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Corpus Christi Watershed

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Views from the Choir Loft

Articles

Jeff Ostrowski · July 3, 2018

Trsnfr 8 Claude • “Jean de Lalande of Dieppe”

* High-Resolution Viewer • 1932 GRADUEL DOMINICAL (856 pages) —Graduel Dominical Complet en notation grégorienne et clef de sol (Dom Lucien David, 1932). —We thank Matthew Frederes for the gorgeous viewing device. * PDF Download • 1932 GRADUEL DOMINICAL (856 pages) —Massively large PDF file: 417.7MB. * High-Resolution Viewer • 1932 VESPÉRAL DOMINICAL (782 pages) […]

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Dr. Lucas Tappan · July 3, 2018

Impressions from Sacred Music Colloquium 2018

I thought today I would share with readers some of my impressions of the wonderful events that took place.

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Corpus Christi Watershed · June 30, 2018

Saint Vitus Roman Catholic Church • Los Angeles, CA

Four (4) Masses each Sunday! Established by Archbishop Gomez as an exclusively Latin Mass Parish for Los Angeles!

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Richard J. Clark · June 29, 2018

Gregorian Impressions • Plainchant Settings for Organ

A new collection of organ works based on familiar and beloved plainchants

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Andrew Leung · June 28, 2018

How to be a Good Choir Member?

Some tips on how to be a good teammate in a choir.

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Fr. David Friel · June 24, 2018

Novena for Our Lady of Mt. Carmel

Solemn High Mass at Philadelphia Carmel

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Jeff Ostrowski · June 24, 2018

(Recorded Live) • “Agnus Dei” at the Symposium

About 450 people attended the Mass on Friday night

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Jeff Ostrowski · June 19, 2018

iPhone Clip • From Sacred Music Symposium 2018

This year’s Symposium has begun…with a bang!

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Fr. David Friel · June 16, 2018

Sacred Music Camp in Allentown, NJ

New Opportunity for Children Grades 3–12

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Richard J. Clark · June 15, 2018

James David Christie • International Performer of the Year

As both performer and teacher, James David Christie models excellence and beauty.

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Andrew Leung · June 14, 2018

Raising the Musical Standards (Part 2)

Raising the musical standards leads to deeper prayers…

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Jeff Ostrowski · June 12, 2018

“Come Holy Ghost” • Improvisation

Can you improvise?

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Veronica Brandt · June 10, 2018

Save the World: Build More Carmels

Society grows great when old men plant trees whose shade they know they shall never sit in.

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Fr. David Friel · June 10, 2018

Sacred Music Camp for Children in Philadelphia

The Inaugural “Cantate Domino” Festival

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Veronica Brandt · June 9, 2018

Perpetual Succour Passes the Equator

One young doctor sailing across the Pacific Ocean to raise money for the Indigenous Literacy Foundation. You do meet all sorts at Mass.

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Corpus Christi Watershed

President’s Corner

    Insane Baroque-Era Dissonance!
    The sumptuous melody called “JESU LEIDEN PEIN UND TOD” appears no fewer than three times in the Brébeuf Catholic Hymnal and is harmonized with standard Common Practice Era SATB voice leading and harmonies (which is only natural). However, one who takes the time to examine what Sebastian Bach did with that tune will encounter an incredibly dissonant sound. As far as I’m concerned, there is no more dissonant sound—in the entire Baroque era—than what I highlighted in yellow on that excerpt. Please let me know if you disagree.
    —Jeff Ostrowski
    “Reminder” — Month of July (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Music List • (15th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 15th Sunday in Ordinary Time (Year A), which is 12 July 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are some of the most ‘traditional’ I have chosen (and were chosen by our pastor). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

“After a discussion lasting several days, in which arguments for and against were discussed, the Council fathers came to the clear conclusion—wholly in agreement with the Council of Trent—that Latin must be retained as the language of cult in the Latin rite, although exceptional cases were possible and even welcome.”

— Alfons Cardinal Stickler, Vatican II ‘peritus’

Recent Posts

  • Insane Baroque-Era Dissonance!
  • Explanation of Gregorian Chant • “Using Words Mama Can Understand”
  • “Reminder” — Month of July (2026)
  • “Reader Feedback” • 9 July 2026
  • PDF Downloads • “16 Gorgeous SAB Motets”

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