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Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

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Views from the Choir Loft

Articles

William J. Fritz · August 23, 2024

“Introducing Chant in Your Parish” • With Kevin Allen

“If Bach wanted to learn from the master, he had to go a long way to do it, so he made the sacrifice to do it.” —Kevin Allen

Jeff Ostrowski · August 22, 2024

The Very Least We Can Do!

Today I must ask the infamous question… (ducks)

Andrea Leal · August 22, 2024

PDF • “Organ Interludes” (Manuals Only) — 104 Pages

Including Dom Gregory Murray, Flor Peeters, Jacques Lemmens, John Lee, C. H. Rinck, Dom Alphege Shebbeare, Oreste Ravanello, Louis Niedermeyer, Eugène Gigout, Luigi Bottazzo, Johann Sebastian Bach, and many others.

Corpus Christi Watershed · August 21, 2024

Famous Italian Actor Regrets Aborting Son

“I would have liked you to be lying under the covers during a storm, silent so you could hear the sound of the rainfall.” —Andrea Roncato

Jeff Ostrowski · August 20, 2024

“The Very Best 42 Seconds of Gregorian Chant”

Fulton J. Sheen, Saint John Mary Vianney, and more!

Jeff Ostrowski · August 19, 2024

Must This Be Accompanied?

The age-old question—will it ever be resolved?

Adam Raha · August 17, 2024

Fathers Must Turn Their Hearts To Their Children

I don’t necessarily mean children with no dad. I mean “absent” fathers.

Corpus Christi Watershed · August 11, 2024

(Chicago) • Upcoming Sacred Music Workshop!

Featuring as presenters Jeffrey Ostrowski and Kevin Allen.

Jeff Ostrowski · August 6, 2024

PDF Download • “Entrance Chant in English” (19th Sunday in Ordinary Time)

Including twelve (12) different versions!

Veronica Brandt · August 5, 2024

Slavonic Sub Tuum: a 3 part gem of haunting beauty for your choir

An easy-peasy all-year-round Marian motet in three parts plus some reflections on typing up sheet music.

Follow the Discussion on Facebook

Jeff Ostrowski · August 4, 2024

“Something Quite Odd” • Today’s Responsorial Psalm

Including a special comparison chart which shows the NAB translation vs. the “Abbey Psalms and Canticles” translation.

Jeff Ostrowski · August 2, 2024

PDF Download • “Sanctus” (Roman Missal, 3rd Ed.) in English, Latin, Spanish — Organ Accomp.

You might want to download three PDF files I composed this morning.

Jeff Ostrowski · July 31, 2024

“Saint Felix Creed” • Musical Setting for the Nicene Creed (Roman Missal, 3rd Edition)

On 20 March 2014, this musical setting was approved for liturgical use by “The Committee on Divine Worship” (a standing committee of the USCCB).

Jeff Ostrowski · July 29, 2024

PDF Download • “O’Fallon Mass Propers” (483 Pages)

Including an English version of the “Dies Irae,” an English version of the “Lauda Sion,” and hundreds of pages of English Mass Propers.

Jeff Ostrowski · July 29, 2024

Can You Answer These Four (4) Questions?

How to unify your parish music program for different Masses in different languages.

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Corpus Christi Watershed

President’s Corner

    Bugnini’s Statement (6 November 1966)
    With each passing day, more is revealed about how the enemies of the liturgy accomplished their goals. For instance, Hannibal Bugnini deeply resented the way Vatican II said Gregorian Chant “must be given first place in liturgical services.” On 6 November 1966, his cadre wrote a letter attempting to justify the elimination of Gregorian Chant with this brazen statement: “What really gives a Mass its tone is not so much the songs as it is the prayers and readings.” Bugnini’s cadre then attacked the very heart of Gregorian Chant (viz. the Proprium Missae), bemoaning how the Proprium Missae “is completely new each Sunday and feast day.” There is much more to be said about this topic. Stay tuned.
    —Jeff Ostrowski
    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“In all this mediaeval religious poetry there is much that we could not use now. Many of the hymns are quite bad, many are frigid compositions containing futile tricks, puns, misinterpreted quotations of Scripture, and twisted concepts, whose only point is their twist. But there is an amazing amount of beautiful poetry that we could still use. If we are to have vernacular hymns at all, why do we not have translations of the old ones?”

— Fr. Adrian Fortescue (d. 1923)

Recent Posts

  • Now Available! • “Hymns of Cardinal Newman: Kevin Allen’s Legendary Choral Settings”
  • Bugnini’s Statement (6 November 1966)
  • (Rehearsal Clips) • Sacred Music Symposium 2025
  • Hidden Gem: Ascendit Deus (Dalitz)
  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”

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Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

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