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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · July 8, 2016

Those Pesky Letters of Complaint

As surely as the sun rises in the East and sets in the West, someone will be unhappy. Displeasure does not discriminate.

Richard J. Clark · July 1, 2016

The Frontier of Liturgical Composition

The frontier of composition is clearly producing new settings of the propers in the vernacular, useful for a typical parish.

Richard J. Clark · June 24, 2016

New Organ Work • Madonna & Child

It took me—the composer—to realize this is really a work about mother and child.

Richard J. Clark · June 10, 2016

Two Concerts • Two Milestones • 101-rank E. & G. G. Hook & Hastings Organ, Opus 801

2016 marks two milestones: the 140th Anniversary of the Dedication of the E. & G. G. Hook & Hastings, Opus 801 and the thirtieth anniversary of Leo Abbott’s tenure as Cathedral Music Director in Boston

Richard J. Clark · June 3, 2016

“Insidious Form” of Clericalism? A Jesuit Speaks Out

“The presider claims a form of privilege to change things that do not belong to him…”

Richard J. Clark · May 27, 2016

A Model of Sacred Music at Priest’s First Mass

What music does a newly ordained priest, who currently plays the drums in a jazz band, choose for his first Mass? A priest who also has a degree from the Hartt School of Music in Music Production and Technology? The answer will surprise you.

Richard J. Clark · May 20, 2016

Composing Saves My Life

By shear will I chip away at the wretched dumpster fire of incongruence on the page. Then a purpose languidly surfaces with each revised note: Composing is a form of prayer.

Richard J. Clark · May 6, 2016

Working With People With Whom One Disagrees

One’s ability to work effectively with someone else does not actually rely very much on how much one agrees with the other. Why? It comes down to three things.

Richard J. Clark · April 29, 2016

Children’s Choir in a Typical Suburban Parish? Endless Possibilities!

Children who sing today will be the foundation of our Church in the future.

Richard J. Clark · April 22, 2016

Musician • Center of Attention or Servant?

Applause from a congregation for musicians, or musicians that impede congregational singing for the sake of personal artistry, are but symptoms. The church musician has been misidentified as a separate entity—a showpiece—and not properly identified as a servant of the liturgy, a servant of God, a servant of the people.

Richard J. Clark · April 8, 2016

I Claim You for Christ

“One of the most emotional experiences of my life was during the baptism of my second child. The words hit me like a ton of bricks…time froze, and I was bowled over in my heart…”

Richard J. Clark · April 1, 2016

O Happy Fault • Nine things that are pure privilege

Such a reference to original sin—a positive reference—seems quite strange to us.

Richard J. Clark · March 31, 2016

Sequence During the Octave of Easter

Singing the sequence, “Victimae Paschali Laudes” is truly appropriate every day this week.

Richard J. Clark · March 18, 2016

As the Tension Grows

As Holy Week approaches, the tension is palpable.

Richard J. Clark · March 11, 2016

When the Liturgy Astounds • The Fire of Divine Love

I found these words to be jaw dropping—utterly astounding.

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Corpus Christi Watershed

President’s Corner

    “Simplified” Keyboard Accompaniment (PDF)
    I’d much rather hear an organist play a simplified version correctly than listen to wrong notes. I invite you to download this simplified organ accompaniment for hymn #729 in the Father Brébeuf Hymnal. The hymn is “O Jesus Christ, Remember.” I’m toying with the idea of creating a whole bunch of these, to help amateur organists. The last one I uploaded was downloaded more than 1,900 times in a matter of hours—so there seems to be interest in such a project. For the record, this famous text by Oratorian priest, Father Edward Caswall (d. 1878) is often married to AURELIA, as it is in the Brébeuf Hymnal.
    —Jeff Ostrowski
    ‘Bogey’ of the Half-Educated: Paraphrase
    Father Adrian Porter, using the cracher dans la soupe example, did a praiseworthy job explaining the difference between ‘dynamic’ and ‘formal’ translation. This is something Monsignor Ronald Knox explained time and again—yet even now certain parties feign ignorance. I suppose there will always be people who pretend the only ‘valid’ translation of Mitigásti omnem iram tuam; avertísti ab ira indignatiónis tuæ… would be “You mitigated all ire of you; you have averted from your indignation’s ire.” Those who would defend such a translation suffer from an unfortunate malady. One of my professors called it “cognate on the brain.”
    —Jeff Ostrowski
    Father Cuthbert Lattey • “The Hebrew MSS”
    Father Cuthbert Lattey (d. 1954) wrote: “In a large number of cases the ancient Christian versions and some other ancient sources seem to have been based upon a better Hebrew text than that adopted by the rabbis for official use and alone suffered to survive. Sometimes, too, the cognate languages suggest a suitable meaning for which there is little or no support in the comparatively small amount of ancient Hebrew that has survived. The evidence of the metre is also at times so clear as of itself to furnish a strong argument; often it is confirmed by some other considerations. […] The Jewish copyists and their directors, however, seem to have lost the tradition of the metre at an early date, and the meticulous care of the rabbis in preserving their own official and traditional text (the ‘massoretic’ text) came too late, when the mischief had already been done.” • Msgr. Knox adds: “It seems the safest principle to follow the Latin—after all, St. Jerome will sometimes have had a better text than the Massoretes—except on the rare occasions when there is no sense to be extracted from the Vulgate at all.”
    —Jeff Ostrowski

Quick Thoughts

    “Reminder” — Month of November (2025)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. Signing up couldn’t be easier: simply scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

When a friend speaks of his accomplishments and triumphs, he stands at a distance from our heart. When he shares his weaknesses and failings, he’s very near.

— Archbishop Fulton J. Sheen

Recent Posts

  • PDF Download • “Pope Pius XII Psalter” — English, Latin, and Commentary (532 pages)
  • “Simplified” Keyboard Accompaniment (PDF)
  • ‘Bogey’ of the Half-Educated: Paraphrase
  • Father Cuthbert Lattey • “The Hebrew MSS”
  • Re: The People’s Mass Book (1974)

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