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“A much greater source of anxiety to Us is the style of action of those who maintain that liturgical worship should shed its sacred character, who foolishly say we should substitute for sacred items & furnishings ordinary common things in daily use.” —Pope Saint Paul VI (14 Oct 1968)

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Views from the Choir Loft

The First Time We’ve Ever Done This Correctly!

Jeff Ostrowski · December 16, 2020

N THE HUNDREDTH anniversary of the publication of the Editio Vaticana GRADUAL, Jeffrey Tucker asked me if he could scan my personal copy, which I had purchased from Germany. In 2008, I published an article in the SACRED MUSIC MAGAZINE—which begins on page 21—explaining the melismatic moræ vocis. In my article, you’ll find the following sentence, which Jeffrey Tucker wrote:

“The Vatican Edition of the Graduale Romanum is now online. I’m happy to report that it is my personal copy that now resides on the CMAA server and is bringing this beautiful book—all 940 pages of it—to the world for the first time, and on its hundredth anniversary.”

Mr. Tucker insisted that I include his words, even though I felt they made me sound arrogant. In any event, if you look in that 1908 Graduale, you will notice how Abbot Pothier included a section called “De Ritibus Servandis In Cantu Missae.” I published an English translation of this document in January of 2017 (cf. Nine Rubrics for Mass in the Extraordinary Form). Here’s what Abbot Pothier says about singing the ALLELUIA:

Translated into English, that means: “If two Alleluias with a verse are to be sung, the first Alleluia is chanted by one or two voices up to the asterisk: the choir then repeats the Alleluia and adds the neume (or “jubilus”), drawing out the syllable “A.” The Cantors sing the Verse, which is completed in full chorus from the asterisk, as before. The Verse done, the Cantor or Cantors repeat the Alleluia, and the chorus adds the neume only.”

However, we never follow that. We always have the entire choir repeat the final Alleluia, from beginning to end. If you ask me why I don’t do it correctly, I don’t really have a good answer; we just don’t.

Here is how it’s supposed to be done:

On the feast of Our Lady of Guadalupe, we did it correctly for the first time ever!

Opinions by blog authors do not necessarily represent the views of Corpus Christi Watershed.

Filed Under: Articles Tagged With: De Ritibus Servandis, melismatic morae vocis, Propers Our Lady Guadalupe Last Updated: December 17, 2020

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About Jeff Ostrowski

Jeff Ostrowski holds his B.M. in Music Theory from the University of Kansas (2004). He resides with his wife and children in Michigan. —(Read full biography).

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Corpus Christi Watershed

President’s Corner

    “What Martin Luther Said…”
    My pastor asked me to write little columns for the bulletin each week. The article for 20 July 2025 has been posted, and it’s called: “What Luther Said…” Martin Luther (an ex-priest and apostate) was an infamous heretic whose ignorance of JESUS CHRIST was only exceeded by his filthy and disgusting vulgarity.
    —Jeff Ostrowski
    “Music List” • 15th in Ordinary Time (Year C)
    Some have expressed interest in perusing the ORDER OF MUSIC I prepared for the 15th Sunday in Ordinary Time (13 July 2025). If such a thing interests you, feel free to download it as a PDF file. As always, the Responsorial Psalm, Gospel Acclamation, and propers for this Sunday are also provided at the the feasts website.
    —Jeff Ostrowski
    15th Sunday in Ordinary Time (Year C)
    This coming Sunday—13 July 2025—is the 15th Sunday in Ordinary Time (Year C). All the chants have been conveniently assembled and posted at the feasts website. The OFFERTORY, Ad Te Levávi, is particularly beautiful.
    —Jeff Ostrowski

Quick Thoughts

    Pope Pius XII Hymnal?
    Have you ever heard of the Pope Pius XII Hymnal? It’s a real book, published in the United States in 1959. Here’s a sample page so you can verify with your own eyes it existed.
    —Corpus Christi Watershed
    “Hybrid” Chant Notation?
    Over the years, many have tried to ‘simplify’ plainsong notation. The O’Fallon Propers attempted to simplify the notation—but ended up making matters worse. Dr. Karl Weinmann tried to do the same in the time of Pope Saint Pius X by replacing each porrectus. You can examine a specimen from his edition and see whether you agree he complicated matters. In particular, look at what he did with éxsules fílii Hévae.
    —Corpus Christi Watershed
    Antiphons Don’t Match?
    A reader wants to know why the Entrance and Communion antiphons in certain publications deviate from what’s prescribed by the GRADUALE ROMANUM published after Vatican II. Click here to read our answer. The short answer is: the Adalbert Propers were never intended to be sung. They were intended for private Masses only (or Masses without music). The “Graduale Parvum,” published by the John Henry Newman Institute of Liturgical Music in 2023, mostly uses the Adalbert Propers—but sometimes uses the GRADUALE text: e.g. Solemnity of Saints Peter and Paul (29 June).
    —Corpus Christi Watershed

Random Quote

“The main place should be given, all things being equal, to gregorian chant, as being proper to the roman Liturgy. Other kinds of sacred music, in particular polyphony, are in no way excluded, provided that they correspond to the spirit of the liturgical action and that they foster the participation of all the faithful.”

— ‘2011 GIRM, §41 (Roman Missal, 3rd Edition)’

Recent Posts

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  • “What Martin Luther Said…”
  • “Music List” • 15th in Ordinary Time (Year C)
  • Worship the Lord in Holy Attire
  • “How to Conduct 90 Vespers Services Each Year and Live to Tell the Tale.”

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