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Views from the Choir Loft

Richard J. Clark • Article Archive

Richard J. Clark is the Director of Music of the Archdiocese of Boston and the Cathedral of the Holy Cross. He is also Chapel Organist (Saint Mary’s Chapel) at Boston College. His compositions have been performed worldwide.—Read full biography (with photographs).

Richard J. Clark · March 31, 2016

Sequence During the Octave of Easter

Singing the sequence, “Victimae Paschali Laudes” is truly appropriate every day this week.

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Richard J. Clark · March 18, 2016

As the Tension Grows

As Holy Week approaches, the tension is palpable.

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Richard J. Clark · March 11, 2016

When the Liturgy Astounds • The Fire of Divine Love

I found these words to be jaw dropping—utterly astounding.

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Richard J. Clark · February 26, 2016

Sounds from the Spires • SiriusXM Radio • Jennifer Pascual

Jennifer Pascual, Director of Music at St. Patrick’s Cathedral hosts a weekly radio program on sacred music.

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Richard J. Clark · February 19, 2016

122 Messengers of Peace • Dona Nobis Pacem

It’s never just about the music.

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Richard J. Clark · February 12, 2016

Minimal Standards at Weddings and Funerals

It is easier to capitulate than to educate.

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Richard J. Clark · February 5, 2016

The Three Pillars of a Successful Parish

There are three pillars that must be in place for a parish to sow the seeds of growth and vibrancy. If any one of them falls, the others suffer.

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Richard J. Clark · February 1, 2016

EWTN Broadcast • Mass of Ordination • First Bishop of the Personal Ordinariate of the Chair of St. Peter

The elevation of bishop by Pope Francis of Bishop-Elect Steven J. Lopes is highly significant as the First Bishop of the Personal Ordinariate of the Chair of St. Peter.

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Richard J. Clark · January 29, 2016

The Vulnerability of Choral Singing

The human voice voice is unique as it is the only musical instrument housed within our God given body. And those who sing before others utterly exposed and vulnerable.

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Richard J. Clark · January 22, 2016

Lent is near.

Looming over church musicians is a quick transition of liturgical seasons. Here are just a few liturgical works for Lent and Easter.

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Richard J. Clark · January 15, 2016

The American Boychoir Redefines the Choral Experience

Please pray for all who educate our children through music!

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Richard J. Clark · January 8, 2016

Communion Antiphons for Lent • RCIA and Scripture

Propers for Lent and their relationship with RCIA and the scriptures

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Richard J. Clark · January 1, 2016

Unprecedented • Orthodox Rabbinic Statement on Christianity

I urge you to read this astonishing statement more than once to absorb its magnitude.

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Richard J. Clark · December 25, 2015

Christmas and the Universal Role of Music

The birth of Christ recalls a specific time and place as does the music of Christmas. It is sacred music that has poured out into an increasingly secular world.

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Richard J. Clark · December 18, 2015

Podcast • Advent Communion Propers on “Sounds from the Spires”

There is such richness in the scriptures we sing in Advent. This is the kind of thing I find exciting! I am grateful to have discussed the propers with Dr. Pascual, Director of Music at St. Patrick’s Cathedral.

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Corpus Christi Watershed

President’s Corner

    Music List • (15th Sund. Ordinary Time)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for the 15th Sunday in Ordinary Time (Year A), which is 12 July 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are some of the most ‘traditional’ I have chosen (and were chosen by our pastor). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski
    Shortest Psalm In The Bible
    The shortest chapter in the whole Bible—as well as the shortest psalm—is PSALM 116 (“Laudáte Dóminum ómnes géntes”), which consists of just two verses. German-speaking Catholics did something really splendid (PDF) with PSALM 116. I was alerted to this many years ago by none other than Monsignor Robert Alexander Skeris. Click here to download—from different Catholic hymn books—ten (10) different harmonizations for this fabulous hymn.
    —Jeff Ostrowski
    Oldest Latin Eucharistic Hymn
    The Church’s oldest Latin Eucharistic hymn is featured in the Brébeuf Hymnal. Indeed, the legendary Father Adrian Fortescue made a translation of it—matching the original’s meter—which was elevated by the Brébeuf team. For years, we’ve been working on a Spanish hymnal: “Cantoral del Padre Antonio Daniel.” The progress has been slow but steady, and we encourage anyone fluent in Spanish to consider joining the proofreading team. A few days ago, my wife helped me record a rehearsal video for this Spanish version of the Church’s oldest Latin Eucharistic hymn.
    —Jeff Ostrowski

Quick Thoughts

    ‘Ould’ But Not Good
    Dom Samuel Gregory Ould (note the spelling) was a Benedictine monk at FORT AUGUSTUS ABBEY in Scotland. As musician, organist, and composer, Dom Ould was highly regarded. Moreover, he was considered an authority on Gregorian Chant. But not everything found in an old book—or, in this case, an “Ould” book—is necessarily praiseworthy. Consider this page from Dom Ould’s hymnal. Do you see the rhymes? They offend severely by ABR (“Abuse By Reuse”) and are utterly predictable. In my recent article—Two Ways to Defile a Hymn—I addressed this topic.
    —Jeff Ostrowski
    “Reader Feedback” • 22 June 2026
    A reader wrote to us from Virginia: “I really appreciate the 23 harmonizations that you posted on CORPUS CHRISTI WATERSHED for the Daily, Daily, Sing to Mary hymn. I hope to find willing voices in our small Schola Cantorum to try the three-voice version. Carry on, sir! You’re doing the Lord’s work.” While we don’t know this gentleman personally, we note that he earned a Ph.D. (which demonstrates that our blog has something for everybody). 😊
    —Corpus Christi Watershed
    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski

Random Quote

Agnes De Mille: “When I see my work, I take for granted what other people value in it. I see only its ineptitude, inorganic flaws, and crudities. I am not pleased or satisfied.” — Martha Graham: “No artist is pleased.” ADM: “But then there is no satisfaction?” — MG: “No satisfaction whatever at any time,” she cried out passionately. “There is only a queer divine dissatisfaction, a blessed unrest that keeps us marching and makes us more alive than the others.”

— “Martha Graham on the Life-Force of Creativity”

Recent Posts

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  • “Website Subscriptions” • (Update: 30 June 2026)

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