Views from the Choir Loft

Musical Resources • 16th Sunday after Pentecost (Extraordinary Form)

Jeff Ostrowski · September 10, 2015

RESPONSES FOR HIGH MASS

PDF Score (Singer) • printed on a single sheet

PROCESSIONAL

Organist.

ASPERGES

PDF Score (Singer) • Practice Audio (Singer) • Organist

To practice the new section of the Asperges, you must locate #4550.

INTROIT • Sung by the men only.

PDF Score (Singer) • Practice Audio (Singer)

KYRIE ELEISON

To practice the Kyrie by Richard Rice, which we will do soon, you must locate #4781.

And never forget our Palestrina Kyrie that we sing sometimes. The 1st section (#5054) and the 2nd section (#5053).

GLORIA IN EXCELSIS

The Gloria this week is #4748.

The one by Zachariis (†1594) which we’ve been doing for months is #5051.

GRADUAL & ALLELUIA

To practice the new Palestrina ALLELUIA, you must locate #4470. Until the new one is learned, we’ll continue with #5050.

You don’t need to practice the chant verses which change each week.

CREDO IV • Alternatim

PDF Score (Singer) • Practice Audio (Singer) • Organist

OFFERTORY ANTIPHON

PDF Score (Singer)

OFFERTORY

Christe Supreme • Score • Accompaniment

SANCTUS & HOSANNA

To practice the polyphic “Hosanna,” you must locate #5048. You don’t need to practice the Chant Part.

Our members need to memorize (if possible) the solfège from #4912 which we use to begin rehearsal.

AGNUS DEI

To practice the Agnus Dei by Philippe Verdelot (d. 1531), you must locate #4801.

COMMUNION ORGAN

Organist … while choir receives Holy Communion.

COMMUNION ANTIPHON

PDF Score (Singer) • Practice Audio (Singer)

COMMUNION POLYPHONY

Lhoumeau “Ave Maris Stella” is number #4669.

RECESSIONAL HYMN • #914 O Mother Blest, The Chosen Shrine

From the Campion Hymnal. Organist.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

Is the USCCB trolling us?

I realize I’m going to come across as a “Negative Nancy” … but I can’t help myself. This kind of stuff is beyond ridiculous. There are already way too many options in the MISSALE RECENS. Adding more will simply confuse the faithful even more. We seriously need to band together and start creating a “REFORM OF THE REFORM” Missale Romanum so it will be ready when the time comes.

—Jeff Ostrowski

“Common” Responsorial Psalm?

I try to avoid arguing about liturgical legislation (even with Catholic priests) because it seems like many folks hold certain views—and nothing will persuade them to believe differently. You can show them 100 church documents, but it matters not. They won’t budge. Sometimes I’m confronted by people who insist that “there’s no such thing” as a COMMON RESPONSORIAL PSALM. When that happens, I show them a copy of the official legislation in Latin. I have occasionally prevailed by means of this method.

—Jeff Ostrowski

“Music List” • 5th Sunday of Easter (Year C)

Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 5th Sunday of Easter (18 May 2025). If such a thing interests you, feel free to download it as a PDF file. The Communion Antiphon was ‘restored’ the 1970 Missale Romanum (a.k.a. MISSALE RECENS) from an obscure martyr’s feast. Our choir is on break this Sunday, so the selections are relatively simple in nature.

—Jeff Ostrowski

Antiphons Don’t Match?

A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).

—Corpus Christi Watershed

When to Sit, Stand and Kneel like it’s 1962

There are lots of different guides to postures for Mass, but I couldn’t find one which matched our local Latin Mass, so I made this one: sit-stand-kneel-crop

—Veronica Brandt

The Funeral Rites of the Graduale Romanum

Lately I have been paging through the 1974 Graduale Romanum (see p. 678 ff.) and have been fascinated by the funeral rites found therein, especially the simply-beautiful Psalmody that is appointed for all the different occasions before and after the funeral Mass: at the vigil/wake, at the house of the deceased, processing to the church, at the church, processing to the cemetery, and at the cemetery. Would that this “stational Psalmody” of the Novus Ordo funeral rites saw wider usage! If you or anyone you know have ever used it, please do let me know.

—Daniel Tucker