• Skip to primary navigation
  • Skip to main content
  • Skip to primary sidebar

Corpus Christi Watershed

We’re a 501(c)3 public charity established in 2006. We have no endowment, no major donors, no savings, and run no advertisements. We exist solely by the generosity of small donors.

  • Donate
  • Our Team
    • Our Editorial Policy
    • Who We Are
    • How To Contact Us
    • Sainte Marie Bulletin Articles
  • Pew Resources
    • Brébeuf Catholic Hymnal
    • Jogues Illuminated Missal
    • KYRIALE • Saint Antoine Daniel
    • Campion Missal, 3rd Edition
    • Repository • “Spanish Music”
    • Ordinary Form Feasts (Sainte-Marie)
  • MUSICAL WEBSITES
    • René Goupil Gregorian Chant
    • Noël Chabanel Psalms
    • Nova Organi Harmonia (2,279 pages)
    • Roman Missal, 3rd Edition
    • Catechism of Gregorian Rhythm
    • Father Enemond Massé Manuscripts
    • Lalemant Polyphonic
  • Miscellaneous
    • Site Map
    • Secrets of the Conscientious Choirmaster
    • “Wedding March” for lazy organists
    • Emporium Kevin Allen
    • Saint Jean de Lalande Library
    • Sacred Music Symposium 2023
    • The Eight Gregorian Modes
    • Gradual by Pothier’s Protégé
    • Seven (7) Considerations
Views from the Choir Loft

Articles

Fr. David Friel · September 17, 2017

Two Transatlantic Choir Tours

The USA will soon receive the Sistine Chapel Choir and the Schola Cantorum of the London Oratory School on tour.

Veronica Brandt · September 16, 2017

Catena Legionis in Gregorian Chant

Our Lady sings Magnificat with tones surpassing sweet – and you can too with this simple Gregorian chant setting.

Jeff Ostrowski · September 15, 2017

“O Sanctissima” • SATB Contemporary Setting!

I bet you haven’t heard this arrangement!

Fr. David Friel · September 14, 2017

Origins of the Exaltation of the Holy Cross

A summary of the complex history of a unique sanctoral feast

Jeff Ostrowski · September 14, 2017

15th Sunday after Pentecost (3rd in September)

…and they glorified God, saying, “A great prophet is risen up amongst us and God hath visited His people.”

Jeff Ostrowski · September 13, 2017

Does Watershed Make A Difference?

“A huge success! My pastor was blown away at the beauty of the Mass setting by Guerrero. The people in attendance were just floored…”

Corpus Christi Watershed · September 11, 2017

Seven Observations About The Latin Mass

“Celebrating ten years of Summorum Pontificum”

Fr. David Friel · September 10, 2017

Art of the Beautiful Lecture Series 2017-2018

Six upcoming presentations in New York City

Veronica Brandt · September 9, 2017

The Place of Pews in the Church

Are chairs or pews a hindrance or a help?

Corpus Christi Watershed · September 8, 2017

Theodore Marier • “Good Hymns for Worship” (1957)

Fascinating transcripts dealing with polyphony (“old and new”) and many other topics.

Richard J. Clark · September 8, 2017

Saint Paul’s Choir School • New CD with AimHigher Recordings/Sony Classical

“When I introduce young minds to the beautiful heritage of Church music, it’s always amazing to see just how much they love the great music we have been given.” — John Robinson

Andrew Leung · September 7, 2017

Report • Hong Kong Summer Choral Workshops

Two choral workshops for church choirs were held in Hong Kong over the summer.

Jeff Ostrowski · September 7, 2017

14th Sunday after Pentecost (2nd in September)

“Grant us, we beseech Thee, O Lord, that this saving Victim may become both the cleansing of our sins, and the propitiation of Thy might.”

Fr. David Friel · September 6, 2017

Sacred Music Workshop • Allentown, NJ

The workshop presenter will be Peter Carter, a graduate of Westminster Choir College in organ performance.

Corpus Christi Watershed · September 5, 2017

Video • Rehearsal Excerpt with Kevin Allen

Filmed at the 2017 Sacred Music Symposium

  • « Go to Previous Page
  • Page 1
  • Interim pages omitted …
  • Page 135
  • Page 136
  • Page 137
  • Page 138
  • Page 139
  • Interim pages omitted …
  • Page 323
  • Go to Next Page »

Primary Sidebar

Corpus Christi Watershed

President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“We must remember that the important elements of a rite are not the things that will first be noticed by a casual and ignorant onlooker—the number of candles, colour of the vestments and places where the bell is rung—but just those things he would not notice: the Canon, fraction and so on, the prayers said in a low voice and the characteristic but less obvious rites done by the celebrant at the altar.”

— Fr. Fortescue explaining that Anglicanism does not preserve Sarum

Recent Posts

  • PDF Download • Soprano Descant — “Hail, Holy Queen Enthroned Above”
  • “Dom Jausions had a skilled hand. His transcriptions are masterpieces of neatness & precision.”
  • Pope Leo XIV pays tribute to Palestrina
  • PDF Download • Palestrina’s “Ave Maria”
  • PDF Download • “2025 Booklet for Participants for the Sacred Music Symposium” — (155 pages)

Subscribe

Subscribe

* indicates required

Copyright © 2025 Corpus Christi Watershed · Isaac Jogues on Genesis Framework · WordPress · Log in

Corpus Christi Watershed is a 501(c)3 public charity dedicated to exploring and embodying as our calling the relationship of religion, culture, and the arts. This non-profit organization employs the creative media in service of theology, the Church, and Christian culture for the enrichment and enjoyment of the public.

The election of Pope Leo XIV has been exciting, and we’re filled with hope for our apostolate’s future!

But we’re under pressure to transfer our website to a “subscription model.”

We don’t want to do that. We believe our website should remain free to all.

Our president has written the following letter:

President’s Message (dated 30 May 2025)

Are you able to support us?

clock.png

Time's up