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Views from the Choir Loft

Jeff Ostrowski • Article Archive

A theorist, organist, and conductor, Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He completed studies in Education and Musicology at the graduate level. Having worked as a church musician in Los Angeles for ten years, in 2024 he accepted a position as choirmaster for Saint Mary of the Immaculate Conception in Michigan, where he resides with his wife and children. —Read full biography (with photographs).

Jeff Ostrowski · December 23, 2020

PDF Download • “Midnight Mass Musical Plan” (2020)

To show our singers how special our music is, I’ve included ancient MSS for each piece—as well as rehearsal videos.

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Jeff Ostrowski · December 23, 2020

23 December 2020 • A 5th? or 4th?

I have noticed that where the Editio Vaticana has a descending perfect fourth for the Gradual of Christmas Midnight Mass, many ancient manuscripts have a descending perfect fifth, which is pretty cool: Example A — Example B. The Vatican Edition is a CENTO, and never made any claim to be anything other than a CENTO. […]

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Jeff Ostrowski · December 23, 2020

PDF Download • “Creator Alme Siderum” with Organ Accompaniment

The Brébeuf Hymnal provides ancient (Roman Catholic) English translations of this hymn, but Eleanor Parker found versions in Anglo-Saxon!

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Jeff Ostrowski · December 22, 2020

“Improving As Musicians” • Eight Suggestions

Did you know I communicate with dead Catholic composers? I’m not joking.

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Jeff Ostrowski · December 16, 2020

The First Time We’ve Ever Done This Correctly!

Abbot Pothier included a section called “De Ritibus Servandis In Cantu Missae.”

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Jeff Ostrowski · December 15, 2020

“Blessing the Bell” • Most Rev’d Alejandro D. Aclan

When a monk hears the bell, he stops whatever he’s doing and immediately goes to prayer. It is the voice of God calling us to pray, to avoid sin, and to forget the things of this world and think of Him.

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Jeff Ostrowski · December 13, 2020

“Rorate Mass” (FSSP) • 12 December 2020

Attendance was standing room only. Afterwards, the children presented roses to Mary—as the entire parish prayed the Rosary—and then we consecrated California to Jesus Christ.

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Jeff Ostrowski · December 12, 2020

“Homily — 3rd Sunday of Advent, Year B” • Father Valentine Young, OFM

As the Gloria during Mass suggests, we should “thank Him simply because of His great glory.” When is the last time you did that?

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Jeff Ostrowski · December 10, 2020

“Martinelli’s Letter” (dated 18 February 1910)

My recent post on the repercussion has induced some to ask: “Can we just sing whatever rhythm we want for the Vatican Edition? What about mensuralism? What about Bonvin and Vollaerts?” For those of us who work in the Extraordinary Form, we must follow the rhythm of the Editio Vaticana, and this was addressed in […]

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Jeff Ostrowski · December 10, 2020

Offertory Compared • “Ave Maria” (4th Sunday of Advent) vs. “Ave Maria” (Immaculate Conception)

Consider the melody found in “Le Graduel Romain,” published in 1800—nine years before Napoleon Bonaparte kidnapped Pope Pius VII

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Jeff Ostrowski · December 9, 2020

9 December 2020 • A Cool Tradition

Before the reforms of the “Code of Rubrics” (1961), antiphons at Vespers were abbreviated in a cool way. For example, look at this antiphon, Ecce Veniet (from Vespers on the 4th Sunday of Advent). But that tradition—as far as I know—ended in 1961, with §191 which said: “The whole antiphon is always said before and […]

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Jeff Ostrowski · December 8, 2020

Gregorian Chant • “How To Sing The Repercussion” (such as: Bistropha, Tristropha, etc.)

Each monastery had its own particular way of singing plainsong.

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Jeff Ostrowski · December 6, 2020

“Homily — 2nd Sunday of Advent, Year B” • Father Valentine Young, OFM

Yes, these are extraordinary times—and they require something extraordinary from us.

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Jeff Ostrowski · December 2, 2020

Book Title • “English As She Is Spoke”

One who translates Aquinas expects to be cross-examined by those who understand philosophy and Latin; but Bible translators are liable to be cross-examined by anybody, because everybody thinks he knows what the Bible means.

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Jeff Ostrowski · December 2, 2020

(Ecuador) • Archbishop Poisoned on Good Friday

It happened during the “Mass of the Presanctified” celebrated on Good Friday, 30 March 1877.

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Corpus Christi Watershed

President’s Corner

    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address and phone number is listed at the bottom of each page.
    —Jeff Ostrowski
    Music List • “Trinity Sunday” (Year A)
    Readers have expressed interest in seeing the ORDER OF MUSIC I created for Trinity Sunday—a.k.a. “Dominica I post Pentecosten”—which is 31 May 2026. Please feel free to download it as a PDF file if that appeals to you. The hymns chosen are fairly traditional, but truly excellent (the Communion hymn especially stands out). The ENTRANCE CHANT radiates pure bliss, overflowing with joy.
    —Jeff Ostrowski
    “Entrance Chant” • Feast of Corpus Christi
    While simultaneously accompanying myself on the pipe organ, I recently recorded the INTROIT (“Entrance Chant”) for the feast of Corpus Christi, Years ABC. A whole crop of musical scores—which you really should investigate—have found a home at the flourishing feasts website.
    —Jeff Ostrowski

Quick Thoughts

    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski
    “Reminder” — Month of May (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    Simplified Version • “Canon in D” (Pachelbel)
    I published an article on 11 November 2023 called Wedding March For The Lazy Organist, which rather offhandedly made reference to a simplified version I created in 2007 for Pachelbel’s Canon. I often use it as a PROCESSIONAL for weddings and quinceañeras. Many organists say they “hate” Pachelbel’s Canon. But I love it. I think it’s bright and beautiful. I created that ‘simplified version’ for musicians coming to grips with playing the pipe organ. It can be downloaded as a free PDF if you visit Andrea Leal’s article dated 15 August 2022: Manuals Only: Organ Interludes Based on Plainsong. Specifically, it is page 84 in that collection—generously offered as a free PDF download. Johann Pachelbel (d. 1706) was a renowned German organist, violinist, teacher, and composer of over 500 works. A friend of Bach’s family, he taught Johann Christoph Bach (Sebastian Bach’s eldest brother) and lived in his house. Those who read Pachelbel’s biography will notice his connection to two German cities adopted as famous hymn tune names: EISENACH and ERFURT.
    —Jeff Ostrowski

Random Quote

“Gloria, Credo, etc., may not be broken into detached fragments; it is wrong to omit or hurry over the Proper of the day; it is not permitted to substitute organ playing for the Proper; it is wrong to use, however briefly, themes from theatrical or dance music, from popular songs, love-songs, comic songs; drums, cymbals, piano, bag-pipes are too noisy for Church use .”

— Pope Leo XIII (25 September 1884))

Recent Posts

  • PDF Download • “Rubric Challenge”
  • “CCW Subscriptions” • (Update — 31 May 2026)
  • Re: The “True” Nature of Gregorian Chant
  • PDF Download • “Singer’s Booklet: Trinity Sunday”
  • What Shall Be Our Response?

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