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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Andrew Leung · September 15, 2015

10 Ideas for Practicing Choral Music

“Practicing Choral Music: Ten ideas the singer who doesn’t think they can practice on their own” by Doreen Fryling, a lifelong practice avoider.

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Cynthia Ostrowski · September 15, 2015

To God Who Giveth Joy To My Youth

“Old age steals on with its rich harvest and its peculiar trials, yet the same lips pronounce the same exultant words…”

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Dr. Alfred Calabrese · September 14, 2015

Getting the most from your choir: Preparation

Only by knowing a piece inside and out can we teach it effectively and efficiently.

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Jeff Ostrowski · September 14, 2015

Fr. Jonathan Morris, Pit Bull Attack, & More

What you didn’t know about Fr. Jonathan Morris…

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Fr. David Friel · September 13, 2015

Brilliant Idea for A Parish Fundraiser

A Different Type of “Silent” Auction

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Veronica Brandt · September 12, 2015

Coming to Church on Time

Sunday is not exactly a day of rest—I’m sure many people working in Sacred Music would heartily agree!

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Jeff Ostrowski · September 10, 2015

Musical Resources • 16th Sunday after Pentecost (Extraordinary Form)

“May thy grace … cause us to be zealous at all times in the doing of good works.”

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Andrew Leung · September 10, 2015

Praying for Our Dead

“Praying for Our Dead: Essential Music for Catholic Funeral Mass” workshop will be held in Jaspers, GA on October 3.

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Guest Author · September 9, 2015

PDF Download • SAB Setting of “Jesu Rex Admirabilis”

Including an update on wonderful things happening for Sacred Music in Colorado!

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Dr. Lucas Tappan · September 8, 2015

Teaching New Singers

I like to cover (or re-cover) all of the basics with the boys and girls.

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Jeff Ostrowski · September 8, 2015

Video Demonstration • “Do Choral Vowels Matter?”

Can you see the difference? Can you hear the difference?

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Dr. Alfred Calabrese · September 8, 2015

“Imagination, Preparation, Passion” • Getting the most from your choir

“The conductor should be able to hear a perfect performance of the piece before it even begins.” —Dr. Alfred Calabrese

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Christopher Mueller · September 7, 2015

Liturgy And Diversity

“His answer was surprising to me, and I thought it both prudential and catholic.” —Chris Mueller

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Jeff Ostrowski · September 7, 2015

A New Edition Of The 1962 Missal?

Download these Propers for Saint Pio of Pietrelcina—according to the 1962 Missale Romanum!

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Fr. David Friel · September 6, 2015

The Importance of Uniforms

The world needs the witness of priests in ordinary life, not just inside the church building.

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Corpus Christi Watershed

President’s Corner

    Music List • “Trinity Sunday” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Trinity Sunday—a.k.a. “Dominica I post Pentecosten”—which is 31 May 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are fairly traditional, but truly excellent (the Communion hymn especially stands out). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski
    “Entrance Chant” • Feast of Corpus Christi
    While simultaneously accompanying myself on the pipe organ, I recently recorded the INTROIT (“Entrance Chant”) for the feast of Corpus Christi, Years ABC. A whole crop of musical scores—which you really should investigate—have found a home at the flourishing feasts website.
    —Jeff Ostrowski
    Music List • “Ascension of the Lord”

    Readers have expressed interest in examining my “music list” for this coming Sunday.

    To access this post, you must purchase Monthly Subscription or Yearly Subscription.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

To end an impropriety, noticed particularly at orchestral Vespers, when two or three Psalms are sung with full orchestra, and then the other Psalms and the Hymn are rapidly hurried through with organ accompaniment only […] we order that at Mass all portions of the text, including “Agnus Dei,” be sung with orchestral accompaniment. […] Moreover, the musicians are not allowed to put the instruments away and leave their places before the conclusion of the sacred function.

— Cardinal Patrizi (18 November 1856)

Recent Posts

  • PDF Download • “Singer’s Booklet: Trinity Sunday”
  • What Shall Be Our Response?
  • Music List • “Trinity Sunday” (Year A)
  • Simple and Beautiful • “Pange Lingua Gloriosi”
  • “Entrance Chant” • Feast of Corpus Christi

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