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Views from the Choir Loft

A Dramatic Moment

Jeff Ostrowski · September 10, 2018

At the Traditional Latin Mass, a dramatic moment happens on Holy Saturday Night. Three things return all at once: the BELLS, the GLORIA, and the ORGAN.

Somebody took a video of our ceremony on 31 March 2018:


I whispered to the organist (Ethan Haman) what was required, and somehow he knew exactly what I needed from him. If the singing voices sound strained, remember that this ceremony was three hours long—in the middle of the night! I hope to divide the choirs next year, so that a single choir is not responsible for Palm Sunday, Holy Thursday, Good Friday, Holy Saturday, and Easter Sunday. The priests shown in the video are members of the Priestly Fraternity of Saint Peter. The FSSP recently dedicated a church in the Archdiocese of Los Angeles, called Saint Vitus.

The 1962 Missal—fully approved by the Catholic Church—is known as the Extraordinary Form. Starting in 2007, no priest of the Latin Rite needs permission from the bishop to offer this ancient rite. Our FSSP parish had permission from Rome this year to use the pre-1955 Holy Week, as I have explained.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Last Updated: January 1, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

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Quick Thoughts

23 May 2022 • FEEDBACK

From a reader: “I wasn’t looking for it. But, I stumbled across your hand-dandy arrangement of Pachelbel’s Canon. Jeff, this is the greatest thing since sliced bread! I had to play a wedding on Saturday. The bride requested the Canon. There were 11 bridesmaids! The organ loft is a football field away from the communion rail. It’s so difficult to play and keep checking the mirror. Your arrangement is absolutely genius. One can skip and choose which variations to use. The chord names are handy so that when my eyes are off the music, I always know where I am at. A thousand times thank you for sharing this arrangement!”

—Jeff Ostrowski
19 May 2022 • “Trochee Trouble”

I’m still trying to decide how to visually present the “pure” Editio Vaticana scores, using what is (technically) the official rhythm of the Church. You can download my latest attempt, for this coming Sunday. Notice the “trochee trouble” as well as the old issue of neumes before the quilisma.

—Jeff Ostrowski
16 May 2022 • Harmonized Chant?

This year’s upcoming Sacred Music Symposium will demonstrate several ways to sing the CREDO at Mass. This is because—for many parishes—to sing a full-length polyphonic CREDO by Victoria or Palestrina is out of the question. Therefore, we show options that are halfway between plainsong and polyphony. You can hear my choir rehearsing a section that sounds like harmonized plainsong.

—Jeff Ostrowski

Random Quote

“I have, on the other hand, retained several more or less traditional tunes, absolutely valueless and without merit from a musical point of view, but which seem to have become a necessity if a book is to appeal—as I hope this one will—to the varied needs of various churches.”

— A. Edmonds Tozer (1905)

Recent Posts

  • Review • A Catholic Book of Hymns
  • 23 May 2022 • FEEDBACK
  • PDF Download • “A Canon Choirs Love!”
  • On Mistakes (Part I of II)
  • 19 May 2022 • “Trochee Trouble”

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