Views from the Choir Loft

Ronald Knox • His Actual Voice!

Jeff Ostrowski · September 18, 2018

ONSIGNOR RONALD KNOX is definitely in the “Top Five” when it comes to men who have influenced the creation of the Saint Jean de Brébeuf Hymnal. The Breviary translations by Msgr. Knox—which so few people today know about—are absolutely fantastic and sui generis. Each word is carefully chosen, and he often brings out hidden meanings from the Pre-Urbanite versions in ways only a genius could. Moreover, Knox was heavily involved with the creation of the New Westminster Hymnal; something confirmed by his biographer, Evelyn Waugh. ¹

We can reveal more about our project once the Brébeuf Hymnal has been released…and it’s very close to hitting the market. Perhaps as soon as October!

One of the committee members sent me the voice of Msgr. Knox, giving a splendid lecture:

* * Mp3 Download • “The Incarnation and Childhood” (Ronald Knox)

By the way, I love his accent; especially the way he pronounces “history” and “theory.” Knox was a close friend of the young Fulton J. Sheen, and it’s not hard to imagine the influence the older priest had on the younger preacher:

One of these days, I hope some brilliant author comes out with a modern biography of Knox—it would be a bestseller!

NOTES FROM THIS ARTICLE:

1 The New Westminster Hymnal—in terms of what they set out to do in that era and how they went about accomplishing their goal—was a major inspiration for our project.

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Los Angeles.—(Read full biography).

Alabama Assessment!

We received this evaluation of Symposium 2022 from an Alabama participant:

“Oh, how the Symposium echoed the words of Cardinal Merry Del Val: …choosing only what is most conformed to Thy glory, which is my final aim. In one short and fast paced week, the faculty and attendees showed me the hand of God and our Lady working in our lives. The wide range of education—from Gregorian Chant, jazz modes in organ improvisation, to ‘staying sane’ while leading a choir—were certainly first-class knowledge from the best teachers of the art. However, the most powerful lesson was learning how to pray as a choir. The sacrifice of putting songs together, taking time to learn the sacred text, meditating on the church teaching through the chants, and gaining the virtues required to persevere in these duties were not only qualities of a choir but of a saint. The sanctification of the lives of the attendees was a beautiful outcome of this event … and that in itself is worth more than a beautifully-sung Solesmes style chant!”

—Jeff Ostrowski

PDF Download • Trinity Sunday (22 pages)

Feel free to download this Organ Accompaniment Booklet for Trinity Sunday (Second Vespers). Notice how the modes progress by number. Psalm 1 is mode 1; Psalm 2 is mode 2; Psalm 3 is mode 3; Psalm 4 is mode 4; Psalm 5 is mode 5. I am told by an expert that other feasts (such as Corpus Christi) are likewise organized by mode, and it’s called a “numerical office.”

—Jeff Ostrowski

10 June 2022 • “Official” rhythm of plainsong

I continue to search for the most beautiful way to present the “pure” Editio Vaticana scores. (Technically, the “pure” rhythm of the official edition is what everyone is supposed to use.) You can download my latest attempt, which is the Introit for this coming Sunday: Feast of the Most Holy Trinity. Because this is not an ancient feast, the Introit had to be adapted (perhaps around 750AD). Prior Johner says the adaptation is “not an entirely happy one.”

—Jeff Ostrowski