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Views from the Choir Loft

Articles

Jeff Ostrowski · August 24, 2014

Photo: Church Music Association of America (1964)

This historic photograph was taken at the organizational meeting for the CMAA the same year “Inter Oecumenici” was issued by the Vatican.

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Veronica Brandt · August 23, 2014

Let’s bury the term “highbrow”

Wherein Veronica rails against the public perception of traditional Church music and hopes to break down barriers to unleash the joy planted by musicians of earlier ages.

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Richard J. Clark · August 22, 2014

The Art of Negotiation in Liturgy

Progress is never made by making declarations or quoting the Liturgy Documents. It doesn’t work and never will. So what will?

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Jeff Ostrowski · August 21, 2014

How To Debunk Four Common Liturgical Myths

The priest returned to the Altar, removed the big red Missal, carried it to the pulpit, and proceeded to translate the entire Gospel into English.

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Dr. Peter Kwasniewski · August 21, 2014

Why the Mass is the Key to the New Evangelization

We hear a lot these days about the New Evangelization, but not so much about the Holy Sacrifice of the Mass. And yet the Mass is at the very heart of our mission.

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Andrew R. Motyka · August 20, 2014

Weddings: Some Practical Advice – Introduction

A curmudgeonly introduction to a series on wedding advice.

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Jeff Ostrowski · August 19, 2014

Kirsten Powers & The Hound of Heaven

“I’ll never forget standing outside that apartment and saying to myself, ‘It’s true. It’s completely true.’ … I had not one iota of doubt. I was filled with indescribable joy.”

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Aurelio Porfiri · August 19, 2014

Don’t Add Me, Please

If someone tells you “Vatican II wants such-and-such,” ask him where this was said.

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Guest Author · August 19, 2014

Music & Beauty

The chants of the Sacred Liturgy in particular, form a perfect marriage of text and melody, which St. Basil describes as a type of divine pedagogy.

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Jeff Ostrowski · August 18, 2014

Breaking News! Pope Francis Refuses To Adopt “Narrative” Of Progressive Liturgists

That Tablet article could best be described as ill-informed gossip from an unqualified author with too much time on his hands…

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Fr. David Friel · August 17, 2014

Hippolytus of Rome & Eucharistic Prayer II

What’s the Connection?

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Guest Author · August 17, 2014

Homily: 20th Sunday in Ordinary Time (Year A)

How much faith and confidence do I have when I pray for the conversion of a loved one? Do I have as much faith as this woman who asked for the cure of her daughter?

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Veronica Brandt · August 16, 2014

Daily martyrology

When the going gets tough, the liturgy of the hours puts things in perspective.

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Richard J. Clark · August 15, 2014

The Paradox of Liturgical Reform Amidst Human Suffering

Following the rubrics or enacting the GIRM is not the ends. It is a means towards which we find immediacy with God in prayer and therefore healing for humanity.

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Jeff Ostrowski · August 14, 2014

CALLING ALL PRIESTS! —Your Parishioners Are Waiting… They’re Waiting For…

“Before the Council, liturgical law was regarded as something sacred; but everyone now feels authorized to do what he likes…” — Cardinal Antonelli (24 July 1968)

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Corpus Christi Watershed

President’s Corner

    PDF • “Organ Interlude” (Manuals Only)
    Monsignor Franciszek Walczyński (d. 1937) was a Polish composer. If you play the pipe organ, I encourage you to try out this ORGAN INTERLUDE FOR MANUALS ONLY (1-page PDF) which he composed. Walczyński taught plainsong at the seminary in Tarnów (about 50 miles east of Kraków). With his brother Stanisław—also a Catholic priest—he initiated the Saint Adalbert Society for the Support of Church Music, which ran annual workshops for their diocese. In July of 1894 (more than a decade before the appearance of the Editio Vaticana) Walczyński lectured on “congregational singing and Gregorian Chant.” On top of all that, Monsignor Walczyński founded an organists’ school in Tarnów and the SAINT ADALBERT CHOIR at the cathedral.
    —Jeff Ostrowski
    Eucharistic Prayer No. 2 on Sundays?

    Highlighted in yellow (on this single-page PDF file) is documentation concerning whether the 2nd Eucharistic prayer may be used on Sundays.

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    —Jeff Ostrowski
    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“H. E. Cardinal Newman has permitted the Translator the use of all his published hymns. The hymn for Prime has never been published before, except in a little book printed by the present Translator a few years ago, and for which he obtained it from the illustrious writer. H. E. has also had the goodness to prepare the doxologies, altering with the Office, belonging to his own hymns.”

— John Crichton-Stuart (27 June 1879)

Recent Posts

  • Composer Isabella Quintana: “Christ my teacher, Christ my healer, Christ my Savior.” • (Guest Article)
  • PDF • “Organ Interlude” (Manuals Only)
  • PDF Download • Roman Catholic Hymnal (1953) with Lyrics in Dutch! — 71 pages
  • (Simplified Keyboard Accompaniment) • “Now Thank We All Our God”
  • Test Your Gregorian Chant Knowledge!

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