Miscellaneous
    • Site Map
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
  • Donate
Views from the Choir Loft

The Cross of Christ and Liturgical Language

Aristotle A. Esguerra · March 25, 2013

Oftentimes I hear stories about well-meaning priests and music directors facing resistance from those they serve when they try to reintroduce the Latin language to their particular expression of the Latin Rite. Some of these objections are based on Latin being somehow irrelevant to the modern expression of belief. (I note that these objections are not leveled at the Hebrew/Aramaic words of the Latin rite: Amen, Alleluia, and Hosanna. I also note that oftentimes people will object to the “Latin” Kyrie, even though it is Greek.)

To effectively defend the use of the liturgical languages of the Latin Rite in its mostly vernacular Ordinary-Form expressions, we must look to the Cross as found in the Gospel accounts of the Passion.

From the account of the Passion of our Lord Jesus Christ according to St. John, which is read every Good Friday:

“And Pilate wrote a title also, and he put it upon the cross. And the writing was: JESUS OF NAZARETH, THE KING OF THE JEWS. This title therefore many of the Jews did read: because the place where Jesus was crucified was nigh to the city: and it was written in Hebrew, in Greek, and in Latin.” — John 19:19–20 (DRV)

These three languages are also mentioned by name in the St. Luke Passion, which in Ordinary-Form Latin Masses was read yesterday (Palm Sunday, Year C):

“And there was also a superscription written over him in letters of Greek, and Latin, and Hebrew: THIS IS THE KING OF THE JEWS.” — Luke 23:38 (DRV)

We use these languages in the Latin-Rite liturgy not only because they have been handed down to us via the sacred tradition of the Rite but also—and most importantly—because we believe that Jesus Christ, the Second Person of the Holy Trinity entered human history, and that the historical reality of his Passion, Death, and Resurrection has eternal ramifications for every human soul.

Use of Hebrew, Greek, and Latin in the Ordinary Form of the Latin Rite is not an outdated practice that points to the so-called Dark Ages. It is a liturgical, linguistic practice that points to the Cross of Eternal Salvation.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

Subscribe

It greatly helps us if you subscribe to our mailing list!

* indicates required

About Aristotle A. Esguerra

Aristotle A. Esguerra has served in the Diocese of Madison since 2009 as music director at the churches of St. Mary, Pine Bluff and St. Ignatius, Mount Horeb, and as the chant instructor to the Cistercian Nuns of Valley of Our Lady Monastery, Prairie du Sac.

Primary Sidebar

Corpus Christi Watershed

Quick Thoughts

    Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
    Once, after Mass, my pastor said he really loved the hymn we did. I said: “Father, that's Holy God, We Praise Thy Name—you never heard it before?” He replied: “But the way you did it was terrific. For once, it didn't sound like a funeral dirge!” Last Sunday, our volunteer choir sang that hymn. I think the tempo was just about right … but what do you think?
    —Jeff Ostrowski
    Don’t You Agree About These?
    If you want to make Jeff Ostrowski really happy, send him an email with effusive praise about the individual voice recordings for hymn #296. [Soprano, Alto, Tenor, Bass] They came out dazzlingly sensational, don't you agree?
    —Jeff Ostrowski
    Choral Vowels? Yes? No?
    Here's a live recording of one of the choral “warm-up” exercises my choir enjoys. It was taken during our rehearsal on 27 January 2023. It’s good to make sure each chord is perfectly in tune and balanced before moving to the next one. That only happens when each singer has the correct vowel. If you like, you can freely download that vocal exercise.
    —Jeff Ostrowski

Random Quote

“Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

— Cardinal Antonelli (Peritus during the Second Vatican Council)

Recent Posts

  • Apply Right Now! • Sacred Music Symposium
  • Tempo?? • 𝘏𝘰𝘭𝘺 𝘎𝘰𝘥, 𝘞𝘦 𝘗𝘳𝘢𝘪𝘴𝘦 𝘛𝘩𝘺 𝘕𝘢𝘮𝘦
  • PDF Download • Belgian Book of Gregorian Accompaniments (Official Edition)
  • Don’t You Agree About These?
  • Choral Vowels? Yes? No?

Subscribe

Subscribe

* indicates required

Copyright © 2023 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.