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Views from the Choir Loft

Musician • Center of Attention or Servant?

Richard J. Clark · April 22, 2016

OHN 13:16-17: “Amen, amen, I say to you, no slave is greater than his master nor any messenger greater than the one who sent him. If you understand this, blessed are you if you do it.”

Regardless of specialty, the vast majority of musicians find themselves in the role of service. Consider any educator. Those who teach music live an unglamorous life. Whether teaching at a prestigious conservatory, or a Kodály movement class for four-to six-year olds, teaching is the very definition of service. The teacher is not the center of attention. Those who embrace and relish this role are the teachers who change the world.

CULTURAL PROBLEM that pervades the Roman Catholic Church is the secular view of musician as a focus of attention. This view persists quite often in both congregations and among musicians. This is the root of countless liturgical (and professional) problems, most importantly the misunderstanding of the role of sacred music, which is to uplift souls by pointing to God. (Tra le Sollecitudini [“Instruction on Sacred Music”] §1. “…the glory of God and the sanctification, the edification of the faithful.”)

Applause from a congregation for musicians, or musicians that impede congregational singing for the sake of personal artistry, are but symptoms. The church musician has been misidentified as a separate entity—a showpiece—and not properly identified as a servant of the liturgy, a servant of God, a servant of the people. As servant, the church musician must inspire, yet be invisible to the greatest extent possible. This requires large doses of skill and humility.

HERE ARE MANY extraordinary artists who deserve much recognition for their work. Interestingly, the greatest artists also seem to be the most humble. They deflect credit to talented people around them that contribute to their work. More importantly, they seek to point to something larger than themselves: a message, beauty, hope, aspiration, inspiration, and in the case of a church musician, divine transcendence.

The greatest of artists also tend to be more secure within themselves and have no need for attention to affirm their self worth. They prefer to allow their art speak for itself. If worthy, it will change the world.

“It was not you who chose me, but I who chose you and appointed you to go and bear fruit that will remain.” — John 15:16

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: Servant Leader Last Updated: January 1, 2020

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Richard J. Clark

About Richard J. Clark

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross.—(Read full biography).

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Quick Thoughts

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Due to Covid-19, California has basically been under “lock down” for 11 months, and these restrictions have had quite a detrimental effect on our choral programs. We are frequently limited to just 2-3 singers, on account of regulations by the government and our Archdiocese. However, although the number of singers is quite small, I was struck by the beauty of the singing last Sunday. Listen to this 15-second live excerpt and see if you agree?

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One of our most popular downloads has proven to be the organ accompaniment to “The Monastery Hymnal” (131 pages). This book was compiled, arranged, and edited by Achille P. Bragers, who studied at the Lemmensinstituut (Belgium) about thirty years before that school produced the NOH. Bragers might be considered an example of Belgium “Stile Antico” whereas Flor Peeters and Jules Van Nuffel represented Belgium “Prima Pratica.” You can download the hymnal by Bragers at this link.

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Random Quote

When we say: “The people like this” we regard them as unable to develop, as animals rather than human beings, and we simply neglect our duties in helping them towards a true human existence — indeed, in this case, to truly Christian existence.

— Professor László Dobszay (2003)

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