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Corpus Christi Watershed

Pope Saint Paul VI (3 April 1969): “Although the text of the Roman Gradual—at least that which concerns the singing—has not been changed, the Entrance antiphons and Communions antiphons have been revised for Masses without singing.”

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Views from the Choir Loft

Corpus Christi Watershed

Corpus Christi Watershed · April 12, 2024

Dr. Chapp Interviews Father Uwe Michael Lang

Posted on 11 April 2024: “Sacred Liturgy in the Thought of Joseph Ratzinger”

Corpus Christi Watershed · March 25, 2024

“Spotted in the Wild” • (CCWatershed Members)

This clip was sent to us. The conductor is Martin Baker!

Corpus Christi Watershed · March 25, 2024

Clarence Thomas Speaks About The Eucharist

Justice Clarence Thomas attended the seminary for several years, including “Conception” (north of Kansas City).

Corpus Christi Watershed · March 24, 2024

PDF Download • “Holy Week Music Schedule” • Saint Mary’s in Norwalk, Connecticut

Expect to hear Morales, Palestrina, Victoria, Pierre de la Rue, Tallis, Haydn, Gounod, Rovetta, Lassus, Byrd, Senfl, Taverner, Wingham, and more.

Corpus Christi Watershed · March 15, 2024

Dr. Alfred Calabrese Conducts In Boston Cathedral

“To Richard Clark, music director of the Cathedral of the Holy Cross in Boston, few sounds are as joyful to hear as over 100 children singing in unison…”

Corpus Christi Watershed · March 14, 2024

“Lenten Polyphony for Two Voices”

On 28 February 2024, we posted this article with two women singing at Mass. Specifically, they were singing a piece for Lent called “Open, O Hard and Sinful Heart.” Since that time, the video has garnered thousands of views on YouTube and reached more than 34,000 on Facebook. If you’d like to download a special […]

Corpus Christi Watershed · March 5, 2024

(5 March 2024) • Interview with Diana Corliss

In this interview, Diana speaks about (among other things) the “Colorado Sacred Music Conference.”

Corpus Christi Watershed · March 4, 2024

PDF Downloads • “Contemporary Sacred Music”

Readers often send us their compositions. Today, we’d like to share some!

Corpus Christi Watershed · February 13, 2024

PDF Download • “Jesuit Martyrs of North America” (Stained Glass Window) — High Resolution

From “American Martyrs Catholic Church” in Manhattan Beach, California.

Corpus Christi Watershed · January 21, 2024

A Message From Mr. Roderick Royce!

Mr. Royce has taught orchestra for thirteen years.

Corpus Christi Watershed · January 10, 2024

Released • Jeff Ostrowski’s Seminar: “Secrets of the Conscientious Choirmaster” (9+ hours)

Mr. Ostrowski created this seminar based on lectures, masterclasses, and tutorials he’s presented at the Sacred Music Symposium over the last decade.

Corpus Christi Watershed · January 1, 2024

Pipeline to Heaven

The new chapel of Saint John Vianney College Seminary (SJV) is scaling new heights in beauty since its recent pipe organ installation.

Corpus Christi Watershed · December 4, 2023

Dr. Alexis Kutarna Shares Photographs of Texas Workshop With Composer Kevin Allen

Dr. Kutarna teaches liturgical music courses at the University of Saint Thomas in Houston, Texas.

Corpus Christi Watershed · November 4, 2023

Kevin Allen … for 500 Altar Servers!

Corpus Christi Watershed was sent this fascinating message vis-à-vis motets of Kevin Allen being sung in a Mass with 500+ altar servers present. If anyone has more information, we would love to hear more details about this event!

Corpus Christi Watershed · October 29, 2023

“Voces8” (Grammy-Nominated British Vocal Ensemble) • With Kevin Allen

They posed after the concert for a photograph with the composer.

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Corpus Christi Watershed

President’s Corner

    Dr. Mahrt explains the ‘Spoken’ Propers
    In 1970, the Church promulgated a new version of the Roman Missal. It goes by various names: Ordinary Form, Novus Ordo, MISSALE RECENS, and so on. If you examine the very first page, you’ll notice that Pope Saint Paul VI explains the meaning of the ‘Spoken Propers’ (which are for Masses without singing). A quote by Dr. William P. Mahrt is also included in that file. The SPOKEN PROPERS—used at Masses without music—are sometimes called The Adalbert Propers, because they were created in 1969 by Father Adalbert Franquesa Garrós, one of Hannibal Bugnini’s closest friends (according to Yves Chiron).
    —Jeff Ostrowski
    PDF • “Music List” (1st Sunday of Advent)
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 30 November 2025, which is the 1st Sunday of Advent (Year A). If such a thing interests you, feel free to download it as a PDF file. The ENTRANCE CHANT is quite memorable, and the fauxbourdon setting of the COMMUNION is exquisite. As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are available at the feasts website alongside the official texts in Latin.
    —Jeff Ostrowski
    “Music List” • Christ the King Sunday
    Readers have expressed interest in perusing the ORDER OF MUSIC I’ve prepared for 23 November 2025, which is the 34th Sunday in Ordinary Time (Year C). If such a thing interests you, feel free to download it as a PDF file. In the 1970 Missal, this Sunday is known as: Domini Nostri Jesu Christi Universorum Regis (“Solemnity of Our Lord Jesus Christ, King of the Universe”). As always, the Responsorial Psalm, Gospel Acclamation, and Mass Propers for this Sunday are conveniently stored at the magnificent feasts website alongside the official texts in Latin.
    —Jeff Ostrowski

Quick Thoughts

    “Translations Approved for Liturgical Use”
    According to the newsletter for USSCB’s Committee on Divine Worship dated September 1996, there are three (3) translations of the Bible which can be used in the sacred liturgy in the United States. You can read this information with your own eyes. It seems the USCCB and also Rome fully approved the so-called NRSV (“New Revised Standard Version”) on 13 November 1991 and 6 April 1992 but this permission was then withdrawn in 1994.
    —Corpus Christi Watershed
    Gospel Options for 2 November (“All Souls”)
    We’ve been told some bishops are suppressing the TLM because of “unity.” But is unity truly found in the MISSALE RECENS? For instance, on All Souls (2 November), any of these Gospel readings may be chosen, for any reason (or for no reason at all). The same is true of the Propria Missæ and other readings—there are countless options in the ORDINARY FORM. In other words, no matter which OF parish you attend on 2 November, you’ll almost certainly hear different propers and readings, to say nothing of different ‘styles’ of music. Where is the “unity” in all this? Indeed, the Second Vatican Council solemnly declared: “Even in the liturgy, the Church has no wish to impose a rigid uniformity in matters which do not implicate the faith or the good of the whole community.”
    —Corpus Christi Watershed
    “Our Father” • Musical Setting?
    Looking through a Roman Catholic Hymnal published in 1859 by Father Guido Maria Dreves (d. 1909), I stumbled upon this very beautiful tune (PDF file). I feel it would be absolutely perfect to set the “Our Father” in German to music. Thoughts?
    —Jeff Ostrowski

Random Quote

Ambrose and Prudentius took something classical and made it Christian; the revisers and their imitators took something Christian and tried to make it classical. The result may be pedantry, and sometimes perhaps poetry; but it is not piety. “Accessit Latinitas, discessit pietas.”

— Fr. Joseph Connelly (1954)

Recent Posts

  • “Translations Approved for Liturgical Use”
  • “Sacred Music Pilgrimage to Italy” with Grace Feltoe
  • Dr. Mahrt explains the ‘Spoken’ Propers
  • PDF • “Music List” (1st Sunday of Advent)
  • Kid’s Repertoire • “Jeffrey’s 3 Recommendations”

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