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Views from the Choir Loft

Archives for February 2026

Jeff Ostrowski · February 15, 2026

Fulton J. Sheen • “24-Hour Catechism”

(7 of 50) “Miracles”

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Jeff Ostrowski · February 15, 2026

2-Voice Arrangement for Lent

A wonderful hymn tune by Kevin Allen (the legendary American composer of sacred music).

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Corpus Christi Watershed · February 13, 2026

Pope Paul VI • “Sacrificium Laudis” (15 Aug 1966)

“What words or melodies could ever replace the forms of Catholic devotion you have used until now?” —Pope Saint Paul VI

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Jeff Ostrowski · February 12, 2026

“Sanctus VIII” • Organ Accompaniment

In French, it is called “Messe de Anges.”

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Jeff Ostrowski · February 12, 2026

PDF Download • Sanctus VIII Organ Accompaniment (“Mass of the Angels”)

This melody is quite ancient.

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Cynthia Ostrowski · February 11, 2026

Gorgeous Image of Monks Singing!

Image from a ‘Book of Hours’ (15th century).

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Jeff Ostrowski · February 10, 2026

“Let the Choir Have a Voice” • Jeff Ostrowski’s Essay on Choral Music in the Catholic Mass

“In a world filled with a lot of noise, your sacred song lifts our hearts to heaven…” —Parishioner

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Mark Haas · February 9, 2026

Solfege Volleyball: A Children’s Choir Game

“The children loved it instantly. The game required focus, teamwork, and listening.”

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Jeff Ostrowski · February 8, 2026

PDF Download • “2-Voice Hymn” (Holy Name)

This arrangement works with a mixed choir (or children singing with men).

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Jeff Ostrowski · February 7, 2026

Music List • (5th Sund. Ordinary Time)

Readers have expressed interest in examining my “music list” for this coming Sunday.

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Jeff Ostrowski · February 7, 2026

Fulton J. Sheen • “24-Hour Catechism”

(6 of 50) “Christ Foretold”

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Jeff Ostrowski · February 6, 2026

PDF • “Communion” (5th Sunday in Ordin.)

This text will be familiar to altar boys.

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Corpus Christi Watershed · February 5, 2026

“Pipe Organ Interlude During Funerals?” • (Reader Feedback)

Before I say one word, I should probably…

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Jeff Ostrowski · February 4, 2026

Funeral Music “Template” • For Families

This was difficult to assemble, because the “Ordo Exsequiarum” has never been translated into English.

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Jeff Ostrowski · February 3, 2026

“To Cover Sin With Smooth Names”

You owe it to yourself to examine the sample pages (from the full-color section).

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President’s Corner

    “Citation Needed” • Dom Foote of ICEL
    Father Basil Foote, OSB, was organist at WESTMINSTER ABBEY MISSION (British Columbia, Canada). In 1984 he published an article called “Chanting in the Vernacular.” Twenty years later, it was republished by ADOREMUS—and that’s how it came to my attention. In that article, Dom Foote makes a claim I consider somewhat outlandish. At the very least, his statement with regard to the Latin accent needs some sort of citation. He has served on the Music Sub-Committee of the International Commission on English in the Liturgy (ICEL).
    —Jeff Ostrowski
    Music List • “Corpus Christi” (Year A)

    The 28-page Singers’ Booklet is included. Our children’s choir will join us for this Mass.

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    —Jeff Ostrowski
    PDF Download • “Rubric Challenge”
    The feast of Corpus Christi is special for TLM altar boys. On that day, two of us thurifers got to walk backwards while using the THURIBLE. (That American custom, if memory serves, is not strictly described in the rubrics.) A few weeks ago on the CCW Facebook Page we posted this screenshot from a 1915 Roman Catholic hymnal. The challenge is to guess what the rubric says, which we blocked from view with a red box. So far, nobody has guessed correctly. Feel free to guess! Our email address is listed at the bottom of each page. UPDATE: The answer has been revealed as of 8 June 2026.
    —Jeff Ostrowski

Quick Thoughts

    Time and Again We Are Asked…
    John Baptist Singenberger (d. 1924) was a central figure of Catholic Church music. In this utterly fascinating excerpt (Single-Page PDF), Singenberger writes: Time and again we are asked: “Is the Gregorian chant to be accompanied by the organ?” As a young student in Saint Gall, Singenberger befriended SEBASTIAN GEBHARD MESSMER, the future Archbishop of Milwaukee (Wisconsin). The two graduated together in 1861. The school they attended (Saint George’s Seminary) was a “seminary”—but in the older European sense. In other words, it provided a classical education without necessarily leading to ordination. Singenberger remained a layman his whole life, but Messmer was eventually made archbishop—by Pope Saint Pius X—of the very archdiocese in Wisconsin where Singenberger would spend his American career, giving him a powerful ecclesiastical ally.
    —Jeff Ostrowski
    “Reminder” — Month of June (2026)
    On a daily basis, I speak to people who don’t realize we publish a free newsletter (although they’ve followed our blog for years). Since we were founded in 2006, not one of our board members has ever accepted any remuneration whatsoever—not a penny. We have no endowment, no major donors, no savings, and refuse to run annoying ads. As a result, our mailing list is crucial to our survival. It couldn’t be easier to subscribe! Just scroll to the bottom of any blog article and enter your email address.
    —Jeff Ostrowski
    “Thee” + “Thou” + “Thine”
    Few musicians realize that various English translations of Sacred Scripture were granted formal approval by the USCCB and the Vatican for liturgical use in the United States of America. But don’t take my word for it! Here are four documents proving this, which you can examine with your own eyes. Some believe the words “Thine” and “Thou” and “Thee” were forbidden after Vatican II—but that’s incorrect. For example, they’re found in the English translation of the ‘Our Father’ at Mass. Moreover, the Revised Standard Version (Catholic Edition) mentioned in those four documents employs “Thine” and “Thou” and “Thee.” It was published with a FOREWORD by Westminster’s Roman Catholic Archbishop (John Cardinal Heenan).
    —Jeff Ostrowski

Random Quote

It is known that the “mora vocis” is part of the compulsory rules of recital of the “Vaticana” and is indicated in the Editio typica and its reprints by a somewhat larger spacing of the neume (one space-line) within one group of neuma.

— 1953 Schwann Edition (PREFACE)

Recent Posts

  • Time and Again We Are Asked…
  • “Citation Needed” • Dom Foote of ICEL
  • “Should the People Sing in Parts?” • Weighing the Case for SATB Hymnals in the Pews
  • Revealed • “Answer to the Riddle”
  • Music List • “Corpus Christi” (Year A)

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