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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Jeff Ostrowski · April 26, 2025

PDF Download • “Extremely Rare” — German Organ Accompaniment for Hymnal (158 pages)

This year, we did something unusual.

Richard J. Clark · April 26, 2025

Feast of Life • Two Thomas Aquinas Texts for SATB • GIA Publications

Two Thomas Aquinas, translations in English by Alan J. Hommerding — settings by Richard J. Clark

Jeff Ostrowski · April 22, 2025

“Why Choir Directors Fail” • Six Reasons

Re: Singing in front of 580 people!

Jeff Ostrowski · April 18, 2025

(2025) • “Vexilla Regis” + “Ubi Caritas”

But they said: “Lord, behold here are two swords.” And He said to them: “It is enough.” —Luke 22:38

Jeff Ostrowski · April 17, 2025

Caught on Video! • Choir Director’s Disturbing Holy Week “Meltdown”

Since Covid-19, many Catholic churches “live-stream” their Masses … and this disturbing footage emerged.

Jeff Ostrowski · April 15, 2025

PDF Download • Exceedingly Rare! — “The Torn Tunic” (122 pages) … published in 1967

Is Tito Casini correct that vernacular plainsong is a “sin against nature?”

Jeff Ostrowski · April 14, 2025

“Our Trials” • Choirmaster Crosses

How can we experience peace of soul when most people don’t even understand the mental trauma we deal with?

Corrinne May · April 11, 2025

The Highlight Of My “Sacred Music Journey”

“I’ll be instructing participants in plainsong and Palestrina.” —Corrinne May

Jeff Ostrowski · April 11, 2025

PDF Download • “Communion” (Holy Thursday)

Its verses are quite beautiful.

Jeff Ostrowski · April 7, 2025

Re: The “Restoration” of the Easter Vigil

It’s a strange type of “restoration” that rejoices over innovations that never existed before.

Corpus Christi Watershed · April 7, 2025

Father John Paul Lewis • “Saint Francis of Assisi Parish in Oklahoma City”

The musical director is Dr. Alvez Barkoskie IV.

Jeff Ostrowski · April 7, 2025

Yesterday’s Offertory • ‘Live’ by 2 Young Women

A large choir isn’t necessary to have dignified music at Mass.

Jeff Ostrowski · April 7, 2025

The 1970s Liturgical Wasteland

“In a sense we need ‘disposable’ music, created to last not centuries, but weeks (or hours).” —Father Hovda

Jeff Ostrowski · April 4, 2025

“Entrance Chant” • 5th Sunday of Lent

The Latin words are rendered so beautifully by Monsignor Knox.

Andrea Leal · April 2, 2025

“What is the Best Catholic Missal?” • Video Review by Catholic Family News

“I am shocked this isn’t more well known; this is really a spectacular work.” —Catholic Family News

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Corpus Christi Watershed

President’s Corner

    PDF Download • Communion (4th Snd. Lent)
    The COMMUNION ANTIPHON for this coming Sunday, which is the Fourth Sunday of Lent (Year A), is particularly beautiful. There’s something irresistible about this tone; it’s neither happy nor sad. As always, I encourage readers to visit the flourishing feasts website, where the complete Propria Missae may be downloaded free of charge.
    —Jeff Ostrowski
    Good Friday Flowers
    Good Friday has a series of prayers for various parties: the pope, catechumens, pagans, heretics, schismatics, and so forth. In the old liturgical books, there was no official ‘name’ for these prayers. (This wasn’t unusual as ‘headers’ and ‘titles’ for each section is a rather modern idea.) The Missal simply instructed the priest to go to the Epistle side and begin. In the SHERBORNE MISSAL, each prayer begins with a different—utterly spectacular—flower. This PDF file shows the first few prayers. Has anyone counted the ‘initial’ drop-cap flowers in the SHERBORNE MISSAL? Surely there are more than 1,000.
    —Jeff Ostrowski
    Music List • (3rd Sunday of Lent)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for this coming Sunday, which is the 3rd Sunday of Lent (8 March 2026). If such a thing interests you, feel free to download it as a PDF file. This feast has magnificent propers. Its stern INTROIT (“Óculi mei semper ad Dóminum”) is breathtaking, and the COMMUNION (“Qui bíberit aquam”) with its fauxbourdon verses is wonderful. I encourage all the readers to visit the feasts website, where the Propria Missae may be downloaded completely free of charge.
    —Jeff Ostrowski

Quick Thoughts

    “Dies Irae” • A Monstrous Translation
    It isn’t easy to determine what Alice King MacGilton hoped to accomplish with her very popular book—A Study of Latin Hymns (1918)—which continued to be reprinted in new editions for at least 34 years. This PDF file shows her attempt to translate the DIES IRAE “in the fewest words possible.” There’s a place for dynamic equivalency, but this is repugnant. In particular, look what she does to “Quærens me sedísti lassus.”
    —Jeff Ostrowski
    PDF Download • “Holy, Holy, Holy”
    For vigil Masses on Saturday (a.k.a. “anticipated” Masses) we use this simpler setting of the “Holy, Holy, Holy” by Monsignor Jules Vyverman (d. 1989), a Belgian priest, organist, composer, and music educator who ultimately succeeded another ‘Jules’ (CANON JULES VAN NUFFEL) as director of the Lemmensinstituut in Belgium. Although I could be wrong, my understanding is that the LEMMENSINSTITUUT eventually merged with “Catholic University of Leuven” (originally founded in 1425). That’s the university Fulton J. Sheen attended.
    —Jeff Ostrowski
    Grotesque Pairing • “Passion Chorale”
    One of our rarest releases was undoubtably this PDF scan of the complete Pope Pius XII Hymnal (1959) by Father Joseph Roff, a student of Healey Willan. One of the scarcest titles in existence, this book was provided to us by Mr. Peter Meggison. Back in 2018, we scanned each page and uploaded it to our website, making it freely available to everyone. Readers are probably sick of hearing me say this, but just because we upload something that doesn’t necessarily mean it’s wonderful or worthy of imitation. We upload many publications precisely because they are ‘grotesque’, interesting, or revealing. Whereas the Brébeuf Catholic Hymnal had an editorial board that was careful and sensitive vis-à-vis pairing texts with tunes, the Pope Pius XII Hymnal (1959) seems to have been rather reckless in this regard. Please take a look at what they did with the PASSION CHORALE and see whether you agree.
    —Jeff Ostrowski

Random Quote

“The sacrificial death of Jesus Christ the High Priest on Calvary is and will remain the basis for the active participation of the faithful in the liturgy. Membership in the Church, which is brought about by valid baptism, makes one a part of the Mystical Body of Christ, THE PRIEST, to whose priesthood one is interiorly conformed through the baptismal character.”

— “Divini Cultus Studium” (Dr. Robert A. Skeris, 1990)

Recent Posts

  • Consultor to the Vatican Council Enters the Fray • (Vis-à-vis Jeff’s Pipe Organ Assertion)
  • Palm Sunday • “Repertoire for Children’s Choir”
  • PDF Download • Communion (4th Snd. Lent)
  • Most “Congregational” Hymn • (In My Experience)
  • Music is the “Humble Handmaid” of the Mass

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