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Views from the Choir Loft

Articles

Fr. David Friel · July 15, 2018

Society for Catholic Liturgy Conference 2018

To be held 27–29 September 2018, the conference will focus on the legacy of Msgr. Romano Guardini.

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Dr. Lucas Tappan · July 11, 2018

The Sung Canon

Since the Canon cannot be recited “silently” in the Ordinary Form, I wonder if chanting it might be one answer to the lack of transcendence we often encounter within Mass.

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Jeff Ostrowski · July 11, 2018

Rehearsal videos • “Kyrie” by Josquin des Prez (d. 1521)

Recorded by participants at the 2018 Symposium!

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Jeff Ostrowski · July 10, 2018

What Happens When A Choirmaster Gets Sad?

Our profession is not an easy one.

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Jeff Ostrowski · July 9, 2018

(Video) • Closing Mass of Symposium 2018

…recorded on a device located at the very back of Church.

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Corpus Christi Watershed · July 7, 2018

Cardinal Ratzinger Wrote about “Summorum Pontificum” on 14 Dec. 1976

Cardinal Ratzinger wrote about “Summorum Pontificum” on 14 December 1976 in a letter to Professor Wolfgang Waldstein.

Fr. David Friel · July 7, 2018

Music Conference in Rome (September 2018)

The Pontifical Council for Culture will host “Church and Composers, Words and Sounds.”

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Veronica Brandt · July 7, 2018

Flos Carmeli for a Carmelite Novena

A printable copy of the beautiful Carmelite sequence with English translation alongside. Time to practise ready for the Feast Day on July 16!

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Jeff Ostrowski · July 5, 2018

iPhone Clip • “Sight-Reading Hymns”

Can you name this hymn melody?

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Dr. Alfred Calabrese · July 4, 2018

Of Estate Sales, Prayers, and Mass Attendance

I started to realize how little time we spend thinking about these things…

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Dr. Lucas Tappan · July 3, 2018

Impressions from Sacred Music Colloquium 2018

I thought today I would share with readers some of my impressions of the wonderful events that took place.

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Corpus Christi Watershed · June 30, 2018

Saint Vitus Roman Catholic Church • Los Angeles, CA

Four (4) Masses each Sunday! Established by Archbishop Gomez as an exclusively Latin Mass Parish for Los Angeles!

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Richard J. Clark · June 29, 2018

Gregorian Impressions • Plainchant Settings for Organ

A new collection of organ works based on familiar and beloved plainchants

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Andrew Leung · June 28, 2018

How to be a Good Choir Member?

Some tips on how to be a good teammate in a choir.

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Fr. David Friel · June 24, 2018

Novena for Our Lady of Mt. Carmel

Solemn High Mass at Philadelphia Carmel

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Corpus Christi Watershed

President’s Corner

    Knox. Has. No. Equal.
    Dr. Finberg (of the University of Leicester) famously said: “No living writer possesses a greater command over the English language than Monsignor Ronald Knox.” A lifetime spent among his works would not exhaust them; always another thing to see, never once a reason to look away. Consider the marvelous way Knox Englished the famous VERBUM SUPERNUM of Saint Thomas Aquinas. The 4th verse (in Latin) means: “By being born, He became man’s companion; at this supper, He became man’s food; in dying, He became man’s ransom; in reigning, He is man’s reward.” Knox brilliantly makes the English fit the Latin meter: The manger, Christ their equal made, | That upper room, their souls’ repast, | The Cross, their ransom dearly paid, | And heav’n, their high reward at last. I believe the meaning of the French word “manger” was not absent from his thoughts when he penned that stanza.
    —Jeff Ostrowski
    Proportionalist Plainchant • (Documented)
    On this website, we believe: “If we don’t know where we came from, we can’t know where we’re going.” As a result, we often spend hours scanning old books of GREGORIAN CHANT (and organ accompaniments). We don’t claim those items are useful or desirable for today’s circumstances; the goal is understanding where we came from. Here is a fascinating musical score from the 19th century. At that time, it was believed that MENSURALISM (a.k.a. “proportionalism”) was the historically correct way to sing plainsong.
    —Jeff Ostrowski
    Garnier Alleluias • “Have They Moved?”

    We received an email asking whether the “Garnier Gospel Acclamations website” has…

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    —Jeff Ostrowski

Quick Thoughts

    “Predictable Rhymes?” • A Follow Up
    We received considerable correspondence regarding my article, Two Ways to Defile a Hymn. More specifically, what really raised certain people’s hackles was its follow-up article dealing with the keyboard accompaniment for the CHRIST THE KING HYMNAL. But to quote Eliza Doolittle: “Have I said anything I oughtn’t?” Please examine this PDF file and see whether you agree. Were the editors of the BRÉBEUF HYMNAL incorrect to insist upon sophisticated and clever rhymes, rather than mind-numbingly predictable rhymes?
    —Jeff Ostrowski
    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed

Random Quote

“One of his most cherished wishes was to promote congregational singing wherever possible, for he held it to be most instructive for people of all classes and a powerful means of arousing an intelligent interest in the beauties of our sacred liturgy, especially in regard to the holy Sacrifice of the Mass. He loved to dwell in this respect upon the remarkable results achieved in parishes where the congregation had been taught to sing correctly the different portions of the Mass in plain chant.”

— Cardinal Merry del Val, speaking of Cardinal Sarto

Recent Posts

  • 1,187 Pages • “Dripping With Color, Craft, and Splendor” (Missale Romanum, 1933)
  • Knox. Has. No. Equal.
  • “Plainsong Propers” • Fascinating 1980s Recordings
  • Proportionalist Plainchant • (Documented)
  • “First Things First” • The Order We’ve Reversed: Seven (7) Points for Consideration

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