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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Articles

Veronica Brandt · December 2, 2017

Tantum Ergo Comically Misunderstood in Italian

Tantum Ergo or Canta Merlo? A bit of fun with Italian and Latin.

Richard J. Clark · December 1, 2017

I’ve made this an essential part of concert preparation.

I’m embarrassed to say, I feel I have only discovered this necessity recently.

Jeff Ostrowski · December 1, 2017

360º Footage of Vespers • How cool is this?

Fr. Valentine used to say: “If you don’t blow your own horn, nobody else is going to blow it for you.”

Jeff Ostrowski · November 29, 2017

Msgr. Knox • “Ten Commandments” for Crime Stories

Knox was a founding member of the “Detection Club,” which included Agatha Christie and G. K. Chesterton.

Jeff Ostrowski · November 29, 2017

PDF Download • “How To Serve Mass” (1651)

“Pausing a little, arise, make Adoration to the Sacrament, give the Pax to those present, observe Order of calling, and Years…”

Dr. Lucas Tappan · November 28, 2017

7 Rules • “Your Family and Adventide”

Children need to see that everything takes second place to your relationship with Christ.

Jeff Ostrowski · November 27, 2017

40% savings!

Here are some books you might consider…

Jeff Ostrowski · November 27, 2017

PBS • “Gregorian Chant at the Seminary”

At the time I’m posting, this video has 355 views—let’s see if we can raise that number!

Jeff Ostrowski · November 25, 2017

Final Sunday after Pentecost (4th in November)

“And from the fig-tree learn a parable: when the branch thereof is now tender, and the leaves come forth, you know that summer is nigh.”

Veronica Brandt · November 25, 2017

Sing Salve Regina in Your Rosary

A good chant to begin with. Print a copy with interlinear translation and join with one of the best known chants from the Church Universal.

Jeff Ostrowski · November 25, 2017

PDF Download • “Evening Masses and Days of Obligation” (58 pages)

Permission has been given to post this marvelous 2016 dissertation by Fr. Shawn Tunink.

Richard J. Clark · November 24, 2017

Unapologetically Roman Catholic in New York City

They open the doors to people of all faiths and backgrounds. But they will celebrate the Eucharist, Adore the Blessed Sacrament, and administer the sacraments boldly out on the open for all to witness and experience.

Jeff Ostrowski · November 24, 2017

“Simultaneous Fulfillment” of Mass Obligation?

Christmas falls on a Monday this year—but documentation shows “double dipping” is forbidden.

Andrew Leung · November 23, 2017

Arvo Pärt received the Ratzinger Prize

“A beautiful choice, that of the commission, aimed at pointing out that new way for theology that is music”

Dr. Lucas Tappan · November 21, 2017

“Meet Me In St. Louis”

Jeff recently asked if directors take choir pictures and I can’t say I do—but thankfully others did.

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Corpus Christi Watershed

President’s Corner

    “Music List” • 29th in Ordinary Time (Year C)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 19 October 2025, which is the 29th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the sensational feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    Liturgical Round (“Canon”) in C-Major
    Those who direct children’s choirs are always on the lookout for repertoire that’s dignified, inspired, and pleasing—yet still within reach of young choristers. Such directors will want to investigate this haunting liturgical round (PDF download) which has been married to the KYRIE from Mass VI (EDITIO VATICANA). I have provided an accompaniment, but it’s only for use during rehearsal; i.e. when teaching this round to your choristers. I also provided an organ accompaniment for the KYRIE—which some know by its trope (Kyrie Rex Genitor)—so that your congregation can take part when this round is used as a choral extension during Mass.
    —Jeff Ostrowski
    Latin Liturgy Association
    We note with pleasure that Mrs. Regina Morris, president of the Latin Liturgy Association, has featured—on page 4 of Volume CXXIX of their official newsletter—the three (3) terrific versions of the Stations of the Cross found in the Brébeuf Hymnal. One of the main authors for the blog of the Church Music Association of America said (6/10/2019) about this pew book: “It is such a fantastic hymnal that it deserves to be in the pews of every Catholic church.”
    —Corpus Christi Watershed

Quick Thoughts

    New Bulletin Article • “12 October 2025”
    My pastor requested that I write short articles each week for our parish bulletin. Those responsible for preparing similar write-ups may find a bit of inspiration in these brief columns. The latest article (dated 12 October 2025) talks about an ‘irony’ or ‘paradox’ regarding the 1960s switch to a wider use (amplior locus) of vernacular in the liturgy.
    —Jeff Ostrowski
    “American Catholic Hymnal” (1991)
    The American Catholic Hymnal, with IMPRIMATUR granted (25 April 1991) by the Archdiocese of Chicago, is like a compendium of every horrible idea from the 1980s. Imagine being forced to stand all through Communion (even afterwards) when those self-same ‘enlightened’ liturgists moved the SEQUENCE before the Alleluia to make sure congregations wouldn’t have to stand during it. (Even worse, everything about the SEQUENCE—including its name—means it should follow the Alleluia.) And imagine endlessly repeating “Alleluia” during Holy Communion at every single Mass. It was all part of an effort to convince people that Holy Communion was historically a procession (which it wasn’t).
    —Jeff Ostrowski
    “Canonic” • Ralph Vaughan Williams
    Fifty years ago, Dr. Theodore Marier made available this clever arrangement (PDF) of “Come down, O love divine” by P. R. Dietterich. The melody was composed in 1906 by Ralph Vaughan Williams (d. 1958) and named in honor of of his birthplace: DOWN AMPNEY. The arrangement isn’t a strict canon, but it does remind one of a canon since the pipe organ employs “points of imitation.” The melody and text are #709 in the Brébeuf Catholic Hymnal.
    —Jeff Ostrowski

Random Quote

“Many of those who have influenced the reform […] have no love, and no veneration of that which has been handed down to us. They begin by despising everything that is actually there.”

— Cardinal Antonelli (Peritus during the Second Vatican Council)

Recent Posts

  • Feast of the Jesuit Martyrs of North America
  • “Music List” • 29th in Ordinary Time (Year C)
  • Fulton J. Sheen + this Sunday’s “Entrance Chant”
  • Children’s Repertoire • Three More Recommendations by Keven Smith
  • Liturgical Round (“Canon”) in C-Major

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