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Views from the Choir Loft

Book Title • “English As She Is Spoke”

Jeff Ostrowski · December 2, 2020

The following is an excerpt from “Trials Of A Translator” (1949). This little excerpt demonstrates not only Monsignor Ronald A. Knox’s tremendous grasp of languages, but also shows he was quite humorous!

O MUCH FOR sentences; and now, what of phrases? It stands to reason that no two languages have exactly the same idiom; that the English for “Comment vous portez-vous?” is not “How do you carry yourself?” If anybody has come across that extremely rare book, English as she is Spoke, he will know what I mean. The book was a phrase-book compiled by a Portuguese author for the benefit of English travelers in Portugal. And you do not need much critical insight to detect the fact that this well-meaning gentleman knew no English at all. He knew French; so he translated his sentences into French and then did them into English with a dictionary. Consequently, when he wanted to render a Portuguese idiom which meant, “to wait about, to kick one’s heels,” he could do all right for the first part of his process; he knew that the corresponding idiom in French was “croquer le marmot”—I have no notion why. The English, therefore, for kicking one’s heels was “to crunch the marmoset.”

It is an extremely entertaining book; but, if you come to think of it, practically every translation of the Bible you have ever read makes errors which are quite as ludicrous—only we are accustomed to them. Douay was consistent; it translated the Latin word for word, and if you protested that its version sounded rather odd, replied woodenly, “Well, that’s what it says.” In the eleventh psalm, for instance, you get the words “deceitful lips, they have spoken in heart and heart.” Even Challoner saw that that would not do, so he pillaged from the Authorized Version and gave us “with a double heart have they spoken.” I don’t see what a double heart could be except an abnormal anatomical condition, or an obscure kind of convention at bridge; but anyhow it sounds a little more like English. But when the Latin had “renew a right spirit within my bowels,” that was what Challoner put; and when the Latin had “Examine, O Lord, my kidneys,” Challoner put that down, too; only he changed kidneys to the obsolete word “reins,” hoping that his readers would not look it up in the dictionary.

We are sensible of these Hebraisms, and most of us would like to see the last of them. But there are hundreds and hundreds of other Hebraisms which we do not notice, because we have allowed ourselves to grow accustomed to them. We should have thought it odd if we had read in The Times: “General Montgomery’s right hand has smitten Rommel in the hinder parts.” But if we get that sort of thing in the Bible, we take it—unlike Rommel—sitting down. “Mr. Churchill then opened his mouth and spoke”—is that English? No, it is Hebrew idiom clothed in English words.

SOURCE: “Trials Of A Translator” (1949)

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

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Filed Under: Articles Tagged With: Monsignor Ronald Knox Traditional Mass Last Updated: April 12, 2021

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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President’s Corner

    Luis Martínez Must Go!
    Sevilla Cathedral (entry dated 13 December 1564): The chapter orders Luis Martínez, a cathedral chaplain, to stay away from the choirbook-stand when the rest of the singers gather around it to sing polyphony—the reason being that “he throws the others out of tune.” [Excerpt from “The Life of Father Francisco Guerrero.”]
    —Jeff Ostrowski
    Urgent! • We Desperately Need Funds!
    A few days ago, the president of Corpus Christi Watershed posted this urgent appeal for funds. Please help us make sure we’re never forced to place our content behind a paywall. We feel it’s crucial that 100% of our content remains free to everyone. We’re a tiny 501(c)3 public charity, entirely dependent upon the generosity of small donors. We have no endowment and no major donors. We run no advertisements and have no savings. We beg you to consider donating $4.00 per month. Thank you!
    —Jeff Ostrowski
    “Booklet of Eucharistic Hymns” (16 pages)
    I was asked to create a booklet for my parish to use during our CORPUS CHRISTI PROCESSION on 22 June 2025. Would you be willing to look over the DRAFT BOOKLET (16 pages) I came up with? I tried to include a variety of hymns: some have a refrain; some are in major, others in minor; some are metered, others are plainsong; some are in Spanish, some are in Latin, but most are in English. Normally, we’d use the Brébeuf Hymnal—but we can’t risk having our congregation carry those heavy books all over the city to various churches.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

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— Robert Schumann

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  • PDF Download • “2025 Booklet for Participants for the Sacred Music Symposium” — (155 pages)
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  • PDF Download • “Gospel Acclamation” for 29 June (Solemnity of Saints Peter and Paul, Apostles)
  • “Hybrid” Chant Notation?

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